Thursday, October 8, 2026

Q&A with Sharon Cameron

  


 

 

 

Sharon Cameron is the author of the new young adult novel Up from the Ashes. Her other books include The Light in Hidden Places. She lives in Nashville, Tennessee.

 

Q: Your new novel Up from the Ashes is based on a true story--how did you learn about Holocaust survivors Chaim and Selma Engel?

 

A: My first inkling of Chaim and Selma came from my editor, after we had completed my first novel of the Holocaust, The Light in Hidden Places, when she asked if I had ever heard of the Sobibor death camp and its uprising. I hadn’t, but I was intrigued.

 

I sought out the filmed oral histories of the survivors, and found both Chaim and Selma, each of them describing the moment they first met, when they were forced to dance together for the amusement of their Nazi guards, while a fire made of thousands of bodies lit the sky.

 

They didn’t speak the same language. But as Selma said later, “love was their language.” Their story was devastating, and so beautiful. I thought about it a long time, but I knew I had to write it.

 

Q: What did you see as the right balance between fiction and history as you worked on the novel?

 

A: I think of Up from the Ashes as a work of “dramatized reality,” a novel where every name is real, and where each and every event comes from the eyewitness testimony of survivors. When dealing with subject matter like this, it would feel disrespectful to do otherwise.

 

However, I can’t know the exact words that were spoken in those situations, and sometimes, while we might know what happened—that two people were friends, for instance—we might not know exactly how that relationship developed.

 

By using the memoirs, interviews, court records, and oral histories of all the survivors—and in some cases, the perpetrators—I was able to find dialogue and scenarios that would fill those gaps, creating a novel of fiction that is as close to the truth as we can make it.

 

Though as Chaim said in one of his interviews, a person who wasn’t there just can’t really know. Because there aren’t words for a place like Sobibor. And I believe that’s true.

 

Q: The Kirkus Review of the book says, “The most compelling aspects of the story are the people at its heart: Selma, with her stubbornness and determination, and Chaim, with his kindness and sharp mind.” What do you think of that description?

 

A: It’s a very accurate description! I worked very closely with the Engel family when writing this book, and it was fascinating to see bits of Chaim’s strong, quiet nature and Selma’s exuberance coming out in their children and in their grandchildren.

 

Q: What did you learn that especially surprised you during the research for the book?

 

A: The biggest surprise of researching Chaim and Selma’s miraculous escape from the hell of Sobibor was exactly what drew me to their story in the first place: a deep, incredible sense of hope.

 

They chose love in a place where there was no love, and that love gave them hope—hope in a place where there was no hope— and that hope gave them strength, and determination, and resilience. I think it’s why they survived. What I didn’t realize is just how deeply their story would be able to plant hope in me.

 

--Interview with Deborah Kalb. Here's a previous Q&A with Sharon Cameron. 

Q&A with Jan Schwaid

  


 

 

Jan Schwaid is the author of the new children's picture book The Shabbat Flood: A Texas-Sized Tall Tale. She lives in California. 

 

Q: In your new book’s Author’s Note, you write that the book was based on a true story. Can you say more about that?

 

A: I came upon the story while writing a podcast called Have I Got A Story for You! for PJ Library.

 

Meredith Lewis, who worked there at the time, had a family story that was begging to be retold: after an enormous flood in Dallas in the 1930s, the only Jewish baker in town took to canoe to deliver challah to his neighbors in time for Shabbat.

 

The podcast was so much fun to write. I figured it would be the perfect thing to adapt into a picture book. I got to interview some of Meredith’s family members to delve into the story further and learn more details. 

 

Q: What do you think Evelline Andrya’s illustrations add to the book? 

 

A: I love her illustrations; I think they add depth and warmth to the story, and it’s so fun to see how she managed to switch between the 1930s and present day while keeping the overall look cohesive. 

 

The expressions on the characters’ faces really help readers empathize with them. I also love the humor she added – the animals floating through the flooded streets are adorable and add lots of kid appeal! I hope young readers have fun picking out all the cute details.

 

Q: How did you research the story, and what did you learn that especially surprised you?

 

A: Initially, I chatted with Meredith’s family members to get some background on the story.

 

They directed me to an extremely helpful book called They Came to Stay: The Story of the Jews of Dallas 1870-1997 by Rose G. Biderman. The book contains the photo of the bakery found at the end of The Shabbat Flood! Evelline used photos from the book as reference for how people dressed in that time, as well as the style of architecture.

