Monday, August 31, 2026

Q&A with Jane Brookwood

  


 

 

Jane Brookwood is the author of the new novel The Hanged Man. She also has written the novella The Raven's Familiar. She lives in British Columbia. 

 

Q: What inspired you to write The Hanged Man, and how did you create your characters Fiona and Rosie?

 

A: The inspiration came from  a combination of factors. Years of studying tarot collided with a period of great loss and upheaval in my life. It was born out of the presence—and eventual absence—of one remarkable ginger cat, right on the heels of my best friend sitting down to write and publish her own memoir.

 

Fiona is who I aspire to be, and she lives the way I wish I could. Although I don’t know her all that well yet, I’m hoping we’ll have more than a few more books to really delve deep.

 

And Rosie, well, she is based on a real cat! She was a rescue who “worked” alongside her brother at the construction company I was with. When her brother passed away, she came home with me, and she was the most perfect real-life introduction to the feline world I could have ever imagined. Prior to Rosie, I genuinely thought I was strictly a dog person. It turns out, I’m a cat at heart.

 

Rosie was an exceptional example of a feline—regal, delicate, completely self-aware, and incredibly sweet when she wanted to be. She lived with us for a few years before choosing to move on to another home in our neighborhood.

 

While her departure left a big hole in our lives, I deeply respected her decision; she was simply living her best life, which is exactly what her character does in The Raven’s Familiar.

 

A year after she moved on, we adopted another female ginger cat named Poppy, who is much more content to stay close to home. She is my best friend and roommate.

 

Q: How would you describe the dynamic between Fiona and Rosie?

 

A: There’s a definite “buddy cop” vibe going on between those two. Deep down, Fiona knows Rosie comprehends way more than she lets on but she forgets – Fiona’s only human after all.

 

Rosie on the other hand, knows exactly what’s going on, whether she cares about everything Fiona considers important – that’s another question entirely. Rosie’s got the “sight” and her priorities are informed by what she picks up intuitively, which doesn’t always align with our human fears and feelings.

 

Q: How did you create the setting of Pineridge Hollow?

 

A: It comes from living with five decades of rain in the Pacific Northwest. At some point early on I remember telling myself that I just better get used to the rain or I’d never be happy again. I think it informed my love for the promise in a grey, overcast day, the smell of damp moss on the forest floor, and the mystery shrouded by a rain-soaked night.

 

Q: You’ve also written a novella about Rosie, The Raven’s Familiar--can you tell us more about how the two books connect?

 

A: About four revisions into The Hanged Man, I realized that there are A LOT of books out there and I wasn’t sure if the book would get any kind of exposure. It got me thinking of writing a prequel that I could use as an introduction to the world. Something short and easy to read.

 

It turns out that I really like writing “around” things. I fleshed out the idea and after finishing my fifth rewrite on THM I decided to write The Raven’s Familiar, although it was just called Rosie’s story for the longest time. Rosie just walked straight onto the page. It was such an interesting exercise given the angst that came with THM.

 

While I really struggled at first to get her voice just right it really revolutionized my writing style. I stopped explaining what was happening and just let the action drive the story. Instead of conceptualizing I was able to trust myself and the reader more.

 

When I came back for the final fixes of THM post editing, I found this new sense of freedom. Rosie continues to teach me things, how to be a better writer, and a better human.

 

Q: What are you working on now?

 

A: I’ve just submitted The Raven’s Familiar: Part Two to my editor. This is the mystery portion of the book and where Fiona and Rosie really learn to work together.

 

Although it will be released post THM, it takes place prior to it. Fiona’s ex returns on the scene, and Rosie immediately recognizes what he’s after. Fiona, though, she’s blind-sided by his charm and seeming sincerity and the little girl he’s brought with him.

 

Rosie, who’s just found her forever home, realizes in an instant that she needs to get to the truth before he destroys everything she’s worked so hard to find. Not only does she investigate him, but she does it with a group of unlikely allies she finds in her new community of Pineridge Hollow.

 

I’m also feverishly working on The Fool, which is Book 2 in the series. I’m really hoping to have it released beginning of December as a Christmas novel.

