Nicola Harrison is the author of the new novel Montauk. Her work has appeared in a variety of publications, including The Southampton Review and Glimmer Train. She lives in Manhattan.
Q: How did you come up with the idea for Montauk and for
your character Beatrice?
A: I’ve spent a lot of time in Montauk. I used to own a
house there - we bought it from a local lobster fisherman named Billy who was
selling up and moving his family to Florida.
When we went into town and talked
to the locals they all said, “Oh yeah, I know where you live, you live in
Billy’s house up on the hill.” For years our house was referred to as Bill’s
house and I was just so intrigued by the strong sense of loyalty and
community.
Also in the years that we owned the house I saw Montauk
change so much from a sleepy little fishing village into the popular
destination that it is today. I think I just became obsessively nostalgic for
the quaint little fishing village that it started out as.
A lot of the places
that I write about in the novel are still thriving today – The Montauk Manor,
Gurneys, The Yacht Club, Duryea’s, White’s Pharmacy, and others have since
closed (such as Trails End). What’s nice about Montauk is that even though some
things have changed, you can still find a taste of the past, you just have to
know where to look.
As for Beatrice, I just felt that I knew her and her story
as soon as I started writing her.
Q: The novel is set in Montauk in the summer of 1938. How
important is setting to you in your writing, and did you need to do much research
to recreate the time period?
A: Setting is so important to me – especially in this book.
I did most of my research at the Montauk Library. I spent
hours reading books about the local history and about the hurricane of 1938.
I
read up on Carl Fisher who was the most influential man in the development of
Montauk and who built the Manor as his centerpiece – he called it the “Castle
by the Sea”. Our house in Montauk was just down the street from the Manor so
I’d go for runs up there and look around the grounds and envision what it must
have been like back then in the ‘20s and ‘30s and that’s when I started to come
up with the idea for this novel.
I also took a tour of the lighthouse with the local
historian Henry Osmer and I interviewed lifelong Montauk local Vinnie Grimes
and his wife (she has since passed away). I spent the afternoon with them as
they told me stories about the good old days, what it was like growing up in
Montauk in the ‘30s and what it was like when the “summer visitors” came to
town.
I read newspaper articles from 1938 and looked at
advertisements, so fascinating to see how things were marketed back then. I
used to be a fashion journalist so I had a lot of fun researching the fashion
of the times.
Q: Did you know how the novel would end before you started
writing it, or did you make many changes along the way?
A: I always knew how this story was going to end. I did play
around with alternate endings but always came back to my original ending. Even
though it might not end the way you expected it to, I do think it leaves you
with a sense of hope, determination, and new beginnings.
Q: What do you hope readers take away from the story?
Q: What do you hope readers take away from the story?
A: I just want people to feel the growth that Beatrice
experiences – that you can go from feeling lost and alone – even when you have
people around you – to experiencing true, unconditional love. Everyone deserves
that.
Q: What are you working on now?
A: I’m working on my next novel – it’s set in the 1920s in
the Adirondacks and in Manhattan during Prohibition and I’m having a lot of fun
with that time period. The main character is very different from Beatrice.
She’s a feisty, confident showgirl.
I’ve been pretty busy these past few months
on book tour for Montauk and keeping up with my 9-year-old and 6-month-old boys
so I had to take a few weeks off but I’m excited to get back to writing.
--Interview with Deborah Kalb
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