Thursday, April 3, 2014

Q&A with author Ayelet Waldman


Ayelet Waldman, photo by Deborah Copaken Kogan
Ayelet Waldman is the author of the new novel Love & Treasure. Her other books include Red Hook Road, Bad Mother, and Love and Other Impossible Pursuits. She lives in Berkeley, California.

Q: Why did you decide to include the story of the Hungarian Gold Train in your new novel?

A: I knew I wanted to write about art and the Holocaust, and I knew I wanted to take a trip to Hungary to visit a friend who'd just been named ambassador. Honestly? As crazy as it sounds? I Googled the words "Holocaust" "Art" and "Hungary" to see if I could find anything to trigger my imagination. And there it was. The Gold Train. 

Q: What kind of research did you need to do to write Love & Treasure?

A: A tremendous amount. First I went to Hungary. I interviewed people, including survivors, historians, and feminist scholars. I read tremendous amounts of Hungarian history, including dozens and dozens of old issues of the women's paper. I read every Hungarian writer I could get my hands on. 

I read a tremendous amount of history of the Holocaust, including memoir. I visited Dachau. I researched the dwarves of Auschwitz. 

I researched the DP camps in Salzburg, including visiting the city, reading old periodicals, etc.

I read everything I could get my hands on about the Gold Train. There are two very good books which I cite in my acknowledgements. I also read the court papers of the law suit filed by survivors. 

I read a tremendous amount about the suffrage movement in Europe, especially about that Congress. I spent hours perusing the records (including the photographs) of the Congress.

I read Freud, and Ferenczi, and other psychoanalysts of the period, read their letters to one another, and their case histories. 

I read novels structured like this novel. Novels like Three Junes, and The Red Violin, and others.

And more that I'm forgetting, I'm sure. 

Q: Why did you write most of the book in the third person but switch to first person toward the end?

A: Each section has its own point of view character. The Doctor demanded to be heard in the first person. I tried to get him to step back, but he wouldn't. He's a pushy guy. 

Q: The book takes place in various countries and time periods, and includes a wide range of characters. Was there one particular character that resonated with you more than the others?

A: My narcissistic psychoanalyst is my favorite. At least now. 

Q: What are you working on now?

A: I'm writing for TV and film, and mulling a novel based on a misapprehension I had about the biography of Saul Bellow. 

--Interview with Deborah Kalb


April 3

ON THIS DAY IN HISTORY
April 3, 1783: Author Washington Irving born.

Wednesday, April 2, 2014

Q&A with author Mark Perry


Mark Perry is the author of the new book The Most Dangerous Man in America: The Making of Douglas MacArthur. His many other books include Grant and Twain and Partners in Command. He lives in Arlington, Virginia.

Q: Why did you decide to write about General MacArthur?

A: I had done Partners in Command, about Marshall and Eisenhower, and it seemed like a successful way to approach World War II.

The second reason is that there are a lot of myths out there about MacArthur that are offensive to me…. Also, his relationship with FDR was fascinating. Those are the three reasons. My initial manuscript was more like a dual biography, and then I started over.

Q: How would you define the relationship between FDR and MacArthur, and how was it characterized in the past?

A: The relationship was a mutually beneficial one between two figures who had very little agreement on anything, but used each other’s talents for their own purposes. MacArthur used Roosevelt to get back to the Philippines; Roosevelt used MacArthur against the [political right wing]. This was not a relationship based on friendship. This was a relationship based on political necessity.

I think the way MacArthur has been treated by historians recently is scandalous…there’s even a myth that Roosevelt exiled MacArthur to keep him out of the country so he wouldn’t be political competition.

Behind all this is an animus toward MacArthur that’s extraordinary in some cases—that if you liked Truman, you must hate MacArthur, and if you like MacArthur, you must be a right-wing Republican.

This book is a reconsideration.

Q: What role do you think politics played in the relationship?