 

Q: Anything else we should know?

 

A: There is a layer to the Raven-verse that extends beyond the page. Hidden in each book is an Easter egg that can be used to unlock bonus content in a secret corner of my website – The Raven’s Vault.

 

And for my ARC readers of The Hanged Man, they have an exclusive unlock that relates to Elsie’s discovery at the end of the book. It’s a nail-biter, if I do say so myself.

 

The whole series has been inspired by the larger architecture of the Major Arcana in the tarot. Twenty-two archetypes exploring the nature, folly, and paragon of humankind around which each story will be built.

 

The card’s archetype informs everything; the mystery, the villain, the lesson both Fiona and I are wrestling with. It echoes the underlying secrets beneath Pineridge Hollow’s idyllic surface, and it’s much larger than any single murder.

 

These sub-stories run like dark rivers beneath the forests to emerge unbidden into the light. Fiona, Rosie, and her ragtag bunch of friends are the only things standing against it. 

 

--Interview with Deborah Kalb 

Q&A with Tiffany D. Jackson

  


 

 

Tiffany D. Jackson is the author of the new middle grade novel Ghost in the Night. Her other books include Blood in the Water.  

 

Q: What inspired you to write Ghost in the Night, and how did you create your character Harmony?

 

A: During a brunch with some Scholastic folks, I mentioned how my favorite pastime is to go on ghost tours in different cities, but mentioned that I always seemed to be the only black girl on the ghost tour. My editor overheard that and said, “Now there’s a book.” So the story was born from a casual conversation.

 

When thinking of potential main characters, I wanted a girl who was whip smart and determined yet vulnerable in her grief. Harmony was a natural fit.   

 

Q: Why did you choose Savannah, Georgia, as the setting for the novel?

 

A: I love cities that can turn into their own characters.

 

Q: The Publishers Weekly review of the novel says, “[E]vocative detail surrounding the blues, voodoo, and historically Black locales add texture to this cerebral offering.” What do you think of that description?

 

A: Don’t you love it when a reviewer nails exactly what you were trying to accomplish? It’s such a satisfying feeling, music to an author’s ears.  

 

Q: How would you describe the dynamic among your characters Harmony, Robby, and Myah?

 

A: They’re my favorite little trio. All hilarious in their own ways but also extremely supportive of each other, despite their differences. Example, Robby doesn’t believe in ghosts but happy to tag along and find out the truth while injecting his own knowledge.  

 

Q: What are you working on now?

 

A: Right now, I’m working on an outline for a few upcoming projects. (I have an outline, I literally can’t work without one.)

 

--Interview with Deborah Kalb. Here's a previous Q&A with Tiffany D. Jackson. 

Aug. 31

 


 

ON THIS DAY IN HISTORY
Aug. 31, 1916: Daniel Schorr born.

Friday, August 28, 2026

Q&A with Samuel Marquis

  


 

 

Samuel Marquis is the author of the new book Empire and Frontier: Colonel Peter Schuyler and the Valiant Iroquois in King William's War: 1689-1701. His other books include Captain Kidd. He lives in Louisville, Colorado. 

 

Q: What inspired you to write Empire and Frontier?

 

A: The foundation for the research in Empire and Frontier came from writing a biography of my ninth-great-grandfather, the legendary New York privateer Captain William Kidd, entitled Captain Kidd: A True Story of Treasure and Betrayal (2025).

 

When I wrote Captain Kidd, I had so much fascinating material about King William’s War, the First French and Indian War fought over control of North America in the 1690s between the English and French, that I had to move north from New York City where Kidd lived and sailed to the Albany Indian frontier.

 

Both Empire and Frontier and Captain Kidd attempt to bring to life colonial New York, King William’s War, and Leisler’s Rebellion from 1689 to 1701, but from far different vantage points.

 

While Empire and Frontier explores the First French and Indian War and the Covenant Chain alliance between the English and the Haudenosaunee (Five Nations of the Iroquois), Captain Kidd recreates Kidd’s life in New York with his wife, Sarah, his privateering voyages fighting the French and hunting down pirates, and his political struggles with the British Crown in London.

