Friday, November 6, 2026

Q&A with Charlotte Lillie Balogh

  

Photo by Jackie Batch Photography

 

 

Charlotte Lillie Balogh is the author of the new young adult novel Capsized. She also has written the YA novel Kill the Lax Bro. She lives in Los Angeles. 

 

Q: What inspired you to write Capsized, and how did you create your characters Margaret and Jo?

 

A: Capsized is a young adult book about a girls’ rowing team, and it was inspired by my experiences as a competitive rower in high school and college. However, despite always wanting to be an author, it didn’t initially occur to me to write a story set in the rowing world—I think I was just too close to the subject!

 

I later moved to Los Angeles to pursue screenwriting, and when I began a part-time job coaching a real-life rowing team, I realized that writing a book about the sport was the perfect combination of two of my passions—rowing and writing.

 

Coaching also gave me the opportunity to see the sport from a different perspective, and watch a new generation of girls find their place on a team.

 

As for our protagonists—Margaret and Jo—I always thought of the two as foils to one another. Jo is a freshman—impatient, outspoken, and still figuring out who she is—while Margaret is a senior—polished, graceful, and someone who has sacrificed everything to get to where she thought she wanted to be.

 

Despite their differences, both girls are deeply loyal and remarkably stubborn, which unites them early on.

 

In many ways, I’d like to think that Jo is the freshman version of myself. Margaret, on the other hand, is the big sister I needed, wanted, and was lucky enough to find as a younger athlete on my team.  

 

Q: The author Alexandra Brown Chang said of the book, “Balogh effortlessly pulls the reader into the high-pressure world of elite rowing, where ambition, loyalty, and scandals collide.” What do you think of that description?

 

A: I think it’s a fantastic description! I love that Chang captures the energy of the book in just a few words.

 

One of the things I appreciated about my own high school team—and wrote into the world of Capsized—is that the girls at our boathouse came from completely different worlds. We all attended different schools, public and private, and had different backgrounds.

 

Rowing has a reputation for being an “elite” sport, and while there is historically a financial barrier to entry, I also wanted to challenge the idea that rowing exists only as an extracurricular for college applications.

 

Ultimately, I wanted Capsized to capture that rowing is about so much more than winning—it’s about friendship, identity, belonging, and the relationships you build with your teammates.

 

Q: How did you research the book, and did you learn anything that especially surprised you?

 

A: At first, I foolishly thought there wouldn’t be a lot of research I’d have to do, simply because I was writing about a topic so close to home. I was quickly humbled!

 

Like many sports, rowing has its own specific language, and I made sure to ask my dad, a rowing coach himself, to read various drafts of the book. He held me accountable down to the literal nuts and bolts.

 

For example: I initially wrote that the uniforms are made of “spandex,” but it’s actually “sweat wicking lycra.” I also learned that “gunnel” is spelled like “gunwale”—a word I heard every day as a rower, but never had to spell myself. Until now! 

 

Q: Did you know how the novel would end before you started writing it, or did you make many changes along the way?

 

A: I did! Which is a little bizarre looking back now, seeing as I’ve been working on this project for eight years, and many other things did change along the way (mostly: character names).

 

However, I always wanted to write a book set during the fall rowing season in Boston, which meant things would naturally come to a head at the Head of the Charles Regatta (pun intended). That race has played a very important role in my life, as an athlete and spectator, and is still my favorite race every year.

 

Without giving too much away—even the way the finale of the book is written, and the POV we are in during the race itself, was something I saw from the very beginning.

 

Q: What are you working on now?

 

A: Earlier this year I wrote a TV pilot called Heartbreak Hill, a half-hour rom com about a headstrong college senior who gets dumped by her high school sweetheart and decides to run the Boston Marathon. That script placed on the 2026 Love List, a collection of the best unproduced romance scripts in Hollywood, and I am now adapting the story for a New Adult novel.

 

Q: Anything else we should know?

 

A: I’m still a rowing coach today! In addition to my writing career, I work with middle and high school girls at RowLA, a nonprofit in Los Angeles dedicated to empowering young women through rowing.

