Tuesday, March 3, 2026

Q&A with Shelley Noble

  

Photo by Gary Brown

 

 

Shelley Noble is the author of the new novel The Sisters of Book Row. Her many other books include The Colony Club. She lives in New Jersey.

 

Q: What inspired you to write The Sisters of Book Row, and how did you create your characters Celia, Daphne, and Olivia?

 

A: Book banning has been so much in the news lately that I decided I’d take a look. I remembered that there was a real Book Row in Manhattan, and I started looking for a story based there.

 

The sisters actually were inspired by three contemporary Cohen sisters who inherited the Argosy Bookstore from their father, and I thought … What if they had lived in 1915?

 

Q: How would you describe the dynamic among the sisters?

A: They have a complicated but firmly entwined relationship. They’re stuck with each other through loyalty and love and duty to the store. Each has her own special desire for the future but the same love and duty, and sometimes fear, keep them from sharing or understanding the other.

 

Q: How did you research the book, and what did you learn that especially surprised you?

 

A: It takes place in 1915. There’s a wonderful book titled Book Row, but its emphasis is the later years. It was a great jumping off place, but I depended primarily on primary sources as much as possible. Newspapers, letters, theatre posters, all sorts of things give a real resonance to the period.

 

I was surprised by just how much our two periods are alike. But the best surprises were the tiny little details discovered in a sentence or description that gave life to what would become a whole scene or setting.

 

Q: How would you compare the cultural politics of the period you write about with those of today?

A: Unfortunately very similar. Books, women’s health, fear of immigrants, among other subjects were the brunt of Anthony Comstock’s rabidity in the flesh. His zombie law still casts a pall over our society.

 

Q: What are you working on now?

A: I’m working on a novel that takes place in 1870 in Long Branch, New Jersey, which was President Grant’s summer White House. Another story about sisters, only this time, estranged, and on opposite sides of society and politics, but equally determined to thwart the other.

 

Q: Anything else we should know?

 

A: Just that I love writing about those small enclaves of people, especially women, often forgotten, or ignored, who helped weave the fabric of our history.

 

--Interview with Deborah Kalb. Here's a previous Q&A with Shelley Noble. 

Q&A with Robert Gwaltney

  

Photo by Robert Kim

 

 

Robert Gwaltney is the author of the new novel Sing Down the Moon. He also has written the novel The Cicada Tree. He lives in Atlanta. 

 

Q: What inspired you to write Sing Down the Moon, and how did you create your character Leontyne Skye?

 

A: I’ve always believed the South remembers. After my debut novel, The Cicada Tree, I was haunted still by the idea that the land, that place keeps our secrets.

 

The story grew out of questions about inheritance—how we inherit not just property, but grief, trauma, and silence. What does it cost to break from a legacy that’s claimed generations before you?

 

Leontyne came to me already marked—missing a hand and missing pieces of memory during an event known as Tribulation Day. She’s an innocent—tender and bound to the island that’s both her home and prison. Her struggle—whether to save herself or sacrifice for what’s always been—is the heart of the novel.

 

Q: The writer Ron Rash described the book as “intensely Southern yet also reminiscent of the magical realism of writers such as Gabriel Garcia Marquez...” What do you think of that assessment?

 

A: To have Ron Rash say anything kind about my work is an honor beyond words. I’ve long admired the moral clarity and sense of place in his fiction, the way his landscapes feel both beautiful and unforgiving.

 

For him to call the novel “intensely Southern” means a great deal to me, because that rootedness in place is where my stories begin.

 

Q: Did you know how the novel would end before you started writing it, or did you make many changes along the way?

 

A: I knew the last sentence very early on. It came to me before I understood how Leontyne would earn it, and it served as a kind of North Star while I wrote.

 

I had clear guideposts—the beginning, the middle, and the end—but not a detailed map. The journey shifted as the characters deepened and the story revealed itself. The destination never changed. The real work was discovering how Leontyne could truthfully find her way there.

