Photo by Jacqui Henshaw |
Kirsty Manning is the author of the new novel The Lost Jewels. She also has written the novels The Song of the Jade Lily and The Midsummer Garden. She lives in Melbourne, Australia.
Q: Why did you decide to write a novel based around
the famous Cheapside Hoard of jewels?
A: Quite simply, it was one of those procrastination
rabbit-holes on the internet! While I was researching for my previous
novel--The Song of the Jade Lily--I stumbled across a random newspaper article
that popped up on the same page.
It was about an exhibition of The Cheapside Hoard that
had obviously been on at the Museum of London, and I paused to read it. I mean,
who doesn’t love a diamond, right?
But the thing that caught my attention as a novelist
were just how many holes there were in this history. I mean, nobody knows who
these jewels belonged to, why they were buried, or who found them.
Who would bury 500 precious jewels and gemstones and
never return? It just seemed unfathomable to me!
The Lost Jewels is a work of fiction inspired by the
true story of the Cheapside Hoard, dug up in a Cheapside cellar in 1912 and
forming a significant collection at the Museum of London, and also at the British
Museum and the Victoria and Albert Museum.
I realised the real story was not just about the
jewels, although they are certainly beautiful, it is about London and the
expanding world.
In the 1600s, Cheapside was the hub for gold, silver
and precious gems that had threaded their way around the world to London.
However, this century was also filled with fire, plague, revolution and an
expanding empire . . . Seventeenth-century London was a city equal
parts thriving and in turmoil. There were a million reasons why someone might
not return for their precious jewels.
Q: How did you come up with your characters Essie and
Kate?
A: When I was researching this book, I went to an
exhibition at The London Museum on the suffragettes. The same year these jewels
were discovered, was the same year that women were marching in the streets for
the vote. To have their voices heard.
But what of the strong women who were working to
support families. Just getting by? Where were their stories, their voices?
These brave, strong and quiet women gave so much to their families—and the next
generation, I wanted to honor those whose voices have been overlooked in
history.
My 1912 historical character Essie is stymied in
London by poverty and class. The suffragette movement was happening in London,
but she was just too busy trying to pull her family through life and give those
she loved more opportunities than she had.
As for Kate, my main contemporary character—I’m in awe
of the research of historians, curators and conservators. They research and
present our past to give us stories for our future.
Also, the lessons of the past can teach us so much.
Not everything that happens in my novels has happened to me personally. But
I’ve certainly had some tough moments in my life, and walked alongside friends
who’ve had very dark times.
I think it’s important to hold a space for empathy and
kindness—in novels and in life. This humanity is what connects us.
The future seems uncertain right now, and most of us
have been reduced to thinking about how we will get through the next few
months.
Where I live in Melbourne, Australia, we are in
lockdown under some of the tightest restrictions in the world–for the second
time! We have at least another six weeks before we can leave our homes and see
anyone other than those who live with us. I’m not going to lie: it’s tough!
Q: What do you hope readers take away from the novel?
A: I hope The Lost Jewels brings readers both comfort
and an escape. Seeing how women have lived through hard times inspires me … so
I hope others feel that way too.
History shows us humans and beautifully resilient, and
ridiculously flawed. We mock those who hoard toilet paper, but serial philanderer
and public servant Samuel Pepys famously buried a large wedge of Parmesan
cheese and some red wine in his back yard to protect it when the Great Fire of
1666 raged across London. He is a man after my own heart! I seem to have
hoarded chocolate, also gin.
To say 2020 has been a weird year is an
understatement. We’ve all spent time indoors and away from usual routines, and goals
and dreams have been blindsided in some cases. So it’s good a time to contemplate what is
really precious to us. Also time to celebrate art and beauty—a time to read and
reach for topics that bring a little hope and sparkly magic to our lives.
I also hope readers get a sense of the dedication it
takes to become a master jeweller. The story of a jewel is a story about care
and craftsmanship and just the symbolism and work that goes into creating
something we wear and can be passed through generations is fascinating.
To give a piece of jewellery is to show love, loyalty
or loss. There is always a promise made when a special piece of jewellery
passes hands. It can change someone’s life—everyone from the person who
discovers the gem, the people who crafted it, and the people who receive the
final piece.
Perfect starting point for a novel, right?
Q: What are you working on now?
A: A new dual-timeframe novel, set between pre-war
France and World War II Germany. Due out 2021.
--Interview with Deborah Kalb
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