 

The two books can, thus, be considered companion volumes since they both feature King William’s War and many of the same historical figures; yet, they have a significantly different narrative emphasis as well as distinctive primary characters as England and France battle for possession of North America during the global conflict.

 

Q: The author Scott Ellsworth said of the book, “Out of this polyglot and often brutal frontier came the beginnings of a new kind of politics, for a brand-new kind of nation.” What do you think of that description?

 

A: First, I want to extend a special thanks to Scott, author of the outstanding Midnight on the Potomac, for taking the time to read and give me an endorsement for Empire and Frontier given how frantically busy historian-authors are these days.

 

With that said, Scott has hit the nail on the head. While King William’s War was a violent time on northeastern Indian frontier, the conflict was an epic, exciting, and paradigm-shifting event in American history.

 

Both my book and the first French and Indian War are reminiscent of James Fenimore Cooper’s The Last of the Mohicans in terms of page-turning romance and excitement. But King William’s War was politically important as well.

 

By the early 1700s, New York Province and the Iroquois frontier, or Iroquoia, were no longer defined by Mohawk, Lenape, or Mahican history, Dutch versus English, Calvinist as opposed to Anglican, or wealthy versus poor (Note: “Mahican” not “Mohican” is the correct spelling).

 

While each of these ethnic, religious, and socioeconomic strands remained important, pluralism, trading partnerships, collaboration, and cross-cultural coalitions were the new order of the day and created a brand new kind of nation.

 

By this time, social, political, and economic connections and alliances were forged in New York and the Indian frontier that cut across ethnicity, race, religion, and political affiliation, and in the process, formed a distinctive “American” character.

 

The collision of cultures, religions, and classes did not result in a “melting pot.” Rather, the major characters of my book—Colonel Peter Schuyler, the Indigenous war captain Lawrence the Mohawk, and the Mohawk-Dutch interpreter Hilletie van Olinda—and their contemporaries blazed a new trail.

 

Through their tireless efforts, they served as the building blocks for not merely the New York we know today but a new, wondrous, multiethnic, and democratic United States of America—the first nation in world history founded expressly on the principle of freedom and the first to lead a successful mass rebellion against colonialism.

 

Q: How did you research the book, and what did you learn that especially surprised you?

 

A: In all my American history books, I do a deep dive into the contemporaneous primary sources, which in this case formed the backbone of Empire and Frontier.

 

I always try to be as even-handed, meticulous, and truthful as possible, while writing in a fast-paced narrative but scholarly fashion that appeals to both general readers and academic historians.

 

The most important libraries, archives, and organizations upon which I relied in the acquisition of the extensive primary source materials were the National Archives of the United Kingdom, the New York State archives, the New York Historical Society, the Schenectady County Historical Society, and the Gilder Lehrman Institute of American History.

 

The biggest surprise for me was the huge distances the English, French, and the allied Indigenous tribes traveled on foot, on snowshoes, on horseback, and by canoe to not only fight battles but to hold diplomatic council meetings during King William’s War.

 

They would travel roundtrip distances of between 200 and 450 miles without using wagons or other horse- or ox-drawn conveyances. In the middle of winter, the English and French and their Indigenous allies didn’t think twice about tromping more than 400 miles on snowshoes through waist-deep snow to fight in blinding blizzards.

 

To say that the Euro-American and Native American men and women of the late-17th-century northeastern frontier were tough is a major understatement.

 

Q: What do you hope readers take away from the book?

 

A: I want readers to know that Empire and Frontier is the quintessential American tale of people of different cultural and ethnic backgrounds working together as one—just like WWII that was won by Yankee soldiers from New York, Colorado, California, and Virginia and the Navaho code talkers of the U.S. Marine Corps hailing from Arizona.

 

With King William’s War and the Grand Settlement of 1701, Colonel Peter Schuyler, Lawrence the Mohawk, Hilletie van Olinda, and the other characters of my book truly did bring about a new kind of politics for a brand-new kind of nation. In the process, they forged a distinctive “American” character.

 

We are a nation of multicultural immigrants coming together as one democratic entity, and while Native Americans are our proud “First Nation” Americans, no group’s identity is more important than any another in America and the sum of what we are together is much greater than any individual group.