 

Q: How was the novel’s title chosen, and what does it signify for you?

 

A: Titles arrive for me the way music does—first as a feeling, then as a phrase I can’t shake. Sing Down the Moon came early, and I knew it held the tone of the novel long before I could fully explain it.

 

Without giving too much away, the title is tied to a violin named Salome, a prized possession of Rebecca Longwood. That instrument carries history, longing, and a kind of reckoning within it.

 

Q: What are you working on now?

 

A: I’m already at work on the next novel, tentatively titled All the Kingdoms of the World. It’s Southern Gothic with a more overtly dystopian edge, braided with magical realism.

 

For the first time, my protagonist is a young boy, which has shifted the texture of the storytelling. At its heart, it’s a coming-of-age story set in a world coming apart—still grappling with inheritance, responsibility, and the cost of survival.

 

Q: Anything else we should know?

 

A: That I don’t write these stories to escape the South—I write to better understand it.

 

--Interview with Deborah Kalb 

Q&A with Janice Hechter

  


 

 

Janice Hechter is the author and illustrator of the new children's picture book The Power of Her Paintbrush: The Story of Theresa Bernstein. Hechter's other books include Where Are the Women?

 

Q: What inspired you to create a children’s picture book biography about the artist Theresa Bernstein (1890-2002)?

 

A: I had a lot of time to think during the pandemic. One thing that occurred to me was that while studying art, I never learned about women artists in history. I wondered, were there any successful female artists from the early 20th century?

 

I did some research and discovered the art of Theresa Bernstein. I was immediately taken by Bernstein’s ability to capture the energy of a moment in time. Her paintings of gatherings of people exuded a vitality and excitement that pulled me in. I was especially drawn to Bernstein’s night scenes, in which brilliant flickers of light defined people mingling against backdrops of darkness.

 

Q: How did you research her life, and what did you learn that especially surprised you?

 

A: I started by reading a biography about Theresa Bernstein. Then I investigated online and found out that Bernstein had a great-nephew, Keith. I searched for his email, wrote to Keith, and then interviewed him. He had been very close to Theresa and he supplied me with a wealth of information.

 

Keith told me about a website which had not only Bernstein’s scrapbook, but videos of her working, along with numerous newspaper articles and interviews. There were also videos of other relatives and friends who spoke about the Theresa Bernstein they knew. I contacted and interviewed several of those people.

 

Keith also told me about Bernstein’s autobiography, which was extremely helpful. It allowed me to get firsthand information from the artist herself.

 

From reading that book I did learn something that surprised me. Theresa had a photographic memory, which came in very handy for her art. When she discovered a scene that moved her, she would make a quick sketch and then go back to her home or studio and paint it from memory. I found Bernstein’s ability to retain all that visual information from just a glance absolutely fascinating!

 

Q: What was it like to illustrate a book about an artist? Did you try to emulate her style?

 

A: I loved illustrating a book about an artist. It had been one of my goals. I am also a painter, and have many years of experience painting in oils and acrylics, as well as displaying my work in museums and galleries.

 

Like Theresa Bernstein, I have enjoyed painting and drawing people since I was a young child. My paint strokes have always been robust, like Theresa’s, so I didn’t have to stray from the way I naturally paint. My previous illustrations have often been described as painterly, probably due to all my years of painting, so my illustration style was the perfect fit for this project.

 

Q: What do you hope readers take away from the book?

 

A: I hope that readers delve deeper into Theresa Bernstein’s art. Her work is now on display at major museums, such as the Metropolitan Museum of Art, the Art Institute of Chicago, the Brooklyn Museum, the Phillips Collection, the Smithsonian American Art Museum, the National Gallery of Art, the Fine Arts Museums of San Francisco, the Cape Ann Museum, and many other museums and galleries.

 

Despite the many obstacles thrown in her way, Bernstein persevered. Readers should come away with the realization that talented women artists have not only existed, but have made remarkable contributions to art throughout the centuries. They have simply been left out of the canons of history.

