Tuesday, September 1, 2026

Q&A with Suzanne Junered

  

Photo by Sarah Rizzolo

 

 

Suzanne Junered is the author of the new novel Goodnight Monsters. She lives in Colorado.

 

Q: What inspired you to write Goodnight Monsters, and how did you create your character Lia? 

 

A: My novels always stem from my own curiosities about human behavior, and a few questions that came forward were: What happens when we have bad thoughts but don’t act upon them? Do bad thoughts make us bad people? And what might push us to the edge where those thoughts turn to action?

 

Lia came to me with these questions. I wanted to write a novel about a woman who had murderous fantasies but knew she would never act them out. She had morals, you know. And I wondered how she would react if I gave her a job where the body of someone she fantasized about murdering could show up on her “desk.” 

 

Those were the two initial sparks into what became Goodnight Monsters, and I began writing it during stolen pockets of time between caring for a toddler and a newborn. 

 

What I didn’t realize until after the first draft was that I was writing metaphorically into my own instability and emotional state during dark post-partum days.

 

When I dove into my first big edit of the novel, I wrote Lia’s pregnancy into the story. Everything seemed to click into place from there. I understood her better. I felt for her. . . because I was her (minus murderous thoughts, that is). There are many deep layers as to how a story unfolds, and Goodnight Monsters was no exception. 

 

Q: The author Emily Carpenter said of the novel, “Pitting primal feminine desire and rage against the cultural expectations of women and motherhood, Junered has crafted an unforgettably spiky and deeply human heroine as well as a story that will have you wondering what the hell you just read.” What do you think of that description? 

 

A: I think Emily nailed it and am so honored she saw these pieces of my novel which are most important to me. Lia’s desires are at war with her social conditioning, and I think a lot of women can relate, even if our desires are not quite at the same morally gray intensity as Lia’s.

 

And “wondering what the hell you just read” is a high compliment—this review left me tickled and seen. I like to surprise people. I like to create curiosity and intrigue more so than just tell a story. Might we see parts of ourselves in Lia, even though we don’t want to? What went wrong? What happened to her? Could it happen to me…?

 

I also have to say it takes a very talented writer like Emily Carpenter to distill a novel into a precise, quippy sentence that covers all its bases! Brava to Emily. 

 

Q: Did you know how the novel would end before you started writing it, or did you make many changes along the way?

 

A: Yes, I absolutely knew the beginning of the novel and the ending before I began writing my way into the middle. And then the ending changed along the way! We can project and predict all we want, but what I’ve learned is we can never be certain what will happen until it happens. 

 

Q: How was the book’s title chosen, and what does it signify for you?

 

A: Goodnight Monsters is a play on Goodnight Moon, though I like to warn people it’s not your children’s bedtime story. While endearing, timeless, and close to my heart, to me Goodnight Moon is quite a strange story that doesn’t fully explain itself, so it aligns with Goodnight Monsters in that way.

 

And Lia’s ultimate goal becomes putting her monsters to bed, so in a way, it is a bedtime story. For adults who like “what the hell did I just read” kind of fiction. 

 

Q: What are you working on now? 

 

A: My next novel, House of Mannequins, will release September 28, 2027, so I’m working alongside my publisher to get that ready. It follows a woman who is suddenly burdened with psychic abilities and is taken in by a like-minded community where she finally feels at home—until she learns they’re taking the future into their own hands based on premonitions.

 

House of Mannequins asks: How far would you go to change the future if you could predict it? 

 

I am currently writing a novel about a PR specialist who goes to a swanky beachfront resort to turn around their bad reputation but ends up seduced by the power of the Kool-Aid they’re selling instead. Think Nine Perfect Strangers meeting Dark Matter with a touch of The Secret and The White Lotus vibes.

 

Titled Manifestation, this novel asks: Where is the line between living in your power and abusing your power? 

 

Q: Anything else we should know? 

 

A: Because novels are about much more than their plots alone, I am soon launching a podcast called No Secrets No Shame, which will touch on topics and themes that inspire my writing, especially the provocative and taboo ones.

 

I’m bringing these conversations out of the fictional realm and into the real world, inviting listeners to connect with conversations about things like sex, power, social conditioning, and the inner workings of the mind and body.

 

--Interview with Deborah Kalb 

Q&A with Lauren Johnson

  


 

 

Lauren Johnson is the author of the new novel The Soufflé Also Rises. She lives in Oak Park, Illinois.

 

Q: What inspired you to write The Soufflé Also Rises, and how did you create your character Lizi?

 

A: I always wanted to write some kind of lighthearted crime thriller set in Paris. I spent a semester there at the American University and completely fell in love with the city.