 

Q: What do you hope kids take away from the book?

 

A: I think at its core, this book is about kindness and community. Even though challah is a big part of Shabbat, being together is even more important. Sometimes, the most meaningful things in life aren’t things at all.

 

Q: What are you working on now?

 

A: I’m hard at work on lots of new picture book manuscripts and a really fun middle grade graphic novel, too!

 

I also write for PJ Library’s storytelling podcast Beyond the Bookcase, and our newest season, in partnership with Jewtina, features a colorful alebrije who leads our young characters on adventures in a brand-new, mystical realm. You can check it out at pjlibrary.org/podcasts or wherever you listen to podcasts.

 

Q: Anything else we should know?

 

A: I have some really exciting projects coming up! Please follow my writing journey at janschwaid.com or on Instagram at @jan_schwaid_writing. 

 

--Interview with Deborah Kalb 

Q&A with J.D. Davis

  


 

 

J.D. Davis is the author of the new children's board book Baby Truck Bedtime. She lives in Connecticut.

 

Q: What inspired you to write Baby Truck Bedtime?

 

A: I’m drawn to characters so I tend to start my projects with a character in mind and see where that character takes me.

 

Growing up, my dad was always buying broken down vehicles and fixing them. His garage was essentially an extension of our home. However, I noticed that many of the existing truck books took place on farms and job sites and – don’t get me wrong – we love those books.

 

But it occurred to me that kids are usually playing with their toy vehicles at home or in their backyard. They are taking their trucks to the park with them, on their daily adventures. What would those stories look like? I felt there was an opportunity for a truck character in a home environment, with his family.

 

Q: What do you think Erica Sirotich’s illustrations add to the story?

 

A: Erica’s done a brilliant job of creating Baby Truck’s world. Baby Truck Bedtime is a snapshot of family life and their home is the center of that story.

 

Erica created a world for them that blends the comforts of home with the functionality of a garage. Not only did she make their place cozy, she also considered the logistics of how they would get around and complete daily tasks.

 

Erica does a great job of matching the illustrations to the tone of the text. The book starts with action and gradually slows down as Baby Truck prepares for bed. It was important that those final pages be visually comforting.

 

Q: Why did you choose a truck family as your characters?

 

A: Once I knew I wanted to create a truck character that centered around a home environment it was natural to give him a family.

 

As I concepted the Baby Truck character further, it occurred to me that kids and trucks have a lot in common. They both get dirty and need a bath. They run around until their tank gets low and need to “fuel up.” And at night, they get tucked away to rest their engines.

 

Mama Truck and Daddy Truck are there to guide him as he learns how to be a Big Boy Truck.

 

Q: What are some of your other favorite bedtime books for kids?

 

A: Baby Truck Bedtime is a character-led board book, so while it is a bedtime book I think families will ultimately be drawn to the character. I love characters that last the test of time and that’s typically what we read at night.

 

My favorite characters include Olivia by Ian Falconer and the cast of characters from the If You Give a Mouse a Cookie series, by Laura Numeroff and Felicia Bond.

 

Q: What are you working on now?

 

A: I’m thrilled to share that Baby Truck Bedtime is the first book in a series featuring the character. Erica and I are currently working on the sequel. Look out for Baby Truck Bath Time – scheduled to make its SPLASH in April of 2027.

 

Q: Anything else we should know?

 

A: Baby Truck Bedtime is the first in a series of board books for babies and toddlers and is available for preorder now. We hope you’ll make space for Baby Truck on your shelf.

 

--Interview with Deborah Kalb 

Q&A with Darin S. Cape


Darin S. Cape is the author of the new middle grade graphic novel Zicky: Wrath of the Rat King. Darin S. Cape is the pen name of Shawn Hainsworth, publisher of SHP Comics. He lives in Western Massachusetts.

 

Q: What inspired you to create Zicky: Wrath of the Rat King?

 

A: Zicky began with stories I told my children when they were little. I would pretend to be a super-secret ninja who went on adventures while they slept.

 

I honestly can’t remember where the name came from. Zicky just seemed to pop into my head, complete with a voice and a personality. My children, Miles and Zoe, loved teasing him as much as they loved hearing about and contributing to his adventures.

