Monday, October 26, 2015

Q&A with Eric Jerome Dickey


Eric Jerome Dickey is the author of the new novel Naughtier than Nice. His many other bestselling novels include Naughty or Nice, One Night, and A Wanted Woman. He is based in Los Angeles.

Q: Why did you decide to write a sequel to Naughty or Nice, and how did you decide how many years ahead to set the story?

A: It was pretty random. One day I was reading fan mail and someone wondered if I would ever revisit the McBrooms. I picked up NoN and started playing What If? again.

I wasn’t going to press on because I loved where I had left the story when it was written back in 1492….But it worked out after I repositioned them for this novel. Frankie was given the lead. Tommie has a more complex life, as life goes with maturity. And Livvy, who was the lead in NoN, has the smaller part this time.

Q: Do you have a favorite among the three sisters?

A: Nah. I see them as one unit, more or less. I love writing the scenes when they are together. They are hilarious to me. Siblings can say anything to each other, hurt feelings, and 10 seconds later they are braiding hair and sipping wine. They fight each other but battle the world as a team.

Also I loved writing each when they were away and wore different hats, exposing their secret selves to the readers. Each had their own adventure.

Q: The novel is set in Los Angeles. Do you think it could have been set somewhere else, or is this an only-in-L.A. story?

A: It’s a McBroom story more than an L.A. story. I could see it in London. In Nigeria. In Ethiopia. In Peru. In Argentina. The foundation of the story would remain even if the location and culture was enhanced or modified in some other way.

Leftover love, wanting children, dealing with exes, marriage and infidelity, making hard choices, all of those are universal issues. Remove the hue of the epidermis, remove religion, every one in every culture deals with that same part of being human.

Movies from Paris, Bollywood, or Nollywood all have the same themes, and their bloggers address the same universal problems. We’re built that way, I guess.  

L.A. is a wonderful character, but so is London. London has dynamics that make it an awesome character. Would be fun to have Tommie and Mo riding on the Tube.…Or have Frankie walking along the Thames then riding the Eye and see Franklin down below waiting.  

Livvy and her company could have been in Argentina, near Buenos Aires, in La Boca dancing the tango before tangling in sensuous ways. She could’ve met a doctor who spoke no English, then found creative ways to communicate. 

Q: Family relationships are so important in this novel. Why did you decide to explore the relationships among sisters in particular?

A: No idea, but pretty much every novel I’ve written has relied on family in some way. That theme is present regardless of the genre. In A Wanted Woman, in Genevieve, and here in NtN.

It’s there; I’d say people notice what they want to notice. If they were three assassins, it would be regarded differently, but the familial bond would remain.

Q: What are you working on now?

A: Working on the novel Blackbirds. Four friends. Actually three of them were children in other novels and are entering the complicated world of dating and establishing friendships, only they are a bit different than the crews from ’96 because the world has changed. What was provocative then is commonplace now.

One character comes from Friends and Lovers, another from Liar’s Game, and another from Chasing Destiny. I think they are mentioned in Naughtier than Nice, or have a cameo from Tommie’s POV. A fourth character is original and from Nigeria. She has the longest name I have ever seen on paper….  

--Interview with Deborah Kalb

Q&A with Jeffrey Gorsky


Jeffrey Gorsky is the author of the new book Exiles in Sepharad: The Jewish Millennium in Spain. He also has written Acts of Faith/Auto da Fe, Humpty Dumpty, and Rough Magic. He is a lawyer and diplomat with the U.S. State Department, and is based in the Washington, D.C., area.

Q: How did you first become interested in Spanish Jewish history, and why did you decide to write this book?

A: The 1980s were my Spanish decade. I worked as U.S. vice consul in Bilbao, Spain from 1982-1984, and from 1985-1987 I was the State Department intelligence analyst (in the Bureau of Intelligence and Research) for Iberia. 

I had always wanted to write fiction, and my involvement with Spain inspired me to work on a historical novel set at the time of the Inquisition. I worked on it for five years, but could not get an agent. 

One successful agent, who had retired to Italy, told me she would take me on if I agreed to rewrite the book, at her direction, in the “style of Siddhartha.” Another agent said he liked the book but it was a tough subject to sell--he sent me a David Ignatius novel and asked me to write a thriller like that. 

My historical novel, Acts of Faith/Auto da Fe, is now available on Kindle. I took up the second agent’s suggestion and wrote a thriller based in part on my experiences as vice consul in Medellin and Bogota, Colombia in the early ‘80s (Humpty Dumpty, also on Kindle) and I then wrote a YA fantasy novel based on The Tempest called Rough Magic (also on Kindle), so that at least my two daughters could read one of my books.

