Nicci French, photo by Johnny Ring |
Q:
How did you come up with the idea for The Lying Room, and for your character
Neve?
A:
The two ideas came together. The germ of the book was the image of a woman –
married with children – looking down at the body of her murdered lover. Should
she call the police and upend her life?
We
immediately knew what kind of woman this needed to be. We’d spent a decade
writing about Frieda Klein, an extraordinary woman, mysterious, a loner,
different from us. By contrast, Neve is a woman like us, middle-aged (which we
still are, just about) and struggling with the pressures of everyday life,
children, work, a chaotic social life. And she’s also dealing with a crime
investigation that she herself has sabotaged.
Q:
Many of the novel's scenes involve Neve riding around various parts of London
on her bike. Why did you decide on her being a cyclist?
A:
Again there was a contrast with Frieda. Frieda walked around London, often
alone, often in the middle of the night. It was her way of thinking. But Neve
is always in a tearing hurry: she doesn’t have time to walk. We cycle around
London too, we know her routes, we know the pleasures and anxieties of urban
cycling.
Q:
Did you know how the novel would end before you started writing it, or did you
make many changes along the way?
A:
In planning the book, we knew the starting point, we knew the end of the
journey and we knew the main stages of the story. But as always, once we
started writing and we really inhabited Neve’s mind, new possibilities occurred
in her frantic attempt to hold her life together.
Q:
How was the novel's title chosen, and what does it signify for you?
A:
As soon as we thought of this, it felt perfect for the story. This is a story
with sexual intimacy at its heart, but it’s also about another kind of lying:
it’s about how little we know each other, even those who are closest to us.
This isn’t a book about fearing your enemies; it’s about fearing your friends
and your lovers.
Q:
What are you working on now?
A:
Our next novel is about a woman who has to solve a murder while in prison.
--Interview with Deborah Kalb. Here's a previous Q&A with Nicci French.
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