Diane S. Nine |
Q: How have things changed for authors (and for agents) in
the years you've been working in this field?
A: As an agent for over 25 years now, I have seen a lot of
changes in the literary industry. The biggest change is in the area of technology,
and the advent of ebooks. In fact, the ebook area is the only growing
segment of the book industry. I think we will continue to see growth in
this area, and when all the ebook readers are able to work on the same
technology platform, they will really take off.
On a personal note, when I read for pleasure (as opposed to
work-related reading), I only read ebooks now. I like the fact that you
can have an entire library of books with you – and it saves the bookshelf space
that is becoming quite limited in my home and office!
With all of this said, I don’t think the ebook phenomenon
will result in the disappearance of physical, printed books in my lifetime
– though it might result in decreasing sales of printed books.
The other major change I have seen in the literary area is
in the diminishing number of legitimate publishing houses. This is an
industry constantly in financial trouble – it is a tough industry to earn money
in.
As a result, we are seeing increasing numbers of mergers
among the largest publishers, and more and more smaller publishers are closing
their doors. The latest merger among the big houses is between Random
House and Penguin – which are now part of the same company. This change makes
it harder for agents to locate a publisher for their clients’ books.
Q: What do you think is the most useful way for an author to
find an agent?
A: Word-of-mouth! If you know someone who has had a
good relationship with an agent, this is a sure-fire method of locating an
agent who is honest, and will work hard on your behalf.
If you don’t know any authors, there are a myriad of
websites and books listing agents. My favorite one among these is www.publishersmarketplace.com -- it lists agents by areas of interest, and seems to do an honest job of keeping
the information real. I am wary of sites that rank agents or
complain about agents since anyone can write disparaging things on these sites,
and the reader has no way of knowing if what’s written is true or not.
Q: Would you advise an author to self-publish?
A: There is a place for self-publishing, especially now that
it has become easier. For instance, if you want to write your memoir, yet
you are not well-known, self-publishing may be the only way to actually have a
book. Or, if you have written a book, and have tried unsuccessfully to
interest an agent or publisher, self-publishing may seem like a good option.
However, self-published books still do not garner the
respect of “legitimately” published books. This is because there is a
perception (and even a reality) that self-publishing is not selective. Anyone
can self-publish if you have the money to pay.
As a result, virtually no retailers will agree to carry the
book, and hardly any media will do an interview or review the book. Therefore,
in my opinion, self-publishing should be a last resort.
Q: What are the biggest misconceptions about getting a book
published?
A: There are so many misconceptions in the literary industry
-- I hardly know where to begin! But, I will talk about three of
the “issues” that come up with a lot of frequency.
First, authors seem to believe they will have a choice of
the publishing houses they desire to publish their books. In other words,
they often hold out for their “dream” publisher, bypassing early offers.
In reality, most authors are lucky to even get one offer to
publisher their “masterpiece” – so it is best to highly consider ANY offer
received if it is in the norm of contracts typically offered.
I cannot tell you the number of times one of my clients has
been presented with an offer by a publisher (other than their first choice
publisher), and they have turned down the offer. More often than not, they
don’t get another offer (let alone an offer from their preferred publisher) –
leaving them with an unpublished book. Authors need to know that getting a
book published is highly competitive.
Second, authors don’t understand that most books take 1 – 3
years to see the light of day, and they somehow think that their book should be
published ahead of all the other books their publisher has acquired. Everyone
has a good reason why their book needs to come out sooner, rather than
later.
In reality, most publishers simply put out books in the
order in which they have been acquired – because there is no fairer
method. Authors need to understand that nagging their agent (or the
publisher) about the release date of their book is only
counterproductive. EVERYONE wants to be published tomorrow, but things
move slowly in the publishing world – since things take time.
Most books go through a minimum of three rounds of edits,
proofreading, galleys, jacket design, layout, converting the files for printing
and all the different platforms for ebooks, etc. You can see where this is
time-consuming – and why rushing things usually result in errors. And, it
is not fair to authors patiently waiting their turn to suddenly have another
author’s book put in front of the queue at any stage of the process.
Finally, some authors seem to think that their job is done
when the book is published – assuming, I guess, that books magically sell
themselves. Nothing could be farther from the truth. In fact, I
believe there is a direct correlation between books sold, and authors’ working
to sell books. In other words, in order to have a successful title, it is
necessary for the author to promote their own book.
Q: What are you working on now?
A: I have a number of exciting projects. Among these is
a memoir by Cindy Williams. Cindy was the co-star of the television show Laverne
& Shirley (among other things). We met with publishers in New York not
too long ago, and we have a lot of interest. Cindy has rarely, if ever,
told anything about her life – personal or professional – so even I am absorbed
by her writing as she completes chapters of her book!
Q: Anything else we should know?
A: Despite all of the pitfalls in the literary industry, it
can be an intellectually rewarding area to work in. I feel fortunate to
have landed in a job that (most of the time) doesn’t seem much like work, at
all. After all these years, I can honestly say that I love my job 99% of
the time – and that’s more than most people can say!
--Interview with Deborah Kalb. Note: I am currently working with Diane Nine on an upcoming project.
Deborah,
ReplyDeleteComing in a little late to this interview, but I wanted to let you know I find it so helpful. Reading Diane's comments about the industry are good reminders for me to be grateful for what success I've had.
Kathleen