 

Q: What are you working on now?

 

A: My newest book, Franklin’s Sea Warriors: The Founding Father and his Patriot-Pirate Navy That Won the American Revolution, will be published in May 2027.

 

The book is the true story of Benjamin Franklin and his formidable squadron of Continental Navy seamen and American privateers who fought in the European theater of operations attacking British shipping and coastal cities. In the process, they played a decisive but largely unknown role in winning the American Revolution.

 

Our rebellion against Mother England was not merely a colonial uprising, but a global conflagration with many key battles waged in European waters.

 

Through masterful diplomacy and daring exploits, Franklin and his Patriot-Pirate Navy helped ensure that imperial France became an ally, took the fight to the goliath British Empire, turned the British people against their government, and won the epic struggle.

 

In the process, they changed human history for the better by unleashing a new spirit of political freedom, one that led to the French Revolution, abolitionist societies, and widespread slave revolts.

 

Franklin’s Sea Warriors reminds us that the seaboard of Western Europe was a theater of operations during the Revolution that was every bit as critical to ultimate victory as Bunker Hill, Trenton, Saratoga, and Yorktown.

 

This major historical work finally puts these Continental Navy seamen and privateers on equal footing with Washington’s Continental Army and America’s State militias, where they properly belong.

 

Q: Anything else we should know?

 

A: Book readers might be interested to know that in addition to being a direct descendant of the legendary Captain Kidd, I am second cousin of Indian rights activist, historian, and reputable author Dr. Thomas B. Marquis (1869–1935).

 

It is through this family connection that I have been interested in Native American history since I was a young boy playing with toy cowboys and Indians.

 

Dr. Marquis was a physician on the Tongue River-Cheyenne Indian reservation following his military service in WWI and a key chronicler of the Battle of Little Bighorn from the Lakota and Cheyenne point of view.

 

What makes him particularly fascinating is that he was fluent in Indian sign language and conducted the most important interviews with the male and female Cheyenne combatants who took part in the defeat of Custer.

 

Because of my family connection to Thomas B. Marquis and from growing up in Colorado, I have always been interested in Native American history and the Indian Wars and have now written three books built around Native American protagonists (Cheyenne and Iroquois).

 

The Northern Cheyenne loved the Indian rights activist Dr. Marquis like a brother and he loved them back, and the Iroquois had a similar relationship with Colonel Peter Schuyler, who served as both liaison and protector of the Five Nations.

 

Because of his dedicated public service, the Iroquois bestowed upon Schuyler the honorable moniker “Brother Quider,” the council title for the government of Albany based on a Mohawk pronunciation of Schuyler’s given name, “Peter.”

 

Like Thomas B. Marquis and Peter Schuyler, I greatly admire Indigenous peoples, especially the Cheyennes, the finest horse people of the Great Plains along with the Comanche, and the Haudenosaunee, the most militarily powerful and diplomatically successful Native American confederation throughout the 17th and 18th centuries.

 

--Interview with Deborah Kalb. Here's a previous Q&A with Samuel Marquis. 

Q&A with Eileen M. Isola

  


 

 

Eileen M. Isola is the lead editor of the new book Necessary Turbulence: Fifty Years, One Unbreakable Sisterhood Forged in the Crucible of the Air Force Academy. She is a graduate of the Air Force Academy, and is a decorated combat pilot and an international airline pilot.

 

Q: What inspired you to create Necessary Turbulence, and how did you choose the contributors to the book?

 

A: If you’d asked me when we began more than three years ago why we were creating this book, I’d have given you a very different answer than I am giving you today. Back then, it began with the fairly simple thought of, “Hey, 2026 is going to mark 50 years of women at the Air Force Academy. Someone should write a book.”

 

We knew that more than 12,000 women had entered the US Air Force Academy (USAFA) over the previous 50 years, and today more than 8,000 have graduated. I had this deep conviction, this deep sense of knowing, that somewhere within all of those lives was a larger story.

 

But we didn’t know what that story was.

