Friday, November 7, 2014

Q&A with Professor Lorri Glover


Lorri Glover is the author of the new book Founders as Fathers: The Private Lives and Politics of the American Revolutionaries. Her other books include The Shipwreck That Saved Jamestown and Southern Sons. She is the John Francis Bannon Endowed Chair in the Department of History at Saint Louis University.

Q: Why did you decide to focus on the family lives of the founders in your new book?


A: Despite Americans' knowing so much about the political careers and civic accomplishments of leading members of the Revolutionary generation, we understand surprisingly little about their family lives and especially about the ways family values shaped their careers and, in turn, how the Revolution transformed family life.


For example, Thomas Jefferson had completely retired from politics in 1782 to devote himself to his family at Monticello. Then his adored wife, Martha Jefferson, died.


James Madison, his closest friend, rather callously speculated there might be a political opportunity in Jefferson’s devastating loss: “perhaps this domestic catastrophe may prove in its operation beneficial to his country by weaning him from those attachments which deprived it of his services.”


And he was right. To escape his heartbreak, Jefferson agreed to move to France and become an ambassador, which marked the beginning of a second career in politics that ran for the next 20 years.


Q: You write that George Washington “sometimes reluctantly but always consistently chose his country over domestic life.” Were the other Founding Fathers as willing as Washington to make those sacrifices?


A: Almost none were. Most of the leaders of the Revolution moved in and out of public service based on family obligations.


Patrick Henry, for example, was very reluctant to take on any national office or even travel outside Virginia despite being incredibly talented and influential, because he had 16 children by two wives. His first wife want insane during the 1770s and her family confined her to the basement of her home, leaving him essentially a single father for several years. Supporting his children was paramount in Henry’s mind, and so he usually fit his political service around that family duty.


Washington often said he preferred life at Mount Vernon with Martha and her children but his sense of civic obligation, his commitment to building a strong republic, and his ambition and quest for fame pulled him onto the political stage, time and again.  


Q: How would you characterize the differences between the upbringing of boys and girls in the families you examined?


A: Many of the underlying values and expectations were the same because of the American Revolution. The Revolution made developing individual talents and self-determination central to childrearing, regardless of gender.


But boys and girls acted out those shared values in very different ways. A talented girl developed appropriate female talents — making pies and puddings or playing a musical instrument, for example. And most importantly of all, young women needed to attract and wisely chose a respectable husband. The ultimate success of a white woman was a happy marriage and upstanding children. 


Boys, meanwhile studied Latin and oratory in order to prove themselves in a respectable career, like law or business. The ultimate measure of a man was whether he was worthy of serving in public office.


Q: You write, “Virginia’s presidents confronted a new issue, one unfamiliar to men of their fathers’ generation: Should family matter in politics?” What was their answer to this question, and how did it affect political life of that era? 

A: In the colonial period, men served in public office mostly as a reflection of their rank in society–which was determined by their family ties—and for the benefit of their kin. What we think of as nepotism was just the standard operating procedure in colonial America.


But Revolutionary-era values emphasized equality and self-determination, which meant that white men needed to actually compete for political power based on their individual abilities. And governing was now about serving the greater public good.


So, increasingly, merit ran headlong into family interests. The most powerful leaders of the Revolution decided that individual men should make their own way into political office rather than power running through family blood lines. Certainly, they helped their kin when they could, but they tried to live up to the ideal of a meritocracy—that governing based on talent and accomplishment would make the republic stronger. 


One consequence of this was that men like George Washington and James Madison welcomed into their homes and presidential administrations young protégés to whom they had no family ties but who they considered part of their innermost circles because of their talents. They sometimes called this their “political family.” Washington’s wartime relationship with Lafayette, which took on a father-son dynamic, is a great example of a widespread pattern.


Q: What are you working on now?


A: Right now I am writing a book about the 1788 debates in Virginia over whether to ratify the Constitution. The formal debates pitted James Madison, the principal architect of the Constitution and its most formidable advocate, against Patrick Henry, the most powerful man in Virginia who made no bones about his contempt for the Constitution.