 

I believe team sports are one of the most positively impactful things in a young person’s life (or any person, at any age) and that learning how to be a team player is the most important thing we can do.   

 

--Interview with Deborah Kalb 

Q&A with Suzanne Poulter Harris

 



 

 

Suzanne Poulter Harris is the author of the new children's picture book The Boy Behind the Wardrobe: How C.S. Lewis Grew Up to Create Narnia. She is originally from Northern Ireland, and is now a literacy tutor at an elementary school in the Washington, D.C., area. 

 

Q: Why did you decide to write a children’s picture book biography of the writer C.S. Lewis, creator of the Narnia books (1898-1963)?

 

A: I was born and raised in County Down, Northern Ireland, and taught geography two miles from C.S. Lewis’s childhood home in Belfast. I grew up immersed in the world of Narnia.

 

In 2015, I’d moved to West Texas and was feeling very far from home. So, I decided to expand my picture book writing skills by taking a narrative nonfiction writing class.

 

At that time there were no other picture book biographies on C.S. Lewis. My original idea was to create a beautifully illustrated book highlighting the mountains, castles, and coastlines in the north of Ireland that inspired C.S. Lewis’s magical world of Narnia.

 

Q: What do you think Mira Miroslavova’s illustrations add to the book?

 

A: Mira’s art brought my words to life with a beautiful balance of whimsy, magic, and groundedness. Her illustrations throughout are so intricate and gorgeous that readers will want to revisit the book to study all the little details.

 

I gravitate towards writing picture books because I think visually, but I imagine more realistic scenes in my head. I’d included an art note about a telescope in the spread where C.S. Lewis and his brother spy on ships in the bustling Belfast Lough. Mira surprised me by using that little note to create a whimsical, wonderful illustration that I’d love to hang on my wall.

 

Mira’s visual storytelling in the wardrobe scene is simply spectacular. In fact, her artwork for The Boy Behind the Wardrobe has been selected for The Original Art at the Museum of American Illustration at the Society of Illustrators in New York City. This annual exhibit showcases illustrations from the year’s best children’s books!

 

Q: How did you research Lewis’s life, and what did you learn that especially surprised you?

 

A: I spent the first 10 months on research. It was fun mining all the information to discover little gems that lent themselves to beautiful illustrations and to find quirky details that I thought might resonate with children.

 

I read over a dozen biographies on C.S. Lewis, but the most relevant material for the story I wanted to tell came from C.S. Lewis’ autobiography, Surprised by Joy: The Shape of My Early Life and from C.S. Lewis: Letters to Children.

 

In addition to reading, I took advantage of my annual trips home to Northern Ireland. My on-the-ground research started at Belmont Tower in East Belfast, which housed a small exhibition about C.S. Lewis, including some of his letters and first editions of The Chronicles of Narnia books.

 

I perused newspaper clippings in the library archives and then retraced C.S. Lewis’s steps around Belfast … from the site where he was born to the solitary lamppost in the wooded driveway of Campbell College, where Lewis attended school for one term.

  C.S. Lewis Square, Belfast

I also took day trips to the Mourne Mountains in County Down and Dunluce Castle in County Antrim to visit the landscapes that inspired Narnia and Cair Paravel.

 

I was surprised to learn that C.S. Lewis was missing the upper joint in both his thumbs. He struggled using scissors and got frustrated trying to make cardboard models of castles and ships. In Surprised by Joy, he explains, “As a last resource, I was driven to write stories instead; little dreaming to what a world of happiness I was being admitted.”

 

His inability to do certain things was a blessing because it forced him to try something new — something he loved and later excelled at. What a great message for kids with disabilities or for those who struggle to do something that other people can easily do.

 

Q: Do you think kids would need to be familiar with the Narnia books before reading your book?

 

A: If kids are familiar with Narnia, they might enjoy making connections between C.S. Lewis’s childhood and his imaginary world, but The Boy Behind the Wardrobe can be enjoyed by readers who have never picked up a Narnia book.

