Friday, February 6, 2026

Q&A with Loretta Ellsworth

  

Photo by Tricia Riggin Photography

 

Loretta Ellsworth is the author of the new novel The Jilted Countess. It was inspired by the true story of a Hungarian countess who emigrated to Minnesota after World War II. Ellsworth's other books include Stars Over Clear Lake. She lives in Minnesota. 

 

Q: The Jilted Countess was inspired by a real story--how did you first learn about it?

 

A: In 2015, there was an article in the Minneapolis Star Tribune newspaper, which mentioned the countess. It referenced the original articles in 1948 and asked readers if anyone knew what happened to her. Unfortunately, no one replied.

 

So I decided to look up the 1948 articles myself (on microfiche) at the Minnesota History Center. I became obsessed with her story and did everything I could to find out what became of her, but with no success. But I did come away with a great story!

 

Q: What did you see as the right balance between fiction and history as you wrote the book?

 

A: I wanted to use as much true history as I could. As a matter of fact, I purchased the rights to the original articles, and used them in my book (with a bit of editing for length).

 

I spent so much time in research trying to find the real countess, but I had no name (they used a fake name in the newspaper), and I didn’t even know what town she ended up in.

 

I ultimately had to give myself permission to finish her story, to use as much history as I had in the first half and let my imagination create the second half of the book.

 

Q: Can you say more about how you researched the novel? Did you learn anything that especially surprised you?

 

A: As noted above, I spent way too much time at the Minnesota History Center looking up articles. I also looked up marriage records for the timeframe in which she would have been married, looking for Hungarian-sounding names, then checking obituaries as well.

 

I also read a great deal about Hungary during WWII, both fiction and nonfiction, and researched places in the Twin Cities where she might have had her dates. 

 

I was surprised by how quickly the responses came to the news article - I found out that in 1948 most towns had mail service two or three times a day! And, of course, I was surprised by how many men offered to marry her!

 

Q: The writer Heather Webb said of the book, “The Jilted Countess is a fascinating and tender tale of new beginnings, finding love in unexpected places, and the path to healing in the aftermath of war.” What do you think of that description?

 

A: That’s a very generous description, and I thank her for her kind blurb as well. I read a great deal of historical fiction and I’m always struck by how resilient people are who face tremendous heartbreak and challenges. It takes a special kind of strength and courage to marry a stranger and start a new life rather than go back to a country under Communist regime.

 

Q: What are you working on now?

 

A: I’m working on another historical novel that goes back and forth in time between WWII and 1997 and takes place in the US and Japan.

 

Q: Anything else we should know?

 

A: I included a photo of the real countess in the Author Note at the back of the book. I’m hoping this will lead to finding out who she is. Stay tuned!

 

--Interview with Deborah Kalb. Here's a previous Q&A with Loretta Ellsworth. 

Q&A with Kathy P. Wu

  


 

Kathy P. Wu is the author of the book The Self-Regulation Handbook for Teens and Young Adults: A Trauma-Informed Guide to Fostering Personal Resilience and Enhancing Interpersonal Skills. She is a psychologist.

 

Q: What inspired you to write The Self-Regulation Handbook for Teens and Young Adults?

 

A: This book grew out of 15 years of clinical work with teens, young adults, and their parents, along with years of teaching undergraduate and graduate students.

 

I’ve worked in schools, community-based mental health programs, inpatient psychiatric hospitals, and outpatient clinics, and everywhere I went, I noticed the same pattern: young people were overwhelmed, and the adults supporting them often didn’t know how to respond in ways that felt safe or helpful.

 

From a trauma-informed perspective, that struggle makes sense. Today’s teens and young adults are navigating constant sociopolitical upheaval, climate change anxiety, technological overload, and nonstop access to distressing information.

 

Social media, academic pressure, and a culture of comparison amplify stress at a time when identity and independence are still forming. In both therapy and the classroom, I saw how hungry young people were for guidance that didn’t pathologize them or minimize what they were facing.

 

Over time, it became clear that there was a real need for a practical, accessible, self-guided manual on self-regulation, rooted in trauma-informed care, that could exist outside the therapy room.

 

I wanted this book to feel like a steady, compassionate presence: acknowledging how hard this stage of life is, recognizing the realities of the world they’re inheriting, and offering tools to help them feel grounded, empowered, and capable.

 

At its core, the book is about helping young people trust themselves and build skills they can carry into adulthood.

 

Q: The book is geared toward people ages 15 to 21. What impact do you think the pandemic has had on this group's well-being?