A: In 1943, Roosevelt’s staff gathered MacArthur’s statements from before the war, [for example] that Japan was not going to attack the Philippines. They gathered the information to use in case MacArthur ran. Roosevelt thought he was a contender--or was Roosevelt just being safe? He was just covering all his bases.

I’ve been through all MacArthur’s papers, and I say in the book that you’ll never find a statement about the U.S. budget, or about tax policy. He had nothing to say about these really crucial issues to American voters. He wanted to be president, but he didn’t want to campaign. Did he want the job? Yes. Was Roosevelt careful to make sure he didn’t get it? Sure.

Q: Your title, The Most Dangerous Man in America, comes from a comment FDR made about MacArthur. Why did you choose that as the book’s title?

A: It was the working title on my proposal, and I didn’t think it would last. Then my editor said, It’s a good title! It’s a little bit ironic, because the book shows that MacArthur wasn’t the most dangerous man.

I know this subject really well, and I’ve studied [Roosevelt’s aide] Rexford Tugwell [who wrote about Roosevelt’s comment]; he was one of the unacknowledged heroes [of this period]. I doubt this incident took place as Tugwell said it did. Tugwell wrote about it after Truman relieved MacArthur.

It didn’t strike me as something Roosevelt would say, but it is on the historical record, and MacArthur never responded to Tugwell’s book. But I let it stand. The Most Dangerous Man in America was not the most dangerous man in America.

Q: Why did you decide to focus primarily on the World War II period rather than also including the Korean War and the Truman-MacArthur relationship?

A: I have strong feelings about the rest of MacArthur’s life, and I would like to write about it. But if you look back at a person’s life, we remember the person’s life for the last thing he or she did. We remember MacArthur because of what he did with Truman [during the Korean War].

Historians see MacArthur’s questioning of authority in the Korean War, and think he must have done that in World War II. I thought, wouldn’t it be interesting to look at MacArthur’s life without Korea? If MacArthur died right after the surrender of Japan, he would be [seen as] one of the greatest Americans.

Historians now are [taking a new look at] the Truman administration, [and] there are other things about the history of the period that are important. The history of World War II is the history of the European war. … Our Eurocentric nation tends to ignore the fight in the Pacific.

Q: What are you working on now?

A: I would love to do a Part II [of this book]. My first book, Four Stars, was on the Joint Chiefs of Staff through [the 1980s]. I’d like to finish that project and look at civilian-military relations from the fall of the Berlin Wall to the present.

Q: Anything else we should know?

A: The tendency among military authors is to write battle books. I hope this is not a battle book. The most important part of the book is the interplay between Australian Prime Minister John Curtin, Churchill, Roosevelt, and MacArthur. That’s the story of the book. The war within the war, the politics of war. World War II was not straightforward, our tanks versus theirs.

--Interview with Deborah Kalb

April 2

ON THIS DAY IN HISTORY
April 2, 1840: Writer Emile Zola born.

Q&A with author Mary Kay Zuravleff

Mary Kay Zuravleff, photo by Epic Photography
Mary Kay Zuravleff's most recent novel is Man Alive! Her other books are The Bowl Is Already Broken and The Frequency of Souls. She serves on the board of the PEN/Faulkner Foundation, and she lives in Washington, D.C.

Q: How did you come up with the idea for Man Alive?

A: I read an Oliver Sacks article in The New Yorker about a surgeon who was struck by lightning and began hearing piano compositions. He'd taken piano as a kid, but after the lightning he took piano lessons and composition lessons to transcribe what he heard.

At first, I was attracted to this story because that's the metaphor I'd use to describe writing--that it took me years to be able to get on paper the music I heard in my head. But then, after I'd put the article aside, I had the complete thought: a pediatric psychopharmacologist gets hit by lightning and all he wants to do is barbecue. 

Q: What type of research did you need to do to write the book?