The record [of] the month-long formal debates is extensive, the drama unsurpassed in early American history, and the final outcome stunningly close: 89-79 in favor of the Constitution. Five votes swung in the other direction would have undone the Constitution and changed the course of American history. I am having great fun witnessing this history unfold.


Q: Anything else we should know?


A: I hope that readers of Founders as Fathers will come away with a clearer understanding of the familial context and costs of the American Revolution. I hope, too, that by seeking to capture the founders’ complexity and their vulnerabilities and humanity that I’ve offered some fresh insight into famous men we’ve too often cast in marble or seen as larger-than-life paragons of a lost American ideal.

--Interview with Deborah Kalb




Nov. 7

ON THIS DAY IN HISTORY
Nov. 7, 1913: Writer Albert Camus born.

Thursday, November 6, 2014

Q&A with Professor Craufurd D. Goodwin


Craufurd D. Goodwin is the author of the new book Walter Lippmann: Public Economist. He is the James B. Duke Professor of Economics Emeritus at Duke University. His many other books include Economic Engagements with Art and The Academic's Handbook. 

Q: Why did you decide to look at Walter Lippmann’s writings in the context of his work as a public economist?

A: I have always been interested in how ideas as they evolve in a scientific community are inserted into the policy process. Years ago I did two large studies for Brookings that resulted in big books that explored how policy was formed regarding control of inflation (Exhortation and Controls) and energy policy (Energy Policy in Perspective).

There I dealt with thinks tanks, academic entrepreneurs, and analytic units of government. I knew that some day I would need to do more with the media.

Then when I began to read some Lippmann I realized that he had all the qualities required to be a great translator of policy ideas. When a conference plan stimulated me to think about "public intellectuals" I realized that Lippmann was the perfect specialist in this community devoted to economics.

Access in our main university library to all of  Lippmann's writings and his enormous trove of unpublished material gave me the opportunity to explore his career and his contributions.

Q: As you researched this book, was there anything that particularly surprised you about Lippmann’s views or his impact?

A: I don't think I was surprised so much by his views or impact as I was impressed. To begin, he was remarkably flexible and sensitive to new knowledge. He has often been criticized for flip-flopping. I find that a virtue.

The reason for his impact became clear to me as I worked on him. He was not the prisoner of any fixed ideology or party. He presented his readers with the conclusions he reached after serious study. The readers were grateful.

There are few places readers can go to this day for the kind of insight and candor he provided. I can remember my parents - my father a banker and my mother a lawyer - devouring Lippmann in the morning paper.

Q: How would you describe the dynamic between Lippmann and economist John Maynard Keynes?

A: Walter Lippmann and John Maynard Keynes were remarkably alike and their careers were extraordinarily parallel. They both appreciated this and took advantage of their particular experiences.

Among smart people I have known, I found that they tend to feel comfortable with each other. I would love to have heard these two in conversation. They had very similar values and style. They both had a strong sense of public service and each appreciated that in the other. They also exploited each other, in the best sense of that word.

Q: You write of Lippmann, “He was more than a journalist in the sense that the term is used today. He had a relationship to his readers that was a mix of trusted adviser, teacher, confidante, mentor, and friend.” Do you see any person or institution today that fills a similar role?

A: I don't find an exact equivalent today, but there could be one. It is just hard to think of anyone with the qualities you find in Walter Lippmann: high intellectual horse-power, quickness, great self-confidence, capacity to charm, sense of public responsibility, good judgment (at least by my lights), commitment to hard work, and substantial personal wealth.

One reason why we see few people with these qualities in the media today is, I speculate, because they are drawn away early on into academe or the professions.

Another reason is because the academic disciplines are far less penetrable today by an "amateur." Walter Lippmann could master most segments of economics in a month or so of readings; that would be very hard to do today.

The person I have known who was most like Lippmann, and might have had  a similar career, was McGeorge Bundy, my boss when I worked at the Ford Foundation. Ironically the two were very good friends but, unlike Lippmann, Bundy was quickly drawn away into high-powered jobs in academe, government, and philanthropy. He never tried his hand at journalism.