The subject of the Spanish Jews stuck with me. It is a compelling story, one of the most important in Jewish history. About 20 percent of modern Jews descend from Spain. 

The story made its mark on world history—everyone knows about the Spanish Inquisition. It may be the greatest modern trauma to the Jews after the Holocaust. But few people know the real story.  

The only history in print, Jane Gerber’s The Jews of Spain, was written in 1990. It is well written, but because it covers Sephardic history until modern times it is more of a survey than a comprehensive history—it covers 1,000 years of Jewish life in Spain in only 140 pages. 

So I started this book both out of personal compulsion, and the belief that there should be at least one book in print covering the history of the Jews in Spain. Even though I was not an historian, I thought that I could write the best history on the subject since there was almost no competition. 

Q: How did you research the book, and what surprised you most in the course of your research?

A: Over the years I had had collected a large library of books on the Spanish Jews, including Yitzak Baer’s two-volume history of the Jews in Christian Spain, and Benzion Netanyahu’s (the father of the Israeli PM) Origin of the Inquisition in 15th Century Spain—I have two large plastic bins in my house filled with research material. 

There is a lot of material available on-line, including H.C. Lea’s classic four-volume History of the Inquisition in Spain. I am a George Washington University alumnus (BA and JD), and work a few blocks from the school, so I could check out books there on my lunch hour or after work. 

I also appreciate the Arlington County, Va., Library inter-library loan service, which provided me many books I couldn’t afford to collect on my own—many academic books cost over $100 a copy, but were available through the inter-library system.

My bibliography is over 10 pages long and contains books in both English and Spanish (and a few in Portuguese). Since I work full-time at the State Department I did my research after-hours and on week-ends—my youngest daughter was an athlete, and I even snuck in some reading during her soccer games or basketball meets. 

I also read heavy history books on our annual summer beach vacations.  It took me 10 years to complete all the research and writing.

My biggest surprise came when I first researched the subject, preparing my novel. I knew about the expulsion in 1492, but did not know about the importance of 1391.

In 1390 there were more Jews in Spain than all the rest of Europe combined, and they had achieved levels of power, wealth and a breath of cultural knowledge greater than anywhere else in the world. 

All this ended in 1391, when a rogue priest named Ferrand Martinez incited anti-Jewish mobs through two Spanish kingdoms with the slogan “convert or die.”

This led to what might be the largest mass conversion of Jews in modern history. While many of the converts—called New Christians, conversos, or (as an insult) Marranos—enjoyed great success, tensions developed between the “new” and “old” Christians, which eventually led to the formation of the Spanish Inquisition, and was a major factor in the decision to expel the Jews from Spain. The story of the “conversos” became an important part of my history.

Q: You ask, “Was the history of the Spanish Jews a story of religious tolerance or of religious conflict?” How would you answer that question?

A: Today most books on this period look at it in the context of “convivencia,” a Spanish word that literally means “living together.”  This term was popularized by the Spanish historian Americo Castro, who demonstrated how Spanish history and culture reflects the cooperation and blending of Christian, Muslim and Jewish cultures. 

Some writers describe Spain as a kind of unique island of tolerance, the one place in the world where the three faiths met and worked and developed together.

While convivencia is a useful concept, it is only one side of the story. The traditional Spanish view of the history is very different. It viewed Spain as a nation of pure, devout Christians who struggled for centuries to rid their country of Muslim and Jewish invaders. So the traditional Spanish historical model is of ethnic conflict, not cooperation and tolerance.

I came up with a different way to describe this history: as a marriage of convenience. Special circumstances made it advantageous for Spanish rulers to make a place for the Jews, first in Muslim Spain, and later in the Christian kingdoms. 

The Jews in turn benefited both in wealth and power, and in cultural growth, from this protection. But the Jews remained a separate community, and the underlying tensions between the different faiths remained. 

As a result, at times of political instability, this “marriage” could break down, leading to anti-Jewish violence. Ultimately, this resulted in the end of Jewish presence in Spain, first in the Muslim region, and finally in all of Iberia.

Q: What is the legacy of the Spanish Jewish community today?

A: When I lived in Spain I remember listening to a Spanish radio program discussing the history of the Jews of Spain, and the final question on the program was, “What can we see in today’s Spain of the legacy of the Jews,” and the answer was: “solamente sangre, muchisimo sangre”—only blood, lots and lots of blood. 

I interpreted this response as having two meanings—many of today’s Spaniards are descended from the Jews; and Spain bears the burden of the blood of thousands of Jewish victims of repression. 