 

As they grew older, I missed those freewheeling games, so I decided to bring Zicky to life in a graphic novel. I’ve always loved portal stories, from Alice in Wonderland to The Phantom Tollbooth, and the way fantasy can express what a character is experiencing emotionally.

 

The challenge was capturing the silliness of our original stories while giving Zicky an adventure grounded in family relationships and the growing pains of childhood.

 

Q: What do you think Zeno Decrux and Hiorsh Gabotto’s illustrations add to the book?

 

A: Their artwork gives the two worlds distinct personalities. Zeno brings kinetic, manga-inspired action to the fantasy world, while Hiorsh’s looser Western comic style captures the humor and everyday chaos of Zicky’s family life. Moving between those styles becomes part of the storytelling.

 

I planned to work with two artists from the beginning, but one of the most rewarding challenges came when the fantasy characters started invading the real world. One artist would sketch a page and leave room for the other to contribute, and we would pass it back and forth until the pieces worked together.

 

Both artists were creative partners. The way they collaborated and responded to each other’s work brought something to the book that I couldn’t have created on my own.

 

Q: Did you know how the story would end before you started writing it, or did you make many changes along the way?

 

A: I knew the manga creatures would invade the real world and also how the story would end, but a lot of the adventures along the way, such as the King Snake, came to me as I was writing.

 

Working with artists and seeing the pages come to life always inspires new ideas, so I like having the time to let the story and characters lead me in different directions.

 

Q: What do you hope readers take away from the book?

 

A: Mostly, I hope they have fun. I want readers to laugh, enjoy the adventure, and be surprised by where the story goes. There’s something wonderful about a book that makes a child eager to turn the page, especially when a parent can enjoy reading along.

 

The story explores imagination, family, courage, and learning to get along with others, but I don’t want those ideas to feel like lessons. I hope those themes emerge naturally because readers care about the story and the characters.

 

Q: What are you working on now?

 

A: I am working on the next Zicky adventure, Zicky: The Cursed Blade, planned for the fall of 2027. In that story, Zicky is falsely accused of stealing a legendary sword inhabited by the spirit of an evil samurai. As that spirit begins to take hold of him, trouble spreads across both worlds.

 

This story draws more heavily on classic samurai tales and takes a darker turn than Wrath of the Rat King. I want each adventure to feel distinct while keeping the series grounded in Zicky’s family and the emotional lives of its characters.

 

I’m also developing other SHP Comics projects, including B.O. Wolf, a dual-timeline reimagining of Beowulf. Moving between different genres keeps me excited about writing.


Q: Anything else we should know?

 

A: Much of Zicky’s real world comes directly from my family. I am the clueless but well-meaning dad, and my wife and children inspired their counterparts in the book. Even our dogs, Lily and Jango, appear as the lion-dog guardians of the portal. Tickle Robot grew out of a game in which I would chase down my kids and tickle them on the couch until I ran out of energy.

 

Those details make the book personal to me, but I hope other families recognize some of their own affectionate chaos in it. I love being a dad, and bringing our silly games to life has been one of the great pleasures of making this book.

 

--Interview with Deborah Kalb. This Q&A was conducted in partnership with Darin S. Cape. Readers who follow along on this virtual book tour will have the chance to win one of 10 signed paperback copies of Zicky: Wrath of the Rat King. One lucky grand prize winner will also receive a Zicky poster and pins. Here's a previous Q&A with Shawn Hainsworth.


Q&A with Michelle Grace

  


 

 

Michelle Grace is the author of the new children's board book I'm Right Here. She lives in Manhattan. 

 

Q: What inspired you to write I’m Right Here?

A: My daughter, Mira, inspired the book. She came into my life through surrogacy, and our early bonding journey was both deeply meaningful and challenging. I was learning childhood development while learning, through play and storytelling, how to build our connection.

“I’m right here” became my bedtime reassurance to her and eventually, the heart of this book.

Q: What do you think Lea Androic’s illustrations add to the book?

A: Lea’s illustrations gave life to the words on every single page. She brought the book to life! She perfectly executed everything I felt internally. It's incredible what happens when the stars line up for a project!

Q: What do you think the book says about the mother-child bond?

A: It says that the bond is extremely powerful. The mother child bond is your legacy. It’s infinite.

Q: How was the book’s title chosen? Can you say more about what it signifies for you?