 

I recently presented my book to 3rd to 6th grade students at Lynbrook Elementary, where only a few students had heard of C.S. Lewis or Narnia. Yet, they were fully engaged in the story and asked insightful questions.

 

In fact, the librarian had to order extra copies of The Chronicles of Narnia because students are now requesting those books in the school library. It makes me happy that my book is introducing a new generation of students to C.S. Lewis and Narnia.

 

At its heart, The Boy Behind the Wardrobe celebrates creativity and imagination and the joy found in drawing, reading, and writing—activities that will resonate with most young readers.

 

The book encourages children to look around where they live and to try to write their own stories. It also explores universal themes like resilience and making friends.

 

Q: What are you working on now?

 

A: I’ve been working on polishing a couple of quirky, humorous picture books. I also recently completed a six-week course, Panel by Panel: How to Write Comics and Graphic Novels by Marcie Colleen.

 

I’m eager to start working on an early reader graphic novel using one of my picture book characters … but that will have to wait until after the excitement of my debut book launch has settled down a bit.

 

Q: Anything else we should know?

 

A: There will be renewed interest in Narnia and C.S. Lewis with Greta Gerwig’s adaptation of The Magician’s Nephew coming to movie theaters in February and then onto Netflix.  

 

Before seeing the movie, I would encourage people to read The Lion, the Witch and the Wardrobe, which was the first Narnia book that C.S. Lewis wrote, followed by The Magician’s Nephew, the story of the creation of Narnia.

 

I’d love children to know that before the best-selling books and the blockbuster movies, there was a boy with a big imagination. A kid just like them. I think C.S. Lewis’s real-life story is as inspirational as the magical books he created, and I hope parents, teachers, and librarians will introduce children to The Boy Behind the Wardrobe.

 

--Interview with Deborah Kalb 

Q&A with Eliana Miao

  


 

 

Eliana Miao is the author of the new children's picture book The Brave Fuzzy: A Microbiome Story. She is a high school senior and is the executive director of the nonprofit group Pen & Pipette, which was involved in the creation of the book.

 

Q: What inspired you to write The Brave Fuzzy?

 

A: When I was 9, I was diagnosed with vitiligo, an autoimmune disease that attacks my melanocytes and turns spots of my skin white. I remember being overwhelmed, hearing so many different opinions from doctors on how to “fix” my spots. I tried a lot of different medicines and treatments, including drinking this disgusting probiotic drink.

 

The spots got worse, but imagining my immune cells as little creatures in my body helped give me peace. At the same time, learning more about vitiligo and my immune system made me super interested in the human body.

 

That combination of story and science gave me hope. I wanted to share that feeling with kids. So, I decided to write a picture book about science. But unlike typical science books for kids that focus just on the science, I wanted a picture book with a story that could stand on its own. As a 9th grader, I was imagining the type of book I wish I had growing up.

 

Q: What do you think Johanna Gousset’s illustrations add to the book?

 

A: Our team browsed art on Instagram to look for illustrators. We always wanted a whimsical, gentle watercolor style that we thought would appeal to both kids and adults. We were really excited when we found Johanna’s previous work and even more excited when she said yes to working with us.

 

Her illustrations bring the characters in our book–the fuzzies–to life. She gave them such human-like emotions which we think kids really identify with. We also love the expansive backgrounds she created. They make the world feel so alive, and there are some small hints that this world could take place inside our bodies.

 

Q: Tell us about your literary nonprofit, Pen & Pipette.

 

A: The first book I authored was an illustrated science book about electric cars that I co-wrote with my twin brother. We won a National Indie Excellence Award which brought us to the American Library Association conference in San Diego.

 

At the conference, I pitched all the children’s book publishers I could find about my idea for a picture book about science. But all I received were rejections.

 

So I decided to create my own nonprofit to publish this book. But rather than doing it alone, I talked with friends at school and we started Pen & Pipette together, eventually recruiting an initial team of 22 girls.

 

By creating the book as a team, we were able to have so many different perspectives. Each perspective made our book stronger.

 

Q: What do you hope readers take away from the book?

