Gina Fattore is the author of the new novel The Spinster Diaries. Her television writing credits include Dare Me and Better Things, and her work has appeared in a variety of publications, including Salon and Entertainment Weekly.
Q: How did you come up with the idea for The Spinster
Diaries?
A: The Spinster Diaries is so closely based on my real life
that it doesn’t seem quite fair to use the expression “came up with.”
In January of 2006, I really did discover that I had a small
brain tumor. Thankfully, it was benign, but one weekend, when I didn’t have
anything better to do, I started trying to write something about it, an essay
perhaps.
But an essay requires a calm, sane, sensible, rational voice
– and the only one I could muster was an unreliable, self-doubting comic one.
So I just went with that and kept writing.
Eventually, I realized that my benign brain tumor was a
perfect metaphor for all the things in life that aren’t serious enough to kill
us… yet still no matter how hard we try, we can’t stop obsessing on them. In
other words, anxiety.
I didn’t write the whole book right then and there, just the
first few chapters. But that’s when the idea first found me.
Q: The novel also focuses on the 18th/19th century writer
Frances Burney. What first intrigued you about her, and did you need to do any
research to write the book?
A: One of my English professors at Columbia, the late
Siobhán Kilfeather, gets the credit for sparking my original interest in
Frances Burney’s fiction.
In classes with her, I read Cecilia and Camilla –along with
all of Jane Austen and the work of other female novelists active in the late 18th
century like Charlotte Lennox, Ann Radcliffe, and Maria Edgeworth.
Then after college, I stumbled upon a short, abridged
version of Burney’s diaries and couldn’t get over how funny and relatable her
voice was.
I had just moved to LA to pursue a career in television
writing, and it occurred to me that while her novels were quite dated and
stilted, Burney herself – an anxious, near-sighted struggling writer who can’t
catch a break in her love life – could be a compelling heroine for a modern
audience.
Years later, after I became more established in my TV
career, I remembered that revelation and decided to try and adapt Burney’s
diaries for the screen.
That’s when I discovered the unabridged, scholarly editions
of the diaries produced by the Burney Centre at McGill University and started
reading every Burney biography I could get my hands on.
As I joke in my novel, I never got anywhere with that
project, but I did do an insane amount of research for it, so most of the
“research” I did for The Spinster Diaries was actually just research for that
earlier, failed project.
Q: The book is set in 2006-07--why did you choose that time
period?
A: It chose me! That time period is exactly when my medical
crisis happened – and when I first started writing about it casually, as
I described above.
Then I wound up spending the next 10 years of my life
writing, rewriting, and trying to sell the book. Writers block wasn’t the
issue. I just got stuck for a long time at the “rejected by agents” stage.
Ultimately, in 2018, I found Gregory Messina, and he
submitted the book to Prospect Park Books, an amazing indie publisher willing
to take a chance on something different.
Along the way from first draft to publication, I did change a
lot of things about the manuscript, but I never really saw the point of
“updating” the story to the present day. Why change all the narrator’s cultural
reference points, when all those “new” references will also be outdated in the
blink of an eye?
Q: What do you hope readers take away from the book?
A: On a purely personal level, I hope that other single
people who have failed miserably at dating and been deemed “defective” by
society at large will get a much-needed laugh from it.
For everyone else, I hope reading The Spinster Diaries makes
them question the stories we consume – especially the love stories – and also
the stories we create for ourselves in order to give meaning and shape to our
lives, both the positive ones and the negative ones.
There was a quote from Oliver Sacks’s The Man Who Mistook
His Wife for a Hat that I kept coming back to as I was writing: “It might be
said that each of us constructs and lives a ‘narrative,’ and that this
narrative is us, our identities.”
Q: What are you working on now?
A: Primarily, I work as a TV writer-producer, and since my
last show (Dare Me) just got cancelled, right now I’m working on three new TV
projects that are in various stages of development: two are still at the
concept or “pitch” stage, and one is a finished pilot script that I am
revising.
Down the line, I do want to write another book, but I
haven’t started working on anything yet.
Like a lot of writers, during the pandemic, I’ve been
watching a lot of TV and feeling unproductive – although perhaps the greatest
joy of being a TV writer is knowing that all the TV you watch qualifies in some
vague way as “research.” You’re studying the form!
--Interview with Deborah Kalb
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