Many the synagogues remained after the expulsion, and were converted into churches. Spain is now actively promoting Jewish tourism, and restoring many of these buildings. 

Probably the greatest of these is known as the Sinagoga del Transito, and had been built as the private chapel of Samuel Halevi, the Jewish treasurer to Pedro the Cruel of Castile. I used his coat of arms, which is carved in the synagogue and is a mix of Spanish heraldry with Hebrew lettering, for the cover of my book.

In the last section of my book I describe three ways in which the fate of the Spanish Jews and “conversos” made an important impact on world history. 

Tensions between the “conversos” and “old Christians” led to the first racial exclusion provisions, discriminatory rules applied to Christians of Jewish descent. These provisions became known as “limpieza de sangre” or “purity of blood” rules, and “limpieza” became the template for racist practices against Africans and Indians in the New World.

These discriminatory practices, and prosecution under the Spanish Inquisition, alienated conversos from the Church and society. This alienation found expression in art, and books by these conversos, who invented the “picaresque” genre of literature, became a foundation for the modern novel.

Finally, the Spanish Jews played an important role in the colonization of the Americas, mainly under the Dutch. By 1640 the Dutch-controlled Brazilian city of Recife was a third to a half Jewish.

The Portuguese re-conquest of Brazil forced these Jews to flee, but many remained in the Americas. One small group in 1654 went to the Dutch colony of New Amsterdam—now Manhattan—where they received permission to form a congregation—the first Jewish congregation in what is now the U.S., and the first New York Jews.

Q: What are you working on now?

A: I am adapting some chapters of my book into an article called “The Invention of Race: How Spanish Anti-Semitism Gave Birth to Modern Racism.” I have a few other ideas, including an article on Trollope’s attitude towards the Jews called “The Hate that Dared Not Speak its Name,” but I’m not actively working on anything now.

Q: Anything else we should know?

A: I can give you some biographical trivia:  I am a D.C. native.  I went to GWU, getting a BA in English and a JD. After law school I became a “fifth streeter,” a court-appointed criminal defense attorney (I like to joke that I made my living on drugs and prostitution, but I was paid by the courts). 

I did that for two years, and then joined the State Department Foreign Service, and did my initial service in Colombia—I was the last consular officer in history to be stationed in Medellin. Renee, my wife of 26 years, is from Sao Paulo, and I have two daughters, Laura and Adrianna. 

I won 15,000 dollars on Jeopardy (after doing well on movie trivia Alex Trebek told me that my wife let me watch too many movies), and I received the President’s Award from the International Outlaw Motorcycle Gang Investigator’s Association.

--Interview with Deborah Kalb. Jeffrey Gorsky will be participating in the Local Author Fair at the Washington DCJCC, Tuesday, October 27, 2015, at 7:30pm.

Oct. 26

ON THIS DAY IN HISTORY
Oct. 26, 1880: Andrei Bely born.

Saturday, October 24, 2015

Q&A with Cynthia Lott


Cynthia Lott is the author of the suspense novels The Feathers and The Irises. She is a member of Sisters in Crime, Inc., and International Thriller Writers, Inc.

Q: How did you come up with the idea for your new novel The Irises, and why did you set the book in 1979?

A: I came up with the idea for The Irises because I wanted to continue my story, The Feathers, nine months after it ends.

With the way The Feathers ended, I wanted to continue the series, reconcile some aspects of the first book, and bring in another paranormal mystery/murder. 

Since the second book takes place nine months after the first, it had to be 1979. I wanted there to be a breather but not too much space between both books.
 
Q: The book's setting, New Orleans, is almost like another character in the story. Do you think this book could be set anywhere else, and how important is setting to you as a writer?

A: I don’t think this story could have taken place anywhere else. I suppose it could have but New Orleans IS its own character and brings a lot to the story.

The city itself is part of the narrative and observer, allowing these characters to develop, explore, discover the mystery within her. She is crucial to the story and the enchantment of the plot.

Q: As you’ve mentioned, The Irises is the second in a series. Did you know it would be a series before you started the first book, or did you decide at a later point?

A: I did know it would be a series…and I knew that the ending of the first book warranted one. I love the paranormal and supernatural…they’re great aspects to play with in a series and I hope to continue on with it for many books to come.

Q: Which authors have inspired you?

A: I am inspired by so many authors, but some of my absolute favorite are Gabriel Garcia Marquez, Milan Kundera, Joyce Carol Oates, Laura Lippman, Margaret Atwood…to name a few. I am always reading and discovering new and old writers. I just recently finished The Haunting of Hill House. I had never read it! A gem.