 

So, we put out a call for submissions and invited USAFA women, both grads and non-grads, to tell us about their lives. We weren’t looking only for famous graduates, trailblazers, generals, CEOs, astronauts, or women with extraordinary resumes. We wanted the lived experiences of women across five decades, across generations.

 

More than half a million words came back.

 

We began reading. And we read and read and read.

 

Slowly, something extraordinary happened. Rather than the Writing Team deciding whose stories mattered most, we realized the story wasn’t living inside any one woman’s experience—or even within a select group of women. It was living between them.

 

Individually, every woman could tell us what happened to her. But when we stepped back and looked across 50 years, a remarkable pattern came into focus. We weren’t reading individual stories anymore. We were witnessing one collective heroine’s journey unfolding across the decades, a journey that had never been seen.

 

That changed our understanding of the book entirely.

 

We stopped thinking of ourselves as authors writing a book and began thinking of ourselves as stewards and shepherdesses entrusted with the privilege—and responsibility—of faithfully revealing a story that had always been there but simply couldn’t be seen until enough lives were viewed together.

 

I think of it a little like standing inches from an Impressionist painting. Up close, all you can see are individual marks of color. The painting isn’t created when you step back; it was there all along. But only distance allows you to see it.

 

Time did that for us. Fifty years became the distance that finally allowed the picture—the story—to emerge.

 

Ultimately, 108 women’s voices appear in Necessary Turbulence, brought together by a nine-woman Writing Team, whose Academy experiences span five decades.

 

We didn’t create their collective story. Together, we made it visible.

 

And once we saw it, we couldn’t unsee it.

 

Q: How was the book’s title chosen, and what does it signify for you?

 

A: Like many books, this one eventually revealed to us what its title had to be: Necessary Turbulence.

 

Once we saw it, it felt almost inevitable. The phrase captured not only what these women experienced over 50 years, but also what their presence caused—and why that disruption mattered.

 

The title captures the essence of the book in two distinct ways.

 

First, there is the turbulence these women lived through personally: the pressure, resistance, uncertainty, disruption, and constant recalibration required to build lives and careers inside institutions and systems that had not originally been designed with them in mind.

 

Sometimes that turbulence was dramatic and visible. Sometimes it was quieter—the accumulated effect of having to prove yourself again, adapt again, recover again, or find another way forward. It could be uncomfortable, destabilizing, even painful.

 

Across the stories in the book, we repeatedly saw women finding ways not merely to survive that turbulence, but to grow through it, lead within it, and sometimes transform because of it.

 

Then there is the second meaning, which may be even more important.

 

The women themselves created turbulence simply by being there.

 

When the first women entered the Air Force Academy in 1976, their presence disrupted assumptions about who belonged there, who could lead, who could fly, who could command, and what military service could look like.

 

As successive generations moved through the Academy and into the Air Force—and now the Space Force—they continued to expose gaps between inherited assumptions and lived reality. Institutions had to confront policies, traditions, systems, and expectations that no longer fit the people they existed to serve.

 

That turbulence was not incidental to change. It was necessary to it.

 

Without people entering established systems and forcing those systems to encounter something they were not built to accommodate, institutions rarely evolve on their own. The friction reveals what needs to change.

 

And that is where the title moves beyond the military for me.

 

Any time people enter spaces from which they were historically excluded—or step beyond roles that others had assumed they were not suited to occupy—there is likely to be turbulence. Old expectations collide with new realities. Individuals have to adapt—and institutions do, too.

 

So Necessary Turbulence ultimately became much more than a description of what these women endured. It became a way of understanding what they did.

 

They unsettled things that needed unsettling. They changed assumptions simply by living lives that those assumptions had failed to imagine. And the turbulence they created helped make possible a different reality for the women who came after them.

 

That is why the word necessary matters every bit as much as the word turbulence.

 

Q: The author Ryan Leigh Dostie said of the book, “Burns with visceral, teeth-clenching accounts and restores to the historical record the women whose service has been repeatedly footnoted, minimized, or erased.” What do you think of that assessment?

 

A: I think Ryan Leigh Dostie understood exactly what we hoped this book would do.