I should say I think it would be wonderful if a modern Walter Lippmann were to appear, but the odds against it seem long.

Q: What are you working on now?

A: I am preparing a paper for a conference on how economics interacted with the new discipline of psychology in the first half century of rapid development in the two fields, 1890-1940. I am having a good time.

--Interview with Deborah Kalb




Nov. 6

ON THIS DAY IN HISTORY
Nov. 6, 1921: Writer James Jones born.

Wednesday, November 5, 2014

Q&A with author Chris Farrell


Chris Farrell is the author of the new book Unretirement: How Baby Boomers Are Changing the Way We Think About Work, Community, and the Good Life. He also has written The New Frugality, Deflation, and Right on the Money!. He is senior economics contributor to the public radio program Marketplace, economics commentator for Minnesota Public Radio, and a columnist for Bloomberg Businessweek and the Minneapolis Star Tribune. He is based in St. Paul, Minnesota.

Q: In your new book, you write, “The dire jeremiads aimed at an aging America are wrong and deeply misplaced. The graying of America is terrific news.” Why is that?

A: Part of it is that living longer is a good thing. We need to celebrate the fact that we’re living longer, and it’s not just that we’re living longer and frail. We’re living longer, and on average we’re healthier, we’re better educated than we were before.

A lot of our perceptions and conversations are almost as if you go from 60 to [80 or] 90 in a year. If you’re 60 and you thought back on what you’ve done from age 40 to 60, a lot has happened. A lot can still happen.

It’s an opportunity to stay engaged, to continue to earn an income, to pay taxes, to contribute to society. We will start to see the breaking down of barriers, and the barriers are real.

Q: How will the barriers come down?

A: You mention the word creativity, and we associate it with youth. Older people can be just as creative….Companies are trying to keep a stable workforce and are bringing back some retirees. All they language they use about these people is how creative and innovative they are….

Q: What percentage of baby boomers are likely to fall into the “unretired” category, and how does that differ from past generations?

A: I think one of the things that’s really tricky about this subject is the popular images versus the reality.

The popular image if you mention retirement—it’s a powerful image: that they’re no longer working. We use playing golf as shorthand for saying they’re just doing leisure. They might move South. It turns out that not that many people move to the South. Most people age in place.

A guy in the book, Robert Kaufman, he does a career every 10 years, [one of which was] Mennonite minister. When he retired, he had a vision of working three days a week, and also working on his cabin and giving back to the community. He would go to an event in the neighborhood, and would try to explain, and they’d look at him, [confused]. Then he would say he was retired, and they’d say, “Oh!”

Now, there’s a lot more talk about it. There’s a recognition that you can come in and do a project. We are much more thoughtful about what that means. There’s a real shift in how we think about the elder years. We don’t have the language for it yet.

In Seinfeld, he goes to visit his parents in a retirement community in Florida. We recognize that image. What’s the image of unretirement? We don’t have that yet.

Q: Will the baby boomers’ impact on the U.S. economy be as large as they age?

A: I think it will be. As more and more people work, the impact is going to be longer. You think about baby boomers—I don’t like the image of the rat in the python, but they really did impact the schools. In the workforce, they had a big impact.

It’s a little more diffuse with aging, but the impact may be more powerful. What does this mean, working longer, a second or third career, giving back? It has an impact on today’s twenty-somethings. When they are in their 50s or 60s, they will have a pretty good idea of what this means. The impact is on [a later] generation.

Q: You write, “Despite its flaws, Obamacare is a step in the right direction for the new economy of unretirement.” Why do you think so?

A: Obamacare is a transition point. A big part is that we’ve crossed the Rubicon. We’re not going back to a system of pre-existing conditions. We’ve moved toward universal coverage.

I’ve done a lot of personal finance reporting, and for the age group 55-65, health care is a really big issue. Who can afford COBRA? What Obamacare does is that five years from now, there will be a vibrant individual health care market, something this country has never had. I don’t understand why opponents of Obamacare don’t see [this potential].