 

A: The pandemic landed right in the middle of a critical developmental window. Research shows that peer relationships, routine, and growing independence are essential for emotional development and identity formation during this stage.

 

Instead, many young people experienced isolation, disrupted routines, lost milestones, and abrupt school closures, just as they were figuring out who they were and how they fit into the world.

 

Studies show increases in anxiety, depression, sleep problems, academic disengagement, and feelings of hopelessness. Many also faced heightened family stress, financial instability, and grief, often without access to the stabilizing supports that usually help, such as friends, extracurriculars, and trusted adults outside the home.

 

From a trauma-informed perspective, prolonged uncertainty and disruption can deeply shake a young person’s sense of safety and predictability.

 

Clinically, I still see the ripple effects: teens and young adults shutting down more quickly, struggling to tolerate stress, and feeling overwhelmed by demands that once felt manageable.

 

At the same time, this generation is remarkably insightful, with words for burnout, trauma, and boundaries in ways previous generations often didn’t.

 

What’s been missing isn’t awareness, but guidance: tools to steady themselves, rebuild safety, and move forward with confidence after such a destabilizing collective experience.

 

Q: What role does self-regulation play in fostering resilience?

 

A: Self-regulation is at the heart of resilience. Research shows that adapting to stress depends less on avoiding challenges and more on how we respond and recover.

 

When someone is overwhelmed or emotionally shut down, skills like problem-solving, empathy, and flexibility become much harder to access. Self-regulation creates the internal conditions that make those skills available again.

 

Research-backed strategies include grounding through the senses, slowing the breath, using movement to release tension, and putting words to emotional experiences. Cognitive strategies like naming emotions, challenging all-or-nothing thinking, and practicing self-compassion also help teens and young adults recover more quickly from stress.

 

Learning to notice early signs of dysregulation, such as irritability, withdrawal, or racing thoughts, and responding intentionally can make a huge difference. Small actions, like taking a pause, changing the environment, journaling, or reaching for a safe connection, can interrupt a stress spiral and restore a sense of control.

 

Over time, these experiences build confidence and agency, the feeling that “I can handle this, or at least I know where to start.” Resilience isn’t about never struggling; it’s about knowing how to come back to yourself when life gets hard.

 

Q: What do you hope readers take away from the book?

 

A: I hope readers come away feeling seen and understood. Their reactions, whether anxiety, irritability, or shutting down, are not flaws; they are normal responses to stress and to the world they are navigating.

  

I also want the book to be practical. It’s full of tools and strategies that teens and young adults can actually use in daily life: grounding exercises, ways of shifting thinking patterns, and strategies for managing overwhelm in school or relationships.

 

Most importantly, I hope readers feel empowered and compassionate toward themselves. If someone walks away knowing they have concrete ways to calm themselves, regain perspective, and navigate emotions—and that they are not alone—then the book has done its job.

 

Q: What are you working on now?

 

A: Alongside seeing clients full-time, I’m developing an online resource for people navigating both the highs and lows of life.

 

Psychological support is often framed as something we only seek during struggles or crises, but the high moments, such as successes, excitement, and big life changes, are just as important. Reflecting on them can make them more meaningful and help people identify strategies and mindsets that support thriving over time.

 

This project builds directly on what I do in therapy every day: noticing patterns, celebrating growth, and building intentional practices that support more than survival.

 

I’m excited to make these tools accessible outside the therapy room and hope to have them live by summertime. It feels like a way to share the lessons I’ve seen transform lives in my practice with a much wider audience.

 

Q: Anything else we should know?

 

A: Even though the book focuses on the “self” in self-regulation, it’s not just about managing ourselves. How we regulate internally affects how we show up for others.

 

Right now, there is a tremendous need for trauma-informed awareness in our relationships and communities. When we notice our own stress and respond thoughtfully, we’re better able to listen, support, and create safer, more compassionate spaces around us.

 

I hope this book helps readers build skills for themselves and also inspires them to carry that awareness outward to friends, family, and even larger communities. Self-regulation is a personal tool, yes, but it’s also a quiet way of making the world a little gentler, one interaction at a time.

 

--Interview with Deborah Kalb 

Q&A with Lauren Soloy

  


 

 

Lauren Soloy is the author and illustrator of the new children's picture book The Newest Gnome. Her many other books include The Hidden World of Gnomes. She lives in Nova Scotia. 

 

Q: What inspired you to create The Newest Gnome, and how did you create your character Grolly Maru?

