Abbie Greaves, photo by Charlotte Knee Photography |
Abbie Greaves is the author of the new novel The Silent Treatment. She lives in the U.K.
Q:
How did you come up with the idea for The Silent Treatment, and for your
characters Frank and Maggie?
A:
I first had the idea for The Silent Treatment when I read a newspaper article
about a man in Japan who hadn’t spoken to his wife for 20 years. As a result,
their 18-year-old son had never heard his parents speak to one another and he
reached out to a television crew to try and stage a reunion.
I
couldn’t stop thinking about how a silence could settle at the heart of a
relationship, particularly one of this length.
Although
I knew I wanted to explore the idea of pressing mute on a marriage, I also knew
that I wanted to examine it in a very different situation – what if there was
all the same kindness and respect, it was just speech that had disappeared?
Could love really speak louder than words?
From
there, the characters of Frank and Maggie quickly followed. I knew that theirs
would have to be a union that had endured its fair share of strife before the
trauma that steals Frank’s voice, otherwise it might seem too easy to call it
quits on their marriage when the silence descends.
Q:
Did you know how the novel would end before you started writing it, or did you
make many changes along the way?
A:
I always knew how the novel would end because without a compelling reason for
Frank’s silence, one so large that both he and Maggie struggle to even
comprehend it, I would have had no idea how to begin to write their story.
I
hope that when readers reach the end of the book, they will find the resolution
authentic and both heartbreaking and redemptive in the same breath.
In
terms of the overarching plot, however, there were a lot of changes. The
structure of the second half of the novel in particular was overhauled
completely – twice!
As
a novelist, I find plotting and pacing the hardest challenges. The Silent
Treatment is a love story, but it also has a mystery running through the
narrative, so I did a lot of redrafting and revising to make sure that there
were enough “reveals” to keep the reader’s attention.
The
last thing you want is for people to start skipping pages in the middle of the
book!
Q:
How was the novel's title chosen, and what does it signify for you?
A:
The title has remained the same throughout the writing and editing process and
it was, in fact, one of the first elements of the book that I pinned down.
The
Silent Treatment immediately catches the essence of the story – it’s about a
couple who have stopped speaking – but yet it is only the tip of the iceberg.
Frank may be quiet, but his love for his wife speaks as loudly and as clearly
as ever.
There
is also an assumption that silence is by definition cruel.
And
while this is sadly so often the case in the context of relationships, in The
Silent Treatment, we come to see that Frank resorts to silence as a form of
misguided kindness, as a means to protect Maggie at all costs.
He
can’t stand to lose his beloved wife and he is worried that what he has to say
will do more damage than not saying anything at all.
Phrases
which have made their way into the cultural imagination, such as The Silent
Treatment, will always appeal to authors; for me, writing the novel was a
perfect excuse to think about why this concept fascinates us so much and it has
completely changed my own approach to silence, romantically and otherwise!
Q:
What do you hope readers take away from the story?
A:
I hope that Frank and Maggie are the sort of characters that readers will take
to their heart and continue to think about long after they have turned the last
page. Perhaps it will also make readers think about their own loved ones and
what might go unsaid in those relationships.
And,
of course, I mainly hope that readers will enjoy the story!
Q:
What are you working on now?
A:
I’m working on my second novel – The Ends of the Earth. It tells the story of
Mary O’Connor, a woman who has spent every evening for the last seven years
standing alone outside Ealing Broadway train station, with a sign bearing the
words “Come Home Jim”. But who is Jim and where has he gone?
--Interview with Deborah Kalb
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