It fits with working longer, trying new things. Most health care economists would agree that the employer-based model is widely flawed. It’s going to take us a long time to get there, [but the] individual health care market really does give people more options to try something new.

Q: As you researched the book, were there any people you met whose stories particularly surprised you?

A: In talking to people, I didn’t want to only to talk to college-educated, white-collar workers.

Debbie Nowak graduated from high school, she didn’t graduate from college. She worked for the Lutheran Church, loses her job, and was always afraid of taking a risk. She really does take a risk—she got a degree in furniture restoration.

Jacqueline Hubbard lost her job at Dan River Mills and got a job at Head Start, where she was the oldest worker, and is making the same amount….

Q: Are you working on another book?

A: It’s in the back of my mind. I’m trying to figure [it] out. I went to an encore.org conference in Tempe, Arizona. What they’re focusing on is, you’ve had your primary career, now there’s a secondary career trying to address a social problem. It was a fascinating conference. I’m looking—it’s in the back of my mind; nothing has come to the fore yet.

Q: Anything else we should know?

A: So far a lot of this has been a DIY movement. At [companies like] Intel and Cisco there are more formal programs for encore careers, but there’s zero unemployment in high tech now, and that’s how they’re competing.

I think a big part of this is how to make it more institutional. How will it affect corporate benefits? How will it affect Social Security? Over the next decade, [the process will be] going from individual efforts to institutional support.

--Interview with Deborah Kalb

Q&A with author Maya Corrigan


Maya Corrigan, photo by Joe Henson, NYC
Maya Corrigan is the author of the new mystery novel By Cook or By Crook, the first in a series. She has taught college classes, written nonfiction, and designed online courses. She lives outside Washington, D.C.

Q: How did you come up with the idea for your "five-ingredient mystery" series, and for your main character, Val?

A: I wanted to write a culinary mystery series and needed an angle for it. Most culinary mysteries feature chefs, caterers, bakers, or restaurateurs as sleuths.

Lacking any experience as a cooking professional, I decided to write what I knew as a home cook. My preference for recipes with few ingredients suggested a theme for the series. 

I went with five instead of four or six ingredients because it works well with the classic mystery setup, which often involves five suspects. Incorporating five suspects allows writers to explore a variety of motives without requiring the reader to keep track of too many people.

As I was developing the character of Val, I read an article by Michael Pollen, author of Cooked. He wrote that as TV cooking shows have increased in popularity, the number of people cooking at home has decreased. The shows idolize celebrity chefs and showcase fancy dishes, creating a mystique around cooking that discourages people from doing it.

The article gave me the idea to make Val a foodie who turns away from gourmet cooking because of her experience with the pretensions of celebrity chefs. She believes they focus more on making food that dazzles the eye than on creating healthy dishes with fresh ingredients, the focus of the cookbook she plans to write. She carries her mistrust of outward appearance into her sleuthing, looking behind facades to uncover the facts and the truth.

Q: Are the recipes in the book some of your own favorites?

A: I began collecting easy recipes when I was a Mom with two part-time jobs and two preschoolers. I also simplified other recipes that had many ingredients so that I could cook fast. After the kids were older, I had the time to make more elaborate meals, but I rarely found complicated recipes with many ingredients worth the effort and time.  

The recipes in By Cook or by Crook include several that people have requested after they ate at my house. The roast potatoes are always a favorite for holiday family meals. It’s as close as you can get to a never-fail dish. My mother often made apple crisp. I used her recipe for years, but found I liked a variation on it better, and that’s the one that’s in the book. The rockfish recipe is a more recent favorite at our house. It works for all kinds of fish.

Q: Why did you decide to set the series on Maryland's Eastern Shore?

A: I enjoy visiting the Eastern Shore because of its charming historic towns, its peaceful water scenes, and its cuisine based on local produce and fresh catches from the bay.