 

Within the past few years, museums and galleries have slowly started to reveal that hidden history and give these artists proper exposure and acknowledgement.

 

Q: What are you working on now?

 

A: I am finishing up another picture book biography, this time about an inventor from history.

 

Q: Anything else we should know?

 

A: I will be having a book launch on March 14, 2026, 2:00 p.m., at the Lincoln Glenn gallery, 17 East 67th Street, Suite 1A, New York, NY 10065. I will be also be signing books at 4:00 p.m. on March 15, 2026, at Books of Wonder, at 42 West 17th St. New York NY 10011.

 

I invite anyone in the New York City area to attend one or both of these events. There will be plenty of Theresa Bernstein paintings at the book launch for viewers to enjoy.

 

--Interview with Deborah Kalb. Here's a previous Q&A with Janice Hechter. 

Q&A with Sue Fliess


 

 

 

 

Sue Fliess is the author of the new children's picture book Greta Green Builds a Submarine. Her many other books include Sadie Sprocket Builds a Rocket. She lives in Northern Virginia. 

 

Q: What inspired you to write Greta Green Builds a Submarine, and how did you create your character Greta?

 

A: I wanted this story to be about a character that is a steward of the planet, in particular the ocean. And when I think of that, the word green comes to mind. And green conveniently rhymes with submarine. :)

 

I’m a huge fan of the ocean and I when I visit I always search the shorelines for shells, sea glass, and anything else that could be interesting. So I imagined Greta doing the same…and then doing something with those things, including collecting trash that shouldn’t be there but had washed up. Hence, building a submarine from recycled materials.

 

I had previously written Sadie Sprocket Builds a Rocket, and love having female main characters, so I knew it would be a curious, adventurous girl at the center of this story. 

 

Q: How did you research the book, and what did you learn that especially surprised you?

 

A: I researched by going to the library, reading online articles, and watching educational videos, on the topics of submarines, submersibles, scuba gear/diving and shipwrecks.

 

I was thrilled to learn that there were so many pioneering women who accomplished so much and made huge advances in these fields.

 

One of the coolest things I learned was that Raye Montague was the first Black female ship designer for the navy who developed a groundbreaking computer program that changed the way the Navy designed ships and submarines. Normally it would take two years to design a ship on paper, but she did it in 18 hours and 26 minutes! After that, the Navy used her system to design all its ships and subs. 

 

Q: What do you think David Elmo Cooper’s illustrations add to the story?

 

A: Joy! That was my first reaction to seeing the character he created for Greta…pure joy and I loved her immediately. Her expressions are priceless and she just emanates a ball of energy.

 

I also love the color palette he chose. The blues and greens and yellows. It’s calming yet exciting! The cover packs a punch–just love it. 

 

Q: The book includes information on several women scientific pioneers--how did you choose the people to include?

 

A: I wanted all the people in the book to be important women across several fields who did outstanding things…so I chose one in Navy ship/sub design (Raye Montague), one who was the first to walk the ocean floor (Sylvia Earle), one who was an ocean mapmaker (Marie Tharp), and one who operated the submersible, Alvin (Cindy Lee Van Dover). 

 

Q: What are you working on now? 

 

A: I just finished a nonfiction story about something iconic in the D.C. area (where I live) and hope it goes on submission soon.

 

I am also working on three board books (one is a toddler exercise book I co-authored with Ann Marie Stephens, and the other two are lullaby books set to the Rock-a-bye theme), all due out in 2027. 

 

Q: Anything else we should know?

 

A: I have a 65-page Magical Creatures Activity book coming out this summer that features all the fun characters from my 10-book series!

 

--Interview with Deborah Kalb. Here's a previous Q&A with Sue Fliess. 

March 3

 


 

ON THIS DAY IN HISTORY
March 3, 1756: William Godwin born.

