Clara Kumagai is the author of the new young adult novel Songs for Ghosts. She also has written the YA novel Catfish Rolling. She is from Canada, Japan, and Ireland.
Q: How was Songs for Ghosts’s title chosen, and what does it signify for you?
A: I always find titles really difficult! I had a list of possible titles, and they kept getting longer and more abstract, and in the end I went back to the title very close to the top of the list: Songs for Ghosts. (The title at the very top turned out to be taken!)
As the novel is largely a ghost story, it seemed right to have that in the title, and music is a big part of the story too, not only because of the Madama Butterfly inspiration but because of the music that [my characters] Adam and the diary writer play.
Q: What do you hope readers take away from the story?
A: Because reading can be so private and subjective, I hope that readers take away something person to them, whether that’s a character that resonates with them or an interest in Japanese folklore.
For the particular themes of identity and culture, I wanted to show how Adam and the diary writer respond and learn through encountering other cultures and stories. How do they adapt and understand these differences and similarities? I think that considering other perspectives is incredibly valuable not just in fostering empathy but in opening up to the world.
I also wanted to show that the adults in the book are also learning, understanding and growing—that doesn’t end when you stop being a teenager!
Q: Anything else we should know?
A: Songs for Ghosts pulls on many Japanese stories—not just ghost stories and folklore but on a Japanese epic called The Tale of the Heike. This is cycle of stories traditionally told with an instrument called a biwa, which the diary writer learns to play (and which her grandmother played, too).
I wanted the novel to have the feeling of echoes, of stories within stories and how they are passed on and shared. I would love if readers found an interest in these old stories and read more of them.
There is also a little secret: I wrote one of the folklore stories—maybe you can guess which one!
--Interview with Deborah Kalb


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