It’s a rural area that attracts urban visitors. Golf courses and farms abut each other. The bayfront estates of weekend visitors aren’t far from trailers and tiny houses where locals live. Washington bigwigs bump into watermen on the streets of St. Michaels.

The dynamic between locals and tourists makes the Eastern Shore a great place to set a mystery filled with quirky characters and conflicts leading to murder. My book is set in a fictional Eastern Shore town, Bayport, so that I can create businesses and buildings where I need them. 

Q: Who are some of your favorite mystery writers?

A: I’ll focus on two writers I particularly enjoy. Both have long-running mystery series and have avoided the trap of writing to a formula.  

The British author Reginald Hill, who died about two years ago, wrote a series of 20 books featuring Yorkshire police detectives. Though I don’t usually read police procedurals, I enjoyed every one of his. Enormously witty and versatile, Hill wrote thirty other books, some mysteries, some not. Once you get hooked on him, you will have a long and happy relationship.

Another writer I enjoy is Nevada Barr. Her sleuth is a U.S. park ranger who tackles crimes in a different park in each book. A lot of series go stale after a few books because the author is tied to a particular geographic area and to a set of recurring characters. Nevada Barr has the same main character, but the change of setting keeps the series fresh and gives readers insights into the varied challenges rangers face in parks around the country.

Q: What are you working on now?

A: I just sent my publisher the manuscript for the second book in the Five-Ingredient Mystery series, Scam Chowder. My next task is to write a synopsis for the third book. But that’s barely a gleam in my eye so I can’t talk much about it.

Instead, I’ll say a little about Scam Chowder, which is scheduled for publication in June 2015. Central to the story is a rampant crime that is underreported and underprosecuted in our country—frauds against senior citizens. Val’s grandfather has a larger role in this book than in the first one because of the subject matter and because he’s a scene stealer.

Q: Anything else we should know?

A: A little more about Val’s grandfather. She recently moved into his Victorian house with him. He decides that if she can cook, so can he, but he won’t tackle any recipe that has more than five ingredients. His role in the book extends beyond his connection to the culinary subplot. He also functions as Val’s confidant, foil, and sidekick. Most people who’ve read the book say he’s their favorite character.

Please stop by my website, mayacorrigan.com, for additional information about the Five-Ingredient series and for trivia about food and mysteries.

--Interview with Deborah Kalb

Q&A with author Martin Goldsmith


Martin Goldsmith is the author of Alex's Wake: A Voyage of Betrayal and a Journey of Remembrance, which tells the story of his grandfather and uncle, who were passengers on the S.S. St. Louis in 1939; the ship's passengers, Jewish refugees from Nazi Germany, were refused entry into Cuba and the United States and were forced to return to Europe. Goldsmith is the host of Symphony Hall on Sirius XM Satellite Radio, and the author of a previous book, The Inextinguishable Symphony. He lives in Maryland.

Q: You write, "I've come to feel a great need to connect with that vanished generation, with those members of my family who were murdered a decade before I was born." What caused you to feel that need to learn more about your family members, particularly your grandfather and your uncle?



A: In general I think it’s probably no more complicated than a desire to have a larger family than the one I grew up with. When I was 7 or 8 years old, I knew the kids next door had grandparents, aunts and uncles, and I didn’t. I felt that absence for a long time.



About Alex and Helmut specifically, I think it’s probably because my father felt so guilty about not having saved his father and brother. In some mysterious way, I inherited some of that guilt.



I became aware of my father’s guilt and had the insane desire to save them. My father had failed to save them, and I felt like I was the catcher running up the first base line [to catch the ball]—I was the backstop. It somehow fell to me. That’s one reason I undertook the journey.



Q: Your parents spoke very little about the Holocaust as you were growing up, and your father chose not to identify with Judaism. At what point did you learn more about your family's history?



A: It was a subject that never really came up. My brother and I were not discouraged from taking about it, but we knew that it was not a topic that was the subject of conversation. These were subjects that didn’t exist.