 

A: We hope young readers learn that it just takes one brave person to reach out to someone lonely to make a difference. And if they are lonely and feel different themselves to hang in there, because their difference is what makes them special.

 

We also hope that the book also sparks a passion for science in some kids and a desire to eat different foods to better feed the fuzzies in their own microbiomes.

 

It was fun to write a book with so many different takeaways!

 

Q: What are you working on now?

 

A: We’ve been spending a lot of time preparing for and giving book talks. Earlier this month, some of us returned to our old elementary school, El Carmelo, to give a whole school book talk.

 

Being teens, we were able to connect with the kids through fun, silly moments, as well as teach them about science and the writing process. Our old teachers said that kids paid attention to our book talk more than any other!

 

The leaders of Pen & Pipette are all high school seniors right now, so we’re busy working on our college applications! But we also have a lot of younger members who are excited to start a new book. I think we’ll start brainstorming a new book idea next month.

 

Q: Anything else we should know?

 

A: We’ve been getting a lot of interest from schools about giving book talks. Our hope is that we can recruit more high school students from around the country who love books and science as much as we do.

 

We would teach them about how to give a book talk on The Brave Fuzzy so they can give in-person book talks at their schools and libraries, too. They can learn more at TheBraveFuzzy.com!

 

--Interview with Deborah Kalb 

Nov. 6

 


 

ON THIS DAY IN HISTORY

Nov. 6, 1952: Michael Cunningham born. 

Thursday, November 5, 2026

Q&A with Barbara Carroll Roberts

  


 

 

Barbara Carroll Roberts is the author of the new children's picture book When George Washington Bowed to the New Nation. Her other books include Nikki on the Line. She lives in Virginia. 

 

Q: What inspired you to write When George Washington Bowed to the New Nation?

 

A: A few years ago while having lunch with friends in Annapolis, one of my friends pointed at the Statehouse and said, “That’s where George Washington turned in his commission at the end of the Revolution.”

 

We went on talking about other things, but my friend’s statement stayed in the back of my mind, and eventually I decided to find out more about the significance of that action by Washington.

 

And what I learned was that many historians consider this to be one of the most important events in U.S. history—Washington wasn’t just handing a piece of paper back to the Continental Congress, he was giving up his power and returning to civilian life.

 

Today, when there are so many countries with democratic forms of government, this might not seem unusual. But in 1783, when other countries were ruled by emperors and kings, this was a radical act. And it was the first step in establishing our new country as a democracy. It seemed to me that an event this big deserved a picture book.

 

Q: What do you think Anne Yvonne Gilbert’s illustrations add to the book?

 

A: Apart from their beauty, Anne Yvonne Gilbert’s illustrations add so much depth to the book. When I first saw her thumbnail sketches, I gasped. The level of detail in her depiction of Washington and all the citizens in each spread provides so much information about the time and places these people lived in.

 

But I think what I love most about Yvonne’s illustrations is her ability to express the emotion and drama of these events. And of course, her horses. Yvonne draws beautiful horses.

 

Q: The writer Kathryn Erskine said of the book, “This beautifully presented seminal event will show children the essence of America — that a leader’s role is to serve its citizens.” What do you think of her comments, and why did you choose to highlight the word “king” in the book?

 

A: I’ll answer the second part first. Highlighting the word “king” in the text was the editor’s and art director’s decision. I didn’t know they’d planned to do that. But I think it was a great decision, because it emphasizes the central question of the book: Will Washington declare himself the new king?

 

I was so grateful to Kathryn Erskine for agreeing to write a blurb for this book. I think her words perfectly capture what this book is about: Washington’s action of giving up his power demonstrated what the relationship between leaders and citizens would be and should be in our new nation.

 

Q: What do you think George Washington would make of today’s politics?

 

A: Rather than supposing what Washington may have thought, I’ll answer this question with his own words. This quotation from his farewell address at the end of his presidency is prominent on Mount Vernon’s website:

 

“However [political parties] may now and then answer popular ends, they are likely in the course of time and things, to become potent engines, by which cunning, ambitious, and unprincipled men will be enabled to subvert the power of the people and to usurp for themselves the reins of government, destroying afterwards the very engines which have lifted them to unjust dominion.”