 

Her words moved me when I first read them because she captured both sides of Necessary Turbulence: the intensely universal human experience inside these pages and the larger historical significance of putting those experiences together in one place.

 

The stories can absolutely be visceral. There are moments in this book that are difficult to read because they were difficult to live. Women describe harassment, assault, discrimination, isolation, war, loss, death, injury, failure, betrayal, and the enormous pressure of having to prove that they belonged.

 

But the book is not a catalogue of what was done to women. That would profoundly diminish these lives. The book does not reduce them to victims; their words are testimony.

 

These women also flew aircraft, commanded units, served in war and crisis, built organizations, led people, raised families, trained generations who followed them, broke barriers, challenged assumptions, rebuilt after devastating losses, and changed the institutions they entered. They were not simply enduring history. They were making it.

 

That is why Ryan’s word “restores” matters so much to me.

 

For a very long time, much of the story of women in the military has existed in fragments—an individual first here, a famous general there, an astronaut, a combat pilot, a headline when a barrier fell. Those achievements matter enormously.

 

But when history is told primarily through exceptional individuals and milestones, something essential disappears: the thousands of lives between those milestones that actually made institutional change possible.

 

That is the historical record Necessary Turbulence restores.

 

I think that matters particularly now because we are again hearing questions about women’s service and belonging in the military framed as though those questions remain unresolved.

 

They are not.

 

We are no longer standing at the starting line in 1976 asking whether women might be able to succeed at the Air Force Academy or serve effectively in the military. We are standing on 50 years of evidence.

 

Women have served in war and peace. They have flown aircraft, commanded units and organizations, met demanding standards, trained others, led in crisis, and strengthened the force.

 

So when someone asks whether women really belong or whether their presence inherently undermines military effectiveness, my response is that reality has already answered the question.

 

The burden is no longer on women to continually prove that they belong.

 

The burden is on anyone attempting to dismiss, minimize, or erase the evidence of what they have already done.

 

And that is where I feel a particular responsibility as one of the stewards of this book. We did not gather these women’s stories simply so that we could look backward and admire what they endured. Historical memory creates an obligation. Once the record exists, we cannot pretend not to know what it shows.

 

One lesson that emerges powerfully across these 50 years is that endurance should never be confused with institutional health. The fact that women succeeded inside systems that sometimes failed to protect, understand, or fully value them does not mean those failures were necessary or should be preserved for the next generation.

 

Dignity, trust, accountability, standards, and leadership are not distractions from military readiness. They are part of readiness.

 

So when Ryan says the book “restores to the historical record” women who have been footnoted, minimized, or erased, I hear something larger than praise for the book. I hear the reason the record matters.

 

Once these lives are visible together, it becomes much harder to reduce 50 years of women’s service to an abstraction, to manufactured nostalgia, or to a political talking point.

 

The evidence has names now. It has voices.

 

And it has 108 women telling us what actually happened.

 

Q: How do you think the Air Force Academy has changed for women over the past half-century, and what do you see looking ahead?

 

A: This may be the hardest question people ask me about the book because the truthful answer is complicated.

 

The Air Force Academy has changed enormously for women over 50 years. And it has not changed nearly enough.

 

The measurable progress is undeniable. Women arrived in 1976 at an institution that had been built entirely for men and in which many people openly believed women did not belong.

 

Today, women graduate from the Academy into every career field available to their male classmates. They fly combat aircraft. They command. They lead operational organizations. They become astronauts, generals, engineers, physicians, scientists, and senior national-security leaders. Things that were once considered extraordinary have become wonderfully ordinary.

 

That is real progress, and Necessary Turbulence documents how much women themselves helped create it.

 

But one of the most sobering discoveries in reading 50 years of women's stories was how much more slowly culture changes than policy does. Rules can change on a particular date. A law can be signed. A career field can open. A restriction can disappear from a regulation.

 

Culture doesn't work that way.

 

Across five decades, we found barriers changing form rather than simply disappearing. Women in later generations had opportunities earlier women could scarcely have imagined, yet we continued to hear echoes of the same underlying experiences: being regarded as an exception, being judged differently, confronting sexism, questioning whether they belonged, and sometimes having to expend energy proving themselves in ways their male peers did not.

