Ana Gallo is the author of the new children's picture book Pets and Their Famous Humans. Her other books include Sleuth & Solve and Sleuth & Solve: History. She lives in Spain.
Q:
How did you come up with the idea for Pets and Their Famous Humans, and how did
you choose the pets (and humans) to include?
A:
The idea was suggested to me by my editor from Zahorí Books, the Spanish
original publisher of the book. She explained to me that the
idea came up when she read an article about the importance of Freud's
dog during his psychiatric consultations.
This
fact made her think about the relationship of animals with humans and I wanted
to study the different cases of important personalities in history that had a
pet.
When
she asked me to develop the idea, I did not hesitate. I am an animal lover! (I
belong to a family line of veterinarians) and I enjoy writing about topics that
move me.
Then
we studied the project together and we produced the list, choosing the most
interesting real stories and the most relevant special links between
animals and humans.
Q:
What kind of research did you need to do to write the book, and what did you
learn that especially surprised you?
A:
Because most of the personalities chosen are no longer alive and even belong to
other centuries, such as Newton, the main sources were biographies, letters written
by [people close to them], or their own testimonies.
Among
the most recent celebrities, such as Andy Warhol or David Hockney, I also
discovered their stories with their pets through interviews. It was as if I really
could hear them.
But
there aren’t as many testimonies as one would wish, so I also had to seek those
moments of intimacy through pictures taken of pets and their owners.
Some
of them give me a broader vision about how special that tie was and reflect a
deep affection, such as the picture of Klimt with Klatze in his arms or the one
of Frida Kahlo reading in bed with a deer and one dog at her side sharing the
same bed!
In
the case of some artists, their works also show these bonds between their pets
and themselves.
Some
show clearly the important presence their animals had in their everyday life--for
example the paintings of David Hockney’s dogs and Paul Klee’s cats.
Others
made their pets a leading presence in their literary creations, as Dickens did with
his raven Grip, that he made a character in one of his novels, or T. S. Eliot
with the children’s poems about naming cats.
It
surprised me that pets matched with owners. For example, Dickens found an
animal skillful with words, Mozart one that had musical sensibility, and Dali
one that was impressive enough for his wild beauty that helped with his
presence to made the artist a more
bizarre character, if possible.
I
dare say that we can enjoy many artworks thanks to the atmosphere pets
created with their presence around the artists, because they gave them the love
they needed in lonely moments and also distracted and amused them, as Lump used
to do with Picasso.
Some
never allowed other people to go into their studios; however, they let their
pets be around them and did not get upset if they put their paws into the paint
or make a real mess as Newton’s dog did.
Q:
What do you hope readers take away from the book?
A:
All the stories have a short introduction about the childhood of these characters
who contributed so much to the world.
With
it I hope young readers learn that even in the worst conditions, one must
discover their abilities and stay with them all their life. When you discover
the object of your interest it becomes the strength that leads you through
life.
Art
and pets help all of us to communicate and express our inner self.
My
intention has also been to arouse readers’ curiosity enough that they would wish
to discover more about these famous people and their art works. I hope all
these pets become a bridge to make readers approach art and science.
I
have tried to create images in readers’ minds that connect some of the most
important art creations with domestic scenes. If you imagine paintings that
cost millions of dollars stepped on by a cat or a curious dog as happened
with Klimt’s, Klee’s, or Picasso’s animals, you feel it more real, much closer
than on a museum wall.
Imagine
some comic and familiar scenes where Mozart is composing the fairy tale The
Magic Flute while his starling repeats the music the whole day, or try to see Dickens
writing Oliver Twist listening his raven’s funny words at the same time it gave
those typically two-footed hops between steps around Dickens’ writing desk.
Q:
Do you see any common themes running through these stories of pets and humans?
A:
I see most of the times pets become what you need. In some way they help us to
be more balanced. There are as many different relationships between both
species as they are between humans themselves.
I
mean, for Virginia Woolf, her dog was a typical friend-nurse who stayed besides
her bed when she was depressed and listened stoically to her ideas while they
walked together.
For Picasso, Lump was like those lively friends always willing
to have fun and distract you because they think you are working too much.
For
Paul Klee, [his pet] was a close friend who always calmed and would listen to
him, that kind of good friend you write a letter to in your last days, as he
did to Bimbo II.
Besides,
I wanted to underscore that once these artists found their special passion for evolving
in life they persisted with it.
Sometimes
parents push their children towards professions kids don’t even know whether or
not they like, as happened with Matisse, just because we think—with all our
heart, of course—that way is a guarantee for their economic well-being.
Matisse
discovered thanks to his mother that he loved painting, and although his father
was angry and told him he would die from starvation, he followed his own way
and became one of the greatest painters of the past century.
Q:
What are you working on now?
A:
I’m finishing the next book of a challenge your brain series (Sleuth &
Solve). This will be the fourth title of an amusing and successful collection, translated
into eight languages.
Each
one is dedicated to a subject: mystery, history, and horror stories. All are
illustrated by the renowned Spanish illustrator Víctor Escandell, whose studio
proposed the original idea to Zahorí Books, the Spanish publisher.
--Interview with Deborah Kalb
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