A: In several cases (lightning, getting a tattoo) I'd write a scene to capture the emotion I needed and then I'd research the details. So I wrote about Owen's rather ecstatic experience with the lightning, and then I read about how people who aren't killed by lightning are affected by it.

That's actually one of the things that took my premise from a short story to a novel; I discovered that people who survive lightning strikes have the same symptoms that Owen, as a pediatric shrink, has been treating for 25 years: attention deficit issues, impulsivity, post-traumatic stress, and hypersensitivities of all sorts.

I did do a lot of barbecue research, which was easy because barbecue fanatics are all over the internet.

Q: Man Alive is told from the perspective of various members of Owen's family. Why did you decide to tell the story from multiple perspectives, and did you feel especially close to any of the characters?

A: This is the other decision that resulted in my writing a novel rather than a story. I began writing from Will's point of view, and I realized that this was a novel that needed to be written from what I began calling "family point of view." You see each family member's experience from inside his/her head but you don't see the action from anyone outside the family.

What I realized is how we each have a powerful and separate narrative going--no matter how intimate we are, we do not share most of what's going on in our head.

As for close, I suppose I felt especially close to Toni and to Will, or maybe to their pain. Their suffering was tremendously difficult for me to write.

Q: How have readers reacted to the book?

A: I have had phenomenal reader response. Who hasn't experienced some form of family trauma? A reader will say, "Were you in our Manhattan apartment 30 years ago when our father had a stroke while he was biking? We said all those things to each other."

Or they'll talk to me about ways in which kids they know (or sometimes kids they were) reacted, not even aware that they were behaving dangerously because of a problem within the family.

Oh, and they also recite their favorite lines and how much they laughed: how they woke up their spouse reading in bed, or drew stares on the bus because they couldn't help laughing out loud!

Q: Did you know how the book would end when you started writing?

A: No. I never do. I'm writing to answer a question; for this novel, the question was: how much can you change and stay in a family, unless you don't want to stay?

Q: Your books are set in the D.C. area, where you live. Could the characters you write about live somewhere else, or is there something quintessentially Washingtonian about them?

A: I think this family could easily live in another competitive, well-educated town, maybe a college town. 

Q: What are you working on now?

A: I've just barely begun a novel that links Washington, D.C., to Oklahoma City, where I grew up, and also includes Russian immigrants, more math, and material from an unpublished novel my great aunt wrote.

They say you should write the novel you want to read, but I told my husband that I might be writing the novel that only I want to read!

--Interview with Deborah Kalb. Mary Kay Zuravleff will be participating in the Bethesda Literary Festival, which runs from April 11-13, 2014. For a full schedule, please click here. For an earlier Q&A with Mary Kay Zuravleff, please click here.