 

Q: What are you working on now?

 

A: I have another nonfiction picture book coming out in 2028. It doesn’t have anything to do with American history. It’s about where insects spend the winter.

 

I haven’t been actively working on writing something new recently, because I’ve been focusing a lot of energy into trying to get the word out on this book. (Also, my daughter just got married.) But I’ve been collecting research for another picture book about an aspect of the natural world.

 

Q: Congratulations!

 

Anything else we should know?

 

A: I’d just like to mention that I hope families and educators will realize that picture books like this one aren’t “just for little kids.”

 

I recently corresponded with an AP American History teacher who said she often reads picture books to her classes, using them as jumping-off points for her students to dig deeper into primary sources. I love the idea of this book being a catalyst for high school kids to find out more about George Washington and the founding of our country.

 

--Interview with Deborah Kalb 

Q&A with Kimberly Nixon

  


 

 

Kimberly Nixon is the author of the new novel Cutie Pies by the Slice. Her other books include Rock Bottom, Tennessee. She lives in Austin, Texas. 

 

Q: What inspired you to write Cutie Pies by the Slice, and how did you create your character Lila?

 

A: My mother moved from Tennessee to Ohio in 1945 to work as a Rosie the Riveter at Westinghouse, where she “wound motors” to be used in military aircraft.

 

She didn’t have family close by, but she lived within a close network of other single women, perhaps in a boardinghouse. Those women became her chosen family and remained part of our family throughout my childhood.

 

One of those women, Lila, was like a surrogate grandmother to me. She loved to bake pies, and whenever she came to our house, my mother would light up. Her presence made our home feel more festive. When Lila died, my mother told me that she had once laundered money for the mob during Prohibition.

 

In Cutie Pies by the Slice, I wanted to write about chosen family and capture the cozy feeling I experienced with my surrogate grandmother. I re-used my mother’s storytelling of her experience moving to a new town to illustrate the struggles of a young woman starting out on her own, especially during the depressed economic times.

 

Q: How did you research the novel, and what did you learn that especially surprised you?

 

A: First of all, I was floored to think that my 4’10” surrogate grandmother had been involved with the mob during Prohibition. I discovered that she had married the doorman of the local speakeasy, which explained some things.

 

In my hometown, it was well known who the mob families were, and many legendary stories from Prohibition were passed around, including tales of tunnels beneath the city.

 

About 10 years ago, I read a series of articles in my hometown newspaper, The Lima News, by Adrienne McGee called “Reminisce.” One three-part column told the story of the rivalry and eventual shootout between two opposing mobs—one from Chicago and the other from northern Ohio.

 

Witnesses disappeared, no one was charged, and even John Dillinger played a small part in the story. He had shot someone at a nearby bank and was arrested and being held in the Allen County Jail, where the mobsters were also held for questioning.

 

To apply this history to Cutie Pies by the Slice, I wove together themes of biological family, chosen family, and family with a capital “F” as a way to explore our obligations, our support systems, and even the transactional situations that can arise within a family.

 

Q: The novel is set in a small town in the Midwest--how important is setting to you in your writing?

 

A: I try to make the setting another character in my novels. When I wrote Rock Bottom, Tennessee and Rock Bottom Rising, the two novels based on my grandmother’s 1925 felony conviction in Tennessee, I visited the Appalachian area where my mother grew up.

 

The difficult terrain and the economic conditions of the area reinforced the tumultuous situations my characters encountered.

 

In Cutie Pies by the Slice, my hometown of Lima, Ohio, is where the novel takes place. The resiliency, work ethic, and sense of community that I experienced in my childhood helped me create characters with depth.

 

Q: Did you know how the novel would end before you started writing it, or did you make many changes along the way?

 

A: Oh, goodness. I changed the ending three times to make sure the novel fit the genre I wanted. Similarly, I changed the cover three times.

 

The first draft was crime-heavy, with Lila becoming a central part of the mob, but for me, it lacked the coziness I wanted as a theme. The first cover even had a bullet hole in the pie shop window.