Monday, March 2, 2026

Q&A with Ahmad Saber

  


 

 

Ahmad Saber is the author of the new young adult novel Ramin Abbas Has MAJOR Questions. He is also a physician, and he lives in Canada. 

 

Q: What inspired you to write Ramin Abbas Has MAJOR Questions, and how did you create your character Ramin?

 

A: The “spark of inspiration” moment came while I was watching a promotional video clip of a Muslim high school and observing all the students, all happy and jolly in there, faces lit up with bright smiles, looking like they belonged, like they had found their community.

 

And then I imagined a closeted teen Muslim boy who’d have to blend into that world while having to hide his true, authentic self. I asked myself what kind of internal anguish might that kid have to contend with. I’d felt something similar myself while trying to blend into the Muslim Student Association at my college.

 

Looking further back, however, the story had been taking root in my mind long before I recognized the need to write it down on paper. My bigger inspiration was the question I’d asked myself for well over 15 years: is the pain of having to reconcile your sexuality with your religious or cultural identity ultimately meaningless, or could it have, or be given, meaning?

 

Candidly speaking, Ramin began as a self-insert in the very early drafts of the novel but then began to take on a life of his own and ultimately found his own identity, quite distinct from mine, but with the guiding light of my lived experience.

 

In some ways, Ramin’s character wrote himself. The more I wrote and rewrote scenes and leaned into his voice, the more I got to know him. Thus I believe in tried and tested advice of letting the characters tell their own story, rather than the one the author wants to tell. 

 

Q: How was the novel’s title chosen, and what does it signify for you?

 

A: Oh boy, that is a novella on its own! The book used to have a very different title (which I still am somewhat attached to!) and it stuck for the longest time.

 

Ultimately however, being in the YA publishing landscape, my amazing editor Caitlyn and I decided we needed a more punchy, teen-friendly title with meaning behind it. And thus began weeks of intense brainstorming and consideration of almost 20 to 30 potential titles.

 

In the end, as my brilliant agent Dan astutely suggested, we wanted to explore the idea of questions. In the book, Ramin has questions, upon questions, upon questions. And what a wonderful thing it is to be curious and just ask questions, regardless of how weighty they might be, and regardless of whether we have answers or not.

 

We wanted to subtly invoke our readers who’d resonate personally with Ramin’s story to stay curious about themselves and never stop asking questions.

 

Q: What do you see as the role of religion in the book?

 

A: Religion serves as a deep and fundamental layer of Ramin’s personality that he never got to choose but must still accept and contend with. Like all religions, he was indoctrinated into it without getting a say in it, and from a young age when he’d not yet have developed critical thinking skills.

 

But that’s beside the point - the point is, for better or worse, once religion becomes a fundamental and inseparable part of your identity and world view and then happens to be at odds with your authentic truth and sexuality, it can create intense suffering.

 

Instead of overly simplistic solutions or outright rejection of faith, I wanted to explore how a resourceful kid with a kind heart like Ramin might try to reconcile the two despite all the odds.

 

In essence, by the end of the novel, Ramin ends up creating his own version of religion that deviates from the mainstream, yet still allows him to feel like he doesn’t have to reject one fundamental part of his identity in favor of another. He manages to keep his faith, yet gets to discover a different, more merciful, more accepting version of God.

 

Q: What impact did it have on you to write the novel, and what do you hope readers take away from it?

 

A: Writing this book healed me in ways I never imagined possible. It helped me heal some of my own wounds from my childhood and teenage years, and it actually helped me come out a “second” time.

 

Years prior to writing this book, I had come out to my family, but they unfortunately didn’t know how to respond. Gently, I felt myself pushed back into the closet, the lock clicked shut. My coming out had essentially kind of fizzled and failed.

 

However, when I sat down to write Ramin’s story, my long-stifled feelings began to pour out and I managed to find pride like never before. This time, I “came out” with unwavering respect for my truth and for my lived experience.

 

My biggest hope is that readers will walk away from the book with increased empathy.