 

A: This is the second gnomes book I’ve created, and I think I could keep going for a very long time (working on book #3 now!) I really love these characters, and how they can engage kids with the world around them.

 

In a lot of ways, the characters and stories seem to write themselves, when I am out walking in nature. When we decided that book two would introduce a new character, Grolly Maru just appeared in my sketchbook, almost exactly as they are today - fluffy and adorable!

 

Q: How would you describe the connection between this new book and your book The Hidden World of Gnomes?

 

A: In the first book, I had said that a new gnome appears when there is a need for one. So, when it was time for a new character to appear, I had to think carefully about who was needed that they didn’t already have.

 

I thought about current events, but also history, and roles that have been vital throughout time, and landed on a poet. Poetry is so important - the right combination of words can stop us in our tracks, and connect us to the world around us in vital ways.

 

I wanted this book to stand on its own, for anyone who is new to the gnome world, but also to hold up to the first one so that fans of the first would love this new book just as much. A tall order!

 

Q: Did you work on the text first or the illustrations first--or both simultaneously?

 

A: Because I do both the text and the illustrations, there’s always a bit of back and forth. Especially in a book like this, where there is a story happening, but I’ve also got room to play and add different ideas in!

 

Q: What do you hope kids take away from the book?

 

A: Aside from any big ideas that I think the book is about, I mostly try to create a feeling of coziness - that it’s okay to love the world, because the world loves you right back. And maybe just a hint of magic, too - that feeling of “there’s more going on there than what you see on the surface of things.”

 

Q: What are you working on now?

 

A: I just handed in the illustrations for a book I wrote about Emily Dickinson, titled Dear Petal. That one is coming out in Spring of 2027.

 

And I’m excited to have the first book that I’ve written but not illustrated, coming out this year. I wanted to see what it was like to have another illustrator take on one of my texts. So far, it’s been an amazing process!

 

I’m also currently working on the third book in the gnomes series!

 

Q: Anything else we should know?

 

A: You can knit your own gnome, if you like! My amazing editor, Samantha Swenson, has created a knitting pattern to follow, if you would like to have your own little gnome at home. Here is a link: https://tundrabooks.com/wp-content/uploads/2026/01/The-Hidden-World-of-Gnomes-Gnome-Knitting-Pattern.pdf

 

--Interview with Deborah Kalb 

Q&A with Vivian Kirkfield

  


 

 

Vivian Kirkfield is the author of the children's picture book One Girl's Voice: How Lucy Stone Helped Change the Law of the Land. Her other books include Pedal, Balance, Steer. She lives in Bedford, New Hampshire. 

 

Q: What inspired you to write a picture book biography of abolitionist and suffragist Lucy Stone (1818-1893)?

 

A: One of the favorite questions at school visits is: Why did you write this story…and where did you get the idea for it.

 

My story ideas come from various places…sometimes a friend sends me a link to an interesting article and other times, an idea pops into my head when I watch a movie or a TV show. But many times, my inspiration is fueled as I am doing research for ANOTHER manuscript…and that’s what happened with One Girl’s Voice.

 

I was delving into the life of Annie Londonderry for the book, Pedal, Balance, Steer…and I came across information about Lucy, who was somewhat of a contemporary of Annie. My curiosity was sparked since I’d not heard of her…and I thought that kids needed to meet this courageous woman who played such an important role in fighting for abolition and women’s rights.

 

Q: How did you research her life, and what did you learn that especially surprised you?

 

A: To research Lucy’s life, I checked out online sources first. Luckily, there are many documents, including letters, that are available online at the Library of Congress. There were also a few books that contained a chapter or two about her.

 

And I was able to connect with Judith Kalaora, who dons period dress and portrays several of America’s leading women activists as part of her History-At-Play. I was able to watch her Lucy Stone performance which made me even more determined to write the book…and Judith kindly shared some of her extensive research – and even served as an expert during the fact-checking stage on the book’s path to publication.

 

What surprised me as I learned more about Lucy Stone was to discover how exceedingly humble she was…she wanted to turn the spotlight on the causes she supported, not on herself.

 

And how, even though she advocated for girls and women to receive equal education and equal pay, she never strayed from her desire to be a good wife and mother. I was even able to find a recipe book that contains her receipt for homemade yeast!

 

Q: What do you think Rebecca Gibbon’s illustrations add to the book?

 

A: I’m grateful to my editors who always seem to find the perfect person to illustrate my stories. Rebecca’s art brought the characters and the text to life. Her color palette is beautiful…and I love the way she displays the quotes in such clever and engaging ways.

