Lily Crozier is the author of the new novel Vow of Eternal Night. She lives in Sydney, Australia.
Q: What inspired you to write Vow of Eternal Night, and how did you create your character Clara?
A: Vow of Eternal Night was ultimately the vampire book I’d always wanted to read.
While I was working as a bookseller, I always kept an eye out for a gothic, historical vampire romance but never found quite the right fit. Historical vampires with traditional lore tended to be found in horror, while romantic vampires were either found in high fantasy settings and lost our lore, or were set in modern-day paranormal settings.
A few years ago I lamented all this to my sister and wondered aloud why there wasn’t something like a Beauty and the Beast retelling with a vampire as the beast, and suddenly had my idea!
Clara was the very first part of the story to come to me. I knew straight away that the book would be in first person, and that her name would be Clara (named after Clara in The Nutcracker, mostly because I’d always wanted to name a character Clara!).
I started by writing vignettes in her perspective about her home and her hatred for the vampire who destroyed it, and quickly built a sense for her character.
Q: How would you describe the dynamic between Clara and your character Raleigh?
A: Depends on what point in their relationship we’re looking at! Throughout the book they go from enemies (she hates him, he hates her father), to reluctant allies, to lovers, with Clara being the more reluctant of the two.
Clara gets exasperated by Raleigh, so there’s a fair amount of playful bickering between them! But by the end of the book they’re both very protective of each other, and both are equally prepared to risk themselves to save the other.
I’d also say Black Cat x Golden Retriever sums it up pretty nicely! (Raleigh being the golden retriever).
Q: The author Olivia O’Flynn called the novel a “deliciously undead twist on a classic fairytale...” What do you think of that description?
A: It’s pretty accurate! My goal with Vow of Eternal Night was to write a Beauty and the Beast retelling with a vampire in the role of the beast, so a deliciously undead twist is right on the money!
In the end VoEN leans towards being more of a loose retelling, drawing from multiple versions of the story as it’s been told over time (including Psyche and Eros), but at its heart it will always be inspired by Beauty and the Beast.
Q: How did you create the world in which the story is set?
A: I knew right away that I wanted Vow of Eternal Night to be set around Austria or Germany. At the very start I wrote with Austria in mind as the setting—with Raleigh as a lesser noble—but the more I researched and got a better sense for Raleigh’s role in society I knew Rostenburg had to become a principality with Raleigh as sovereign.
I ended up setting Rostenburg in the mountains between what is now Upper Austria and Bavaria, which also meant it fell under the domain of the Holy Roman Empire and the Habsburgs.
For the most part Rostenburg draws culturally from the regions around it, but I’ve sprinkled hints throughout the book to suggest it was a little more culturally independent before their sovereign disappeared for 300 years (Raleigh’s non-German name is one of them!).
Orlfen itself is inspired in part by Lus-la-Croix-Haute in France, which is also a village surrounded by mountains, although there’s neither a castle on the mountain nor a vampire prince!
The city of Triz is inspired by a mix of Zurich, Salzburg and a town in France I visited as a child that’s covered in cobbles and steep stairways, but I don’t remember what it was called!
Q: What are you working on now?
A: I’m still keeping the details fairly close to my chest for now, but it’ll ideally be a trilogy, this time set in an entirely different world. It’s still romantasy, but the stakes are higher, there’s a lot more magic, and the world is inspired by the late 1800s/early 1900s. I’ve also dialled the pining up by several magnitudes!
Q: Anything else we should know?
A: As you read Vow of Eternal Night you may notice occasional mentions of the empire’s stance on vampires. These are historical Easter eggs and actually based on fact!
Most people think Bram Stoker created the vampire as we know it when he wrote Dracula, but modern European vampire folklore actually originated much earlier.
In the early-to-mid-18th century, there was a surge in strange happenings attributed to vampires around Germany, Austria, and Hungary, and they were generally believed to be real. In fact, one of the books I read while researching for Vow of Eternal Night was actually written in this era!
In the end Empress Maria-Theresa officially declared vampires not to exist, and outlawed vampire hunting.
Later, Lord Byron—in the same contest that gave us Frankenstein—based his vampire story on this folklore, which in turn led to Polidori’s The Vampyre, and so on until Stoker wrote Dracula at the end of the 19th century.
You obviously don’t need to know any of that to enjoy Vow of Eternal Night—it’s meant to be an escapist vampire romance!—but if anyone knows a bit about the era going in, you may notice some little hints I’ve sprinkled in to show how that affected the people of Rostenburg.
--Interview with Deborah Kalb






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