 

For readers who don’t identify as queer and/or religious, my hope is that they’d develop a greater appreciation for the human condition and hopefully compassion for a very unique form of human suffering.

 

For readers who do identify as either queer, or religious, or both, or are struggling to reconcile the two, my hope is that they’d see themselves in the book and walk away with greater empathy for themselves.

 

Q: What are you working on now?

 

A: I am fairly and squarely in the throes of “second book syndrome,” but there is still plenty of excitement and enthusiasm! I am working on a “fish out of water” story about this foreign Desi exchange student who attends a year in the US, receives a high voltage American culture shock, and gets to discover all that’s wrong with America, and all that’s right with America.

 

Q: Anything else we should know?

 

A: On a more personal note, it would be a dream come true to be able to quit my day job and write stories like this one full time, so I truly appreciate the support for the book! If you enjoyed the book, it would mean a lot to me if you’d tell one or two other people about it. I firmly believe in the power of word of mouth!

 

--Interview with Deborah Kalb 

Q&A with Nancy Viau

  


 

 

Nancy Viau is the author of the new children's picture book Hanging Out with Gram. Her other books include Splish, Splash! First to Last. She is based in New Jersey. 

 

Q: What inspired you to write Hanging Out with Gram?

 

A: Tired of books where the grandmother appears feeble or suffering from memory loss or whatever ailment, and often pictured hunched over with a gray bun, in a rocking chair, knitting, or gardening, I wanted a story that shows a modern, active grandparent.

 

Today’s grandparents are involved in their grandkids’ lives, and that means keeping up with them and often teaching them a few new skills. Maybe it’s how to ride a bike, punt a football, strategize moves in a card game, or build a Lego spaceship worthy of a Star Wars enthusiast.

 

Aside from visiting with grandchildren, many grandparents are helping to raise them, even while holding down jobs of their own, and they are not slowing down one bit.

 

I was inspired to showcase this type of grandparent for this generation of readers and hopefully change the conversation of how grandparents are perceived.

 

Q: What do you think Amanda Lenz’s illustrations add to the story?

 

A: Amanda’s illustrations truly depict the excitement and frustration Mateo experiences. Aren’t his facial expressions the best?! From a wipeout on a bike to a snuggle with Gram, each one extends the text in a way that brings the story alive.

 

Q: How would you describe the relationship between Gram and Mateo?

 

A: Mateo clearly has different expectations when it comes to activities involving his sweet old Gram. But his love for her shows from the very first page where readers see the list he’s so carefully prepared—one that he believes is completely suitable.

 

Even though Gram offers up challenges for Mateo based on that list, readers see the respect they have for each other. From piggy back rides to snuggles at bedtime, their love is evident.

 

Q: The Kirkus Review of the book says, “Throughout, Mateo narrates with a bewildered understatement that nevertheless exudes tenderness and affection.” What do you think of that description?

 

A: I loved it! I was so happy they mentioned this because it made me realize they got it—they understood where Mateo was coming from!

 

For example, near the end when Mateo chooses a book to read together, the text says: Poor Gram can’t keep her eyes open. She needs her sleep. His first concern is for her when in reality it’s Mateo who is falling asleep.  

 

Q: What are you working on now?

 

A: I am hoping there will be a companion book to Hanging Out with Gram called Hanging Out with Gramp so that’s my focus right now. Send good vibes into the universe, please!

 

And as always, I’m busy booking school visits, book festivals, and signings. Getting to meet the kids who read my books is my VERY favorite thing.

 

Q: Anything else we should know?

 

A: It’s funny how art mimics life. Every artist knows that at one point or another, their work is based on a bit of real life. Characters are built on combinations of people; settings are created in the imagination but perhaps begin with a visit or a photograph, and the plot? Well, especially when it comes to writing for children, most kids’ shenanigans —grandkids or otherwise — are worthy of recording for posterity.

 

--Interview with Deborah Kalb. Here's a previous Q&A with Nancy Viau.