A: The title comes from the words I often said to Mira at bedtime. They became a turning point in my journey as a mother, expressing the connection and reassurance I wanted her to feel at night and forever throughout her life.

To me, “I’m Right Here” is powerful. It’s “I’m right here now and forever with you.” That love and care poured into you will always be your guide.

Q: What are you working on now?

A: I’m working on releasing two children’s books, My Wild Imagination and Welcome Home, Little Fairy.

Q: Anything else we should know?

A: I hope, one day, my daughter will read this book to her own child and that it will continue to be passed down through generations. I want these words to carry the love I feel for her; a love she can return to throughout her life and someday share with her own children and grandchildren. 

 

--Interview with Deborah Kalb 

Q&A with Bobbi Miller

 


 

Bobbi Miller is the author of the new middle grade novel The Barbary Chronicles: The Lost Prince. Her other books include Big River's Daughter. She lives in Georgia. 

 

Q: Did you need to do much research to write your new book, and if so, did you learn anything that especially surprised you?

 

A: I write historical American fantasy, a blend of American history with the tall tale tradition that captures so much of the American identity. So I am always knee-deep in research.

 

I recreate historical communities of those who often feel unseen and unheard, those whose isolated lives were complex and multi-layered, not only defined by class, gender and race, but also lived experiences.

 

In Barbary Chronicles, the protagonist and her crew live in the shadows of San Francisco’s elite. In researching this background, I was taken aback by the similarities to current social and political challenges.

 

As the old saying goes, history doesn’t always repeat, but it often rhymes. Understanding the past informs our present—and our future. I include much of this research in my author’s note.

 

Q: What do you hope readers take away from the book?

 

A: In historical fiction, the challenge to write female heroes becomes more so because the male-dominated public sphere is distinctly separate from the female-dominated private sphere.

 

While uppity women who dared cross those lines are often the focus of many historical reads, they tend to be described as daring, even courageous, but are rarely considered heroes. 

 

But girls in historical fiction are heroes in the truest sense of the word. The heroine’s journey embodies its own language, ordeals and symbols that are uniquely her own.

 

Strong female characters are not merely spunky or clever spirits with backbone. Nor are they—think superheroes—female impersonators let loose on the unsuspecting world. They seek neither domination over another nor ascendance into elitest power.

 

The female hero makes choices when life no longer fits her definition. There are at times no happy endings. In the end, these stories do not necessarily find the female hero safe. But they are free to be who they need to be.

 

And sometimes, they take the lead. Such stories empower the young, and often reluctant, reader to seek and ultimately discover the hero within herself.

 

Q: What are you working on now?

 

A: I tend to work on a couple of projects at a time. I just finished a new manuscript, further exploring genre-blending of historical fantasy and folklore while exploring themes of environmental justice in which American tall tales meets the magical realm of Camelot in a 1870s girl-centric retelling of the Knights of the Round Table.

 

And I’ve started mapping out a potential sequel to Jack London’s story, just in case readers want to know what happens next!

 

Q: Anything else we should know?

 

A: Fun fact: In researching 1870s San Francisco, I came upon an 1870s map of the Barbary Coast and used this as the visual to help me “visualize” the setting. The designer at Charlesbridge Moves, Diana Earley, and her team used the map as a backdrop for the book’s poster. The artist, Allysa Adams, brought my characters to life! You can find and download the poster as well as the reader’s guide here.

 

You’ll also find a slew of interesting activities, including recipes for popular desserts from the 1800s!

 

For more information about my book, Barbary Chronicles: The Lost Prince, please visit the book page at Charlesbridge Moves here.

 

For more information about my writing, visit me at TeachingAuthors, a team of children's book authors with a wide range (and many years) of experience teaching writing to children, teens, and adults.

 

--Interview with Deborah Kalb 

Q&A with Deborah Samuel

  


 

 

Deborah Samuel is the author of the new memoir Grace Through Fire: A Memoir of Murder, Tragedy, and Resilience. Also an educator and a real estate professional, she lives in Santa Barbara, California.

 

Q: Why did you decide to write Grace Through Fire?

 

A: There was a night when I found myself on the floor, contemplating taking my own life simply to make the pain stop. In that moment, I received a very clear message from God: Get up. You have work to do. I had no idea what that work was. I only knew that I needed to listen.