 

Our youngest contributor makes that impossible to dismiss as ancient history.

 

Kamryn Markwei is a member of the Class of 2026. She writes movingly about wanting to change the Academy from within, about confronting bias, supporting other women, and wanting to leave the institution better than she found it.

 

Yet she also writes that the Academy was still not, in her experience, the kind of place she was certain she would want her own daughter to attend, because she would not want her daughter to endure what women around her had endured.

 

When you can place the experiences of a woman from 1976 beside those of a woman graduating in 2026 and still recognize some of the same cultural patterns, I don't think we should congratulate ourselves too quickly.

 

That doesn't mean nothing changed. It means access changed faster than culture did.

 

And looking ahead, I think that distinction matters enormously. The next 50 years will not be spent asking whether women belong at the Air Force Academy. Fifty years of evidence have answered that question.

 

The challenge now is whether the institution can finally build a culture worthy of the people it asks to serve there.

 

That means more than allowing women through the gates or giving them access to the same career fields. Belonging is not simply admission. It means being able to stand fully inside an institution without your sex, race, religion, sexuality, or some other part of who you are being treated as evidence that you are somehow less legitimate.

 

It means holding people accountable when they demean, harass, assault, or marginalize others. It means leaders refusing to dismiss destructive behavior as tradition, toughness, humor, or simply the way military culture works.

 

And it means understanding that dignity and accountability do not weaken a military institution. They strengthen trust, cohesion, leadership, and ultimately the mission.

 

One of the lessons of Necessary Turbulence is that women became extraordinarily successful even when the culture around them was not always healthy. But their endurance should never be used as evidence that the culture was acceptable.

 

The fact that earlier generations survived things younger generations should never have to endure is not an argument for preserving those conditions. It creates an obligation to change them.

 

So when I look toward the next 50 years, my hope is actually quite simple. I want a young woman entering the Air Force Academy today to inherit the opportunities these 50 years of women fought to create without also inheriting the fight over whether she belongs there.

 

That would be progress worthy of celebrating.

 

Q: What are you working on now?

 

A: I’m working on my own memoir.

 

For more than three years, Necessary Turbulence required me to think almost entirely in the collective—to listen for the larger story living across other women’s lives and to write in the voice of “we.”

 

The memoir asks something very different of me. Now I have to turn inward and tell one life honestly.

 

It is a story about what happens when a life repeatedly changes course in ways you could never have planned: becoming a member of one of the early classes of women at the Air Force Academy, flying and commanding in the military, working inside the White House across the period before and after Don’t Ask, Don’t Tell was enacted while simultaneously being investigated because I was gay, confronting cancer and physical disability, experiencing profound personal loss, and rebuilding a life more than once.

 

But I don’t think of it primarily as a military memoir, a cancer memoir, or even a story about overcoming adversity.

 

At its center, it is about identity: what happens when the structures, roles, relationships, and assumptions that once told you who you were begin falling away—and what it takes to remain whole enough to decide who you will become next.

 

Writing Necessary Turbulence taught me something important about storytelling: sometimes you cannot understand the meaning of an experience while you are standing inside it. You need distance before the pattern becomes visible.

 

I think I finally have enough distance from my own life to see the pattern.

 

Q: Anything else we should know?

 

A: There is one thing I hope people understand about Necessary Turbulence: this is not a book only for people interested in the military, and it is not a book only for women.

 

The United States Air Force Academy is where this particular story unfolds, and these 108 women are the people who lived it.

 

But beneath the uniforms, ranks, airplanes, wars, and military careers are questions almost everyone eventually confronts: Who am I when other people have already decided who I am supposed to be? What do I do when I enter a place that wasn't built with me in mind? How much of myself do I change in order to belong? What happens when ambition collides with loss, when certainty disappears, when a life I carefully constructed suddenly changes? And how do I make something meaningful from what happened to me?

 

Those are not military questions. They are human ones.

 

And perhaps the thing that affected me most deeply during the more than three years we worked on this book was discovering how many women did not believe their experiences were important enough to become part of history.

 

Again and again, women essentially told us some version of, “I don't really have a story.” And then they began telling us one.