 

Then I wrote a very strong love interest for Lila, but it changed the story and took away from her ability to make it on her own. That cover had a couple front and center.

 

I ended up with a hint of a love interest, with Lila making it on her own—not as a victim of the mob, but as a resilient woman who insists on getting what she wants. The final cover reflects that version of the story, showing the window of the Cutie Pies shop with empty stools and cases of pies in view.

 

I usually outline my novels, so I know where they are going from the beginning, but with Cutie Pies by the Slice, I meandered a bit.

 

Q: What are you working on now?

 

A: I’m not ruling out a sequel to Cutie Pies, but I’ve started writing vignettes for a memoir about getting to know my father by retracing his World War II steps. He died when I was 25, without ever talking about his war years.

 

I have spent 25 years researching and piecing together his military history, since his records were destroyed in a fire at the St. Louis archives. I also traveled with my sister to walk where my father fought.

 

My memoir will weave together childhood stories, details of the battles my father fought in, and the experience of standing on the holy ground where he fought as a way to better understand and honor him.

 

Q: Anything else we should know?

 

A: If you haven’t gathered, I love the family story. We find so much about ourselves by exploring not only the facts, but the stories that make us.

 

--Interview with Deborah Kalb 

Q&A with Bruce McCandless III

  


 

 

 

Bruce McCandless III is the editor of the new book Iron and Fire: The Pacific War Story of Destroyer Captain Bruce McCandless, his grandfather's World War II memoir. His other books include Wonders All Around.  

 

Q: What role did you play in bringing your grandfather’s World War II memoir to publication?

 

A: My grandfather dictated the memoir to his daughter Sue in the mid-1960s, at a time in his life when he was quite ill.

 

Despite his illness, he was still able to recall with remarkable clarity his part in some of the seminal events of the war: the Japanese attack on Pearl Harbor, the naval battles of Guadalcanal, kamikazes descending on his ship off the coast of Okinawa. The manuscript was then set aside and apparently forgotten for several decades.

 

After my parents passed on, my wife found the memoir buried under bales of hay in their barn. We opened the stationery box that held it and started reading—and realized immediately that this was a story that people would want to hear. I acted as editor, ghost writer, and to, some extent, agent.

 

And since the memoir didn’t have a title, I gave it one: Iron and Fire: The Pacific War Story of Destroyer Captain Bruce McCandless.

 

Q: You’ve also written about your father’s experiences in space--how did this compare to writing that book?

 

A: They were very different experiences. My book about growing up with my dad, Bruce McCandless II, is called Wonders All Around: The Incredible True Story of Astronaut Bruce McCandless II and The First Untethered Flight in Space. It was a work of personal experience and recollection.

 

But I never knew my grandfather, and I didn’t write Iron and Fire—I just edited it and helped to bring it to publication. Iron and Fire thus feels less personal to me. I’m more a spectator than a parent this go-round, if that makes sense.

 

Q: How would you describe your grandfather’s legacy?

 

A: His primary legacy is devotion to duty—despite long odds and desperate circumstances. The second, I think, is his devotion to his wife and four kids.

 

Q: What do you hope readers take away from the book?

A: I hope and believe readers will take away the sense that even normal people like my grandfather can do extraordinary things in defense of their country and out of love for their comrades and friends.

 

Q: What are you working on now?

A: I’m writing fiction again, which is where I started. I’m the author of a series of novels set in the American West and featuring a Texas ranger named Jewel T. Lightfoot, who gets involved in desperate predicaments featuring supernatural perils. It’s like Larry McMurtry’s Lonesome Dove meets the old Darren McGavin TV series The Night Stalker.

 

Q: Anything else we should know?

A: Iron and Fire will appeal to anyone who is interested in American history and in the Pacific Theatre of World War II in particular. But it’s not just battles and bullets. It’s also a personal and a family saga that I think will appeal to general readers—male and female, young and old.

 

--Interview with Deborah Kalb. Here's a previous Q&A with Bruce McCandless III.