Andrea Cohen, photo by Francesca G. Bewer |
Andrea Cohen is the author of the new poetry collection Nightshade. Her other books include Unfathoming and Furs Not Mine, and her work has appeared in a variety of publications, including The New Yorker and The Threepenny Review.
Q:
Over how long a period did you write the poems in Nightshade?
A:
I think these poems were written over about a year and a half.
Q:
Why did you choose Nightshade--also the title of one of the poems--as the
collection's title? What does it signify for you?
A:
For me, the idea of, or the fact of that bittersweetness of days seemed pretty
emblematic of these poems. Of course, one is lucky to have a bittersweet life.
The only probable alternative would be bitterness entire.
Q:
In a review in the Washington Independent Review of Books, Grace Cavalieri writes
of Nightshade, "Each page has either a conundrum or a puzzle at the
center, as Cohen tries to light a dark world by strengthening thought and
stripping words to their hidden literal meanings." What do you think of
that assessment?
A:
I think it’s a thoughtful consideration. And I suspect that trying to assess
others’ assessments of one’s own poems is probably folly.
Q:
How did you decide on the order in which the poems would appear in the
collection?
A:
I have a Ouija board. Or I don’t, but wish I did.
The
real answer? I just look at the poems and try to imagine how they might connect
with each other.
Q:
What are you working on now?
A:
I just wake up and see what happens. I mean, I wake up, I sit down, and I
write.
There
is also coffee involved. A lot of coffee.
And
the dog. Asking questions.
Q:
Anything else we should know?
A:
I can recommend a couple books that are just out. One is Jane Mead’s To the
Wren: Collected & New Poems 1991-2019. Sadly, it’s the last book we have
from Jane. And one other is James Arthur’s The Suicide’s Son. And if you get
the chance to hear James read, take it.
--Interview with Deborah Kalb. Here's a previous Q&A with Andrea Cohen.
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