 

That hit me deeply, and it hit all of us on the Writing Team.

 

We tend to think history belongs to the people whose names appear in headlines—the firsts, the generals, the astronauts, the people who receive medals or achieve something publicly extraordinary. Those people absolutely matter. Their accomplishments belong in the record.

 

But history is also made by the woman whose name you have never heard.

The woman who stayed.

The woman who left.

The woman who failed at something and began again.

The woman who quietly challenged a rule.

The woman who protected someone beside her.

The woman who endured something she never told anyone about.

The woman who became the first without ever becoming famous for it.

The woman who made a path slightly wider so the person coming behind her would not have to squeeze through quite the same opening.

The woman who opened a door without even knowing there was one there.

 

When you gather enough of those seemingly ordinary lives together, you discover that they were never ordinary at all. They were the mechanism of change.

 

I think that may be one of the most important things Necessary Turbulence taught me.

 

History is not only what happens at the top of institutions. It accumulates through individual human lives, often quietly and almost invisibly, until enough time passes for us to recognize what all those lives created together.

 

For 50 years, thousands of women at the Air Force Academy were living that history. Many never thought their experiences counted as a story—because no one had ever asked.

 

We asked.

 

And 108 women answered.

 

--Interview with Deborah Kalb 

Q&A with Mark Booth

  


 

 

Mark Booth is the author of the new book The Secret History of the Universe: How Ancient Wisdom Made the Modern World. His other books include The Secret History of the World. He lives in London. 

 

Q: What inspired you to write The Secret History of the Universe?

 

A: A few years previously I’d written a book called The Secret History of the World. The idea was to look at mystical traditions about history, see what they had in common, then tell it as a straightforward narrative.

 

I didn’t try to prove any of it, just to show that there is a coherent, cogent worldview to set against the materialistic one we’ve been educated to believe in.

 

I invited readers to see if it resonated with their experience of the world. And it seemed to. As a result, many people from different walks of life got in touch, including writers, artists, rock stars, comedians, spies – they love a bit of secrecy – and, most surprisingly, scientists.

 

They told me about their mystical beliefs and explained how these beliefs helped them to formulate their theories. I discovered that this was true of many of the great physicists of modern times, and that theirs was a remarkable story which has never been told.

 

Q: What do you see as the relationship between this book and The Secret History of the World?

 

A: The Secret History of the World reveals the esoteric or occult meanings of many myths, religious texts, great art and literature. The Secret History of the Universe does the same for science. I’m saying you can’t really understand what, for instance, Einstein or Bohr meant unless you understand the mystical philosophies and experiences that drove them.

 

Q: How did you research the book, and what did you learn that especially surprised you?  

 

A: I was useless at physics at school. I found it boring. But the scientists who came to see me patiently explained the new science, very different to the science I was taught at school, and it’s fascinating! Something that helped me is that I’m very familiar with the esoteric ideas that inform the new science.

 

I think what’s most surprising is that the new science says that the universe has three dimensions, and time moving steadily forward is an illusion. We believe it because it’s useful, not because it’s true. What we perceive as solid objects are not solid at all. So as a vision of reality, it’s very close to the ancient, religious one.

 

There are lots of books written about e.g. “quantum spirituality” or “quantum healing” which are very wishy-washy. Wishful thinking. I was determined that my book would quote the scientists directly from sources listed in the notes. These are not my ideas about science. They’re the ideas of Nobel laureates and professors at top universities. 

 

Q: What do you ultimately hope readers take away from the book?

 

A: We have been educated to believe that science is a barrier to religious belief. I hope readers will see that that is not the case!

 

Q: What are you working on now?

 

A: I’m busy engaging with readers’ questions and comments, both online and on the air. It’s exhilarating. I think we’re thinking a lot of thoughts no one has thought before. This is especially true in the area of AI.

 

Q: Anything else we should know?

 

A: I’m on Substack, where my feed is available for free: https://thesecrethistoryof.substack.com/ 

 

--Interview with Deborah Kalb 

Aug. 28

 


 

ON THIS DAY IN HISTORY
Aug. 28, 1913: Robertson Davies born.