Q: What are you working on now?

A: I am currently working on the third book in the series. I can’t say too much about it but a few of the characters in the second book will definitely be front and center.

Q: Anything else we should know?

A: I am a big believer in supporting indie authors. My advice is to give these authors a chance…you never know what great book you will find next! 

--Interview with Deborah Kalb

Q&A with Geralin Thomas



Q: What is the definition of hoarding disorder?

A: Signs and symptoms may include:
*Persistent inability to part with any possession, regardless of value.
*Excessive attachment to possessions; discomfort letting an item go.
*Cluttered living spaces, making areas of the home unusable for the intended purpose, such as not being able to cook in the kitchen or using the bathroom to bathe.
*Shame or embarrassment about living conditions. 
Q: For someone trying to declutter their home, what is a good first step that doesn't seem overwhelming? 
A: A few ideas include:
*Try keeping one area clutter free for a day/week/month.
*Try NOT accumulating anything for a day/week/month.
*Gather the obviously unloved, unused stuff first and let it go. (Wire hangers from the dry cleaner for example)
Q: You write about the feelings of shame some people experience about their cluttered homes. How do you help people overcome these emotions?
A: As an organizer, I’m not qualified to help people deal with their emotional issues. Instead I help them focus on the physical components of clutter and refer them to a licensed medical professional for the emotional challenges.
Q: What do you advise people who are collectors? At what point does collecting become unmanageable?
A: Collections should fit the space they’re being kept in. In other words, when a collector is out of space, no longer enjoying showing off or admiring their objects, it’s time to re-evaluate their possessions.
Q: What are you working on now?
A: I’m currently working on a third book about time management.
--Interview with Deborah Kalb


Q&A with Debra Hart


Debra Hart is the author of the new book Call Him Mr. Right Or Call Him a Cab!: The Girl's Guide to Dating and Waiting for Love. She is a clinical auditor and real-estate investor, and she lives in Akron, Ohio, and South Florida.

Q: You write, "I am a person who made a series of mistakes, and would like to keep you from doing the same." Why did you choose to write a book about relationships, and who do you see as the perfect audience for your book?

A: I wrote a book about relationships because they tend to unsuspectingly steer the direction of our lives. Enter into the wrong relationship, and you can reroute your life in a direction that was never intended.

Since dating is the precursor to the relationship itself, it is important to do all you can to prevent making mistakes that may rob you of the happiness you so seek.

My hope is that women can learn from my mistakes, and take caution as they go about making life-altering decisions that will prove remarkable, not regrettable. 

The perfect audience for the book is single women of all ages and walks of life. It is for those who want to realize the purpose for their life, and at the same time, learn the truth about dating through a new process called Four Zone Dating. 

Q: In the book, you describe the idea of a "lifeline" for relationships. What are the important elements in a lifeline that can help a relationship work better?

A: That's the million-dollar question, and one that is “relationship specific.”
The lifeline is derived from the S.T.A.R.T. [Specific Tangible Absolutely Required Traits] signs that you personally choose, and set in stone. Meaning, these are the traits or elements you deem critical, and must be present in a person you would date.

The S.T.O.P. [Stuff That's Obviously Poison] signs are the poisons you know will kill off the relationship. So, the success of the relationship doesn't necessarily stem around the elements themselves, but rather, that they are honored.

My best advice is to be sure your P.R.I.N.C.E. (Potentially Right Individual Needs Complete Evaluation) fits the criteria; never change your criteria to fit him. 

Q: You ask the question, "How long should you hold out” for Mr. Right? What is your answer?

A: For me, the answer is — until the day I meet him.

Q: You write that you're not advocating that people get married at the one-year mark of their relationship, but that "no talk of marriage [at that point means] no reason to continue." Why do you see the one-year mark as especially important?

A: Dating, as I define it, is a process of elimination used to find your prospective mate. And the person you are dating is considered to be a P.R.I.N.C.E. This evaluation process can take up to one year, which allows plenty of time to make realistic decisions.

But, if someone has made it perfectly clear he does not want to marry you, the one-year mark averts you from spending another year or two hoping he will change his mind. Knowingly wasting those years is unknowingly rerouting your life.

Q: What are you working on now?

A: I'm working on a book that I hope will become a screenplay. I dream big! 

Q: Anything else we should know?

A: I would love to hear from my readers.  If you have tried Four Zone Dating, or have been inspired to work on your Dream-within, please share your stories with me at my website. 

--Interview with Deborah Kalb

Oct. 24

ON THIS DAY IN HISTORY
Oct. 24, 1923: Denise Levertov born.