 

I began journaling because I needed somewhere to put the pain. My life had become so chaotic and unbelievable that writing things down helped me acknowledge what was actually happening instead of pretending I was fine.

 

Putting the truth on paper allowed me to get it out of my “squirrel brain,” as I call it, and begin making sense of it. I started an online blog called Postcards from the Edge.

 

Eventually, I also had to confront my tendency to try to save everyone around me. I learned that healing had to begin with forgiving myself and accepting that the only person I could truly change was me.

 

It did not happen overnight. I peeled back the layers of trauma one at a time. Grace Through Fire grew out of that process.

 

Q: Virginia Lloyd described the book as “[d]eeply moving and unflinching—a powerful testament to courage, resilience, and the ability to rise from trauma.” What do you think of that description?

 

A: “Unflinching” resonates deeply with me because I made a conscious decision not to sanitize my story.

 

There are uncomfortable chapters in Grace Through Fire. I write openly about violence, loss, addiction, family trauma, and some extraordinarily painful periods in my life. But I did not want to write a memoir that looked away when things became difficult.

 

At some point, I realized I could not fix everyone else. I could only begin fixing myself. That required making some big, bold decisions without worrying about what other people thought.

 

One of those decisions was giving up alcohol. I lost friendships when I stopped drinking, but sobriety became a line in the sand. I needed to face my pain honestly, without using wine to soften the edges.

 

For me, resilience is not pretending something terrible did not happen. It is acknowledging what happened and deciding that it does not get to determine the rest of your life.

 

Q: How was the book’s title chosen, and what does it signify for you?

 

A: The title Grace Through Fire came to me in a dream. I woke up and simply knew: That is the title. Looking back, I understand why. I spent years believing grace was something that arrived after the fire—after the crisis, grief, anger, and trauma were over.

 

What I eventually discovered was that grace can exist inside the fire.

The most painful experiences of my life forced me to discover who I was, what I believed, what I was willing to change, and ultimately how I wanted to live. The fire did not disappear, but I learned how to walk through it differently.

 

Q: What impact did writing the book have on you, and what do you hope readers take away from it?

 

A: Writing this book has been an extraordinary period of growth for me. One of the biggest surprises has been discovering how widely the story resonates across generations.

 

I have been particularly moved by readers in their 70s and beyond who received advance copies and began sharing their own stories with me—family secrets, violence, loss, shame, and experiences that their generation was often taught to simply sweep under the rug and never discuss again.

 

I began to realize that for some readers, the book was almost like a long-lost friend saying, “I see you, too.”

 

Yes, those things happened. They mattered. But they do not have to define who you become.

 

That is what I hope readers take from Grace Through Fire. We cannot rewrite what happened to us, but we can decide what we do with it. And it is never too late to begin a new chapter.

 

Q: What are you working on now?

 

A: I already have ideas for two more books. There is so much I want to explore about starting over at 50 and the remarkable experiences that came afterward—many of which simply could not fit into Grace Through Fire. Apparently, I still have a few layers of the onion left to peel!

 

I am also developing my work as a speaker, with plans to pursue a TEDx opportunity in 2027 and speak to organizations, young people, podcasts, and audiences interested in resilience, reinvention, and what it means to begin again.

 

This fall, I will take Grace Through Fire on tour through Arkansas and Southern California, followed by events in Australia in December. I am especially excited that the book is available through print-on-demand distribution in Australia, allowing the story to begin reaching readers well beyond the United States. I also have an audiobook being released that I narrated myself.

 

For a book that began as private words in a journal, watching it spread its wings into the world is extraordinary.

 

Q: Anything else we should know?

 

A: I wrote this book because, eventually, I understood that I had to.

The years between 40 and 45 were such a blur of tragedy and upheaval that there were moments when even I could not comprehend how quickly my life had spun out of control. From the outside, I could appear completely functional. Inside, I was fighting to survive.

 

That is one reason I believe so strongly in telling the truth about what happens behind closed doors. We rarely know the full story of what another person is carrying.

 

Today, I am far more interested in what comes next than in remaining trapped by what came before. The publication of Grace Through Fire feels less like the end of my story and much more like the beginning of another chapter.

 

There are also some exciting conversations underway about where this story might go next. I cannot share the details yet—but I can say that I am incredibly excited about what may be ahead. Stay tuned.

 

--Interview with Deborah Kalb