Q&A with author Steve Vogel


Steve Vogel is the author of the new book Through the Perilous Fight: Six Weeks That Saved the Nation, which focuses on the War of 1812. A former reporter at The Washington Post who has covered military issues, he also wrote the book The Pentagon.
Q: What inspired you to write Through the Perilous Fight?
A: I grew up and have spent much of my life in the Washington area, living at different times in the District, Virginia and Maryland. This cradle of American history is filled with sites and markers making references to the Revolution and the Civil War. I was always struck by the comparatively little attention paid to the War of 1812, despite the remarkable events that took place in the area.
In the late 1980s, some friends and I took a pontoon boat up the heavily silted and badly polluted Anacostia River to Bladensburg, Md., site of the battle that decided the fate of Washington. We found only a forlorn waterfront with a nearby go-go bar, but virtually no reference to the battle. I had always wanted to learn more about the story behind the British invasion, the capture of Washington’s capture, and the story behind the Star Spangled Banner, and decided the bicentennial was the time to do it.
Q: Your book is very detailed--what kind of research did you do to recreate this period, and was there anything that particularly surprised you?
A: The book involved research on both sides of the Atlantic Ocean. In the United States, this included research at the Library of Congress, the National Archives, and various state and local historical societies, most importantly the Maryland Historical Society.
There were a lot of surprises in what I found, but one I should mention was how much fun I had exploring some of key sites in the story by land and water.
I traveled by ferry to remote Tangier Island in the middle of the Chesapeake Bay, which the British used as their base to launch the attacks on Washington and Baltimore. I sailed up the Chesapeake Bay from Norfolk to Baltimore aboard the Coast Guard tall ship Eagle, following the British route of invasion. 
I rode aboard another Coast Guard cutter to reach a buoy in Patapsco River marking the spot where Francis Scott Key is believed to have witnessed the bombardment of Fort McHenry. I sailed aboard an authentic clipper in the waters off Fort McHenry, providing a unique perspective on the British attack. I plied the Potomac, examining locations critical 200 years ago
My children accompanied me on many of my research trips, most memorably on an archaeological dig overseen by the Smithsonian at the site of the Battle of Bladensburg, where they helped uncover the floor of a building believed to have been an anchor of American defenses.
I traveled to Great Britain in 2010 to search for papers not previously examined by American authors. I examined numerous records and diaries relating to the British expeditionary force, including at the British National Archives in Kew, the British Library, the Royal Marine and Royal Navy museums in Portsmouth and the National Maritime Museum in Greenwich.
I also visited Northern Ireland, home of General Robert Ross and other key figures in the campaign, and conducted research at the Public Records Office in Belfast I visited Ross’s home village of Rostrevor, where I connected with local historians to visit sites, met Ross’s descendants and gained more insight into the general’s life.
Q: Why do you think there’s been less attention paid to the War of 1812?
A: The war was really about the future of the North American continent. It’s interesting to note that the war loomed very large in the American consciousness for many years. It had established both an American sovereignty and a sense of union that hadn’t existed before the war. Some considered it a second War of Independence.
It wasn’t known then as the War of 1812, which by the way is not a great name for a war that lasted nearly three years. Of course the war was superseded by the Civil War, and over time, 1812 receded in our collective memory.
The War of 1812 should be remembered for what it is: a critical moment in the young nation’s development, a turning point where the country’s history could easily gone in a different, less bright direction. 
Q: What accounted for the different outcomes in Washington and Baltimore during the fighting in 1814?
A: A lot of things, but one important reason was the three-week delay before the British attacked Baltimore. This gave the city plenty of time to prepare, and allowed for thousands of militia from across Maryland, Virginia and Pennsylvania to join in the defenses.
It also shows the difference a few critical people can make in changing history. Having Gen. Samuel Smith in charge of the militia defenses in Baltimore was an enormous improvement over Gen. William Winder in Washington.
One thing I don’t give much credence to is the claim that the differing outcomes prove Baltimoreans were tougher than Washingtonians. In fact, most of the militia troops manning the first lines of defense at Bladensburg outside Washington were from Baltimore and Baltimore County, and they were the first to flee in the face of the British advance. 
The Baltimore militia did a lot better three weeks later at North Point, and an important reason why was they were fighting for their homes this time. (I wrote a piece about this for the Post.) 
Q: What are you working on now?
A: I’m mulling over some ideas for a new book project, and also spending a lot of time on events in coming months for the bicentennial of the burning of Washington, the battle for Baltimore and the writing of The Star-Spangled Banner.
Q: Anything else we should know?
A: The next time you sing the National Anthem at a baseball game or wherever, you have to remember to remember that the verse we sing is really one long question, ultimately wondering not just whether the flag was still flying, but whether the republic would survive. Key wasn’t at all sure at that moment that it would. 
His description of the American flag flying over Fort McHenry in Baltimore harbor after the tremendous British bombardment created an indelible image for a nation shaken by the fall of Washington, not unlike later images of the flag raised by Marines at Iwo Jima or by firefighters at the World Trade Center after 9/11.
--Interview with Deborah Kalb. Steve Vogel will be participating in the Bethesda Literary Festival, which runs from April 11-13, 2014. For a full schedule, please click here.