 

Many times, Lucy’s words appear as samplers on the wall which helps capture the time period and allows the child reader to envision what life looked like back in the 19th century.

 

Q: The Kirkus Review of the book calls it a “passionate ode to a suffragist and abolitionist who should surely be a household name.” What do you think of that description?

 

A: Oh yes! I’m excited that Kirkus recognized both the passion with which I wrote…as well as the need for Lucy Stone to become a “household word”…especially in these times, we want to inspire young readers to make their voices heard…and having a role model like Lucy can certainly help with that goal.

 

Q: What are you working on now?

 

A: My agent recently sent a new PB bio out on submission and, while we are waiting to hear back from the editors, I’m working on something very different from my usual writing. It’s a rhyming fiction Halloween/Christmas tale…sometimes it’s good to shake things up a bit.

 

When I first started writing back in 2012, I loved writing in rhyme and actually have two rhyming books launching this fall…Pippa’s Hanukkah Hunt (a sequel to the popular Pippa’s Passover Plate, also illustrated by Jill Weber and published by Holiday House)…and the second is a board book, Friends Count (illustrated by Savannah Allen and published by PJ Publishing for PJ Library).

 

Q: Anything else we should know?

 

A: Every year I host the #50PreciousWords International Writing Contest. It happens on my blog on March 2 and March 3…last year there were 587 submissions and this year, we already have over 60 incredible prizes. Folks can find out more about it if they follow my blog, https://www.viviankirkfield.com.


There is no cost to enter…although I do ask participants if they would like to purchase a book for the #50PreciousWords Literacy Initiative that has already donated over 1,000 new children’s books to local schools in need.

 

And this year, I plan to request everyone involved to review at least one book on Amazon…whether it is one of my books or a book written by one of the prize donors or judges. Just like Lucy Stone, I hope to encourage folks to become advocates and activists.

 

I also host the #50PreciousWordsforKids…a writing challenge for anyone under the age of 18 during Children’s Book Week in May…and all of the entries are posted on my blog for Mother’s Day. We’ve had stories from kids in states all across the country as well as from Canada, Austria, England, Australia, New Zealand, Philippines, Switzerland, and France.

 

Early successes can empower kids to believe in themselves – and every child receives a Certificate of Participation that can be downloaded, printed out, and personalized. I invite parents and teachers to encourage their children to participate…because we all have a story to tell!

 

Thank you so much for having me, Deborah!

 

--Interview with Deborah Kalb. Here's a previous Q&A with Vivian Kirkfield. 

Feb. 6

 


 

ON THIS DAY IN HISTORY
Feb. 6, 1940: Tom Brokaw born.

Thursday, February 5, 2026

Q&A with Caitlin Rother

  

Photo by Geza Keller

 

 

 

Caitlin Rother is the author of the new novel Hooked. Her many other books include Death on Ocean Boulevard. A former investigative reporter, she lives in San Diego. 

 

Q: What inspired you to write Hooked, and how did you create your characters Katrina Chopin and Ken Goode?

 

A: I grew up in La Jolla and have always been drawn to stories in which wealthy people behave badly.

 

I also was an investigative newspaper reporter for many years, covering the politics of professional football, political wrongdoing, and corruption and incompetence in government, where wealthy men who were not elected or appointed officials often seemed to exert their influence behind the scenes.

 

So, based on my personal and professional experience, I created this world in Hooked, where a surfing homicide detective and a female investigative reporter encounter many of these issues as they both investigate the suspicious deaths of two biotech execs who are developing a sexual enhancement drug.

 

The two investigators compete to solve these mysterious deaths, sometimes working together and sometimes at odds, while they navigate the sexual tensions between them. 

 

Q: Can you say more about the dynamic between them?

 

A: They are immediately drawn to each other when they meet at the bar at Piatti, a restaurant in La Jolla, where they share some personal traumas from their past.

 

But when they learn that they are both working the same investigation, they must navigate ethical boundaries that go with the job as they also battle the sexual and professional tensions between them. So they are in constant conflict and competition, which heightens the suspense and drama of the story.  

 

Q: The novel is set in the San Diego area--how important is setting to you in your writing?

 

A: Most of the novel is set in La Jolla, a wealthy coastal enclave of San Diego that is trying to break away and become its own city (in real life, not in the book). There are scenes that take place in other parts of San Diego, such as Balboa Park and Mr. A’s, and the climax scenes take place on Coronado Island, which is a city of its own.