As I grew older, I began to ask more questions. After my mother died in 1984, it became more important. … When I met my wife, she began asking questions. In my early 40s, I began doing research.



Q: What do you see as President Roosevelt's role in the S.S. St. Louis tragedy, during which a group of Jewish refugees, including your grandfather and uncle, were refused admission into the United States (and Cuba) and were sent back to Europe?



A: On one hand, a president can only get so much done without an agreeable Congress. There was the 1924 immigration act that held quotas for immigration. To a certain extent, that had to be followed.



But there were roughly 25,000 German citizens allowed to emigrate to the United States [each year], and for the most part, those numbers were never really approached, so more could have been done to speed up immigration from Germany. Roosevelt and the State Department could have done more.



It’s also true that the country as a whole was fairly anti-Semitic at the time, so it’s perhaps understandable that President Roosevelt, with his third attempt [to run for the presidency underway], didn’t want to get too far ahead of the country where Jewish immigration was concerned.



He could have issued an executive order. [But] he didn’t know for certain what was over the horizon. As terrible as the situation was in 1938-1939, and Kristallnacht was front-page news in the United States, nevertheless the depth of the horror of the Holocaust was unimaginable in 1939. It’s understandable that Roosevelt didn’t feel the urgency we feel in retrospect.



He was amenable to the deal the American Jewish Joint Distribution Committee worked out. I would imagine that 75 years ago, on June 9, 1939, as the ship was sailing back to Europe, Roosevelt, to the extent that he concerned himself with this, would have thought at least they’re not going back to Germany. I wish he had done more. I understand why he didn’t.



Q: As you retraced the steps of your grandfather and uncle, what did you learn that particularly surprised you, and how difficult was it for you personally to write about their lives and deaths?



A: I learned all manner of things, both that you can quantify—specific days and dates when they were in particular camps in France, [the date they were sent] to Auschwitz—and I also learned a huge amount of “atmospherics”—standing in the now-forlorn, overgrown ruins [where they had been kept prisoner in France] it was more possible for me to imagine what their lives were like.



The journey itself was a sort of schizophrenic journey. Simultaneously, my wife and I were able to enjoy the pleasures of traveling in France—some parts were in Germany and Poland, but largely in France—it was beautiful weather, we were in nice accommodations, we ate wonderful French food.



On the one hand, it was a marvelous European excursion. But every day we experienced, at a huge remove, their experiences in these places, where they were held against their will. It was equal measures exhilaration and pleasure, and sorrow.



The experience of gathering material contained a wide emotional range, and the writing reflected it. Discovering something new about Alex and Helmut was very exciting; I had never met them, and I met people who had been in the same room with them—it was thrilling…but very sad as well.



Q: What has the reaction been to your book? 



A: Among those who have read it, the reaction has been terrific.  I do wish that there would be more reviews of it published … I’m particularly disappointed that The Washington Post has so far not given the book a review.  But there’s still time!


Q: How was the book's title chosen?



A: There’s what I like to think of as a double meaning: on the one hand, for much of my adult life I felt as though I’d been traveling in my grandfather’s wake, as his fate dominated my emotional life.  That was an important impetus for undertaking the journey that the book describes. 



And on the other hand, the title refers to the celebration I write about in the book’s final chapter, a gathering celebrating Alex’s life and the lives of his family and the lives of the generation that came after.



Q: Are you working on another book?



A: No, I’m doing my best to promote this one.



Q: Anything else we should know?



A: No book will resonate with everybody, and for Alex’s Wake, certainly a niche audience would be interested, but it does speak to the history of those times, including something that is not well known in this country—the wide array of French camps. People know the names of [the German camps, but not the French ones]. I like to think that this book would correct that.



And the book would resonate with the second generation, the children of Holocaust survivors, who grew up as I did, in silent households where the word “Holocaust” was concerned. People who grew up with all this silence—the book speaks to that.

--Martin Goldsmith will be participating in the Lessans Family Annual Book Festival at the JCC of Greater Washington, which runs from Nov. 6-16, 2014. For an earlier version of this Q&A, please click here.