 

But as a surfer, the beach is very important to Detective Ken Goode, whose home away from home is Windansea, a well-known surfing spot and local jewel of La Jolla. So the ocean and the wealth of this pristine community are an important backdrop to the story, as Katrina and Goode peel back the layers to reveal a corrupt underbelly–a cabal of elites with many secrets.

 

Q: Did you know how the story would end before you started writing it, or did you make many changes along the way?

 

A: I have written and rewritten this book so many times that I’ve lost count and frankly don’t remember how it originally ended. On the advice of my agent several times removed, I started the book over completely in a new file and subsequently added a new beginning and made major changes throughout.

 

I started it soon after the prequel, Naked Addiction, was released in 2007, intending to start a series. But I did not know enough about homicide detectives and forensic evidence back then, so that did not come to fruition.

 

Now that I’ve written a dozen true crime books, my storytelling abilities have improved, and I am also much more versed in police procedures and other facets of the crime world. So, I’ve been able to write these thrillers much faster these days.   

 

Q: What are you working on now?

 

A: I’m close to completing the first draft of a new novel, which is also set in La Jolla and Coronado, California, but has a new set of characters.

 

It’s about a female sheriff’s sexual-assault detective and former Olympic swimming contender who catches the attention of the charismatic male leader of a spiritual retreat center for unfulfilled and lonely wealthy women, many of whom get pregnant soon after they join the center.

 

The detective gets caught up in a personally confusing situation with the leader while secretly investigating his cult-like organization. The center leader becomes obsessed with the detective while pursuing her to be the coaching director of the elite child athlete training arm of the center, while her interactions with him bring back buried childhood trauma.

 

Is the leader a predator of vulnerable women and their wealthy indifferent husbands, or is he really a healer?  

 

Q: Anything else we should know?

 

A: Hooked is the first in my new Katrina & Goode thriller series. Book 2, Staged, comes out in June, and Books 3 and 4 are under submission with my editor. I hope to have news on that front very soon! 

 

--Interview with Deborah Kalb 

Q&A with Allen Saxon

  


 

 

 

Allen Saxon is the author of the new novel Training in Charity. He also has written the novella The Climber of Pointe du Hoc. A retired general surgeon, he lives in the Chicago area. 

 

Q: What inspired you to write Training in Charity, and how did you create your character Adam Sinclair?

 

A: The inspiration for Training in Charity came from my own experience attending medical school at Tulane and learning to care for patients.

 

The protagonist, Adam, is based on my own perspectives as a student, but I think he represents a more universal experience for all those beginning their clinical training.

 

Q: The novel is set at Charity Hospital in New Orleans--how important is setting to you in your writing?

 

A: Setting is extremely important to me in what I write and what I read. New Orleans is a unique, colorful city complete with its own music, culture and food and Charity Hospital was a legendary training ground for generations of physicians.

 

For the reader to truly enjoy my work I try to transport them into the setting and make the places stand out as a character in the story themselves.

 

Q: Did you know how the novel would end before you started writing it, or did you make many changes along the way?

 

A: I had many vignettes about actual patients, but when I began writing I only knew that I would cover a six-week period.

 

The story arc developed slowly as I realized how these fictionalized versions of actual cases fit into a broader narrative regarding the personal growth medical students undergo as they acquire skills and understanding and, most importantly, assume the responsibility and regard for those they care for.

 

Q: As a retired general surgeon, how do you see your medical background intersecting with your writing?

 

A: I could not have written this book or my previous book, a WWII novella titled The Climber of Pointe du Hoc, without my medical background. I think my medical background allows me to take a broad overview of my subject but to also hone in on the intricate details of any situation, medical or not.

 

Q: What are you working on now?

 

A: I have begun a completely different story that contains some scientific detail but deals with some of the Catholic Church’s artifacts of veneration. No spoilers here.

 

Q: Anything else we should know?

 

A: I think the point I would like to leave your readers with is that today’s medical education is different than the 1970s. The science is more advanced and the delivery of healthcare is more reliant on technological adjuncts than ever before.

 

Aspects like spending time on the computerized medical record can interfere with time spent with patients, but at its heart good care relies not only on acquiring technical expertise but in prioritizing the human dimension of patient care.

 

In a famous lecture given in 1922, Dr. Francis Peabody summed up what has become an enduring maxim for medical personnel: “The secret of the care of the patient is in caring for the patient.”

 

--Interview with Deborah Kalb