 

But what really inspired the book was the day I was almost mowed down by a couple of flics (French cops) chasing this hot French bad guy on a motorcycle through Montmartre.

 

It felt like I'd stumbled into the movie Charade with Cary Grant and Audrey Hepburn. The whole thing felt ridiculously cinematic. And romantic. Not "kiss me under the Eiffel Tower" romantic. More “I've accidentally wandered into Charade” romantic.

 

After that, I knew I wanted to write a funny crime thriller set in Paris. In fact, that hot French bad guy was my inspiration for Luc.

 

As for how I created Lizi, I knew I wanted a protagonist who didn’t quite believe in herself—yet. Just like me at the time. But I also wanted her to figure out that she was far more capable than she realized. I also loved fish-out-of-water stories. But that was pretty much all I had in mind.

 

Then life happened, and for the next 22 years my story sat in an imaginary file folder with all my other great ideas … until I finally started thinking about it again.

 

By then, I was facing some age-related challenges—perimenopause, for one. Then there were some health issues. But I was also beginning to discover that while still only in my mid-40s, finding a job wasn’t as easy as it had once been when I was younger. And that’s when I decided that I wanted an older protagonist who had a different set of challenges than a 20-something.

 

Besides, I cut my teeth reading chick lit, but I couldn’t relate anymore. At least to the problems of a 20-something with a fabulous job and penchant for cute boys and a weakness for conspicuous consumption.

 

So that’s really where Lizi came from. And by the time I finally got serious and started to write, menopause was already in full swing and I thought to myself, You know, sometimes menopause can be pretty funny. I mean, it does have its moments!

 

Q: How would you describe the dynamic between your characters Lizi and Frankie?

 

A: I love their dynamic. First of all, there’s a 27-year age gap between them so they’re quite different when it comes to how they see the world. But Frankie’s overly simplistic worldview is just what Lizi needs to get on with her life, so Frankie is more the teacher and Lizi is more the student.

 

Frankie is the free spirit and doesn’t really care what other people think. And Lizi is uptight. Not so much because she cares what others think (although she does!), but mostly because she’s afraid of making the same mistakes twice.

 

So she plays it safe. Until she meets Frankie. She doesn’t immediately flip that switch, but now with Frankie by her side she gets to see who she really is—who she was before life got in her way.

 

So they don't balance each other in the traditional "opposites attract" sense, but they're exactly what the other needs. That's one of the things I loved exploring in book two, because their friendship becomes much more reciprocal. Frankie has a lot to learn from Lizi, too.

 

Q: Did you know how the novel would end before you started writing it, or did you make many changes along the way?

 

A: In terms of Lizi, I knew exactly where I wanted her to end up on both an emotional and spiritual level. But in terms of the vehicle, that changed along the way.

 

Because I knew it would be a series, I knew the cliffhanger from the beginning. But what changed wasn't the destination—it was the journey. In the end, the story became much bigger and more complicated than I'd originally imagined.

 

Q: What do you hope readers take away from the book?

 

A: Exactly what I took away from writing it.

 

I wasn’t that different from Lizi when I started (or Frankie for that matter!). And because of that I wasn’t sure if I wanted people to know who I really was. But I also knew that if I started filtering myself because I was worried about sounding too uptight or too immature, I wouldn’t have an honest story.

 

I think fear has this funny way of convincing us we're someone we're not. Think about how we edit ourselves. Or how we play it safe when we have to make big decisions. We even bend ourselves into something or someone else because we're worried about what other people will think about us. And then, without even realizing it, we’ve shaped our entire lives around this person we’re not.

 

So if readers take away anything, I hope it's the understanding that it's never too late to start being who we already are.

 

Q: What are you working on now?

 

A: Right now I'm writing book three. Book two picks up with Lizi trying to deal with the unfinished business from book one, and book three raises the stakes even higher. I can't say much more than that—but I'm having a lot of fun with where the series is going.

 

Q: Anything else we should know?

 

A: One thing I can promise is that there are still plenty of surprises waiting for Lizi. In book two, readers will discover that things aren't always as they seem—and some of the biggest twists have been hiding in plain sight all along.

 

--Interview with Deborah Kalb 

Sept. 1

 


 

ON THIS DAY IN HISTORY
Sept. 1, 1877: Rex Beach born.

Monday, August 31, 2026

Q&A with Jane Brookwood

  


 

 

Jane Brookwood is the author of the new novel The Hanged Man. She also has written the novella The Raven's Familiar. She lives in British Columbia. 

 

Q: What inspired you to write The Hanged Man, and how did you create your characters Fiona and Rosie?

 

A: The inspiration came from  a combination of factors. Years of studying tarot collided with a period of great loss and upheaval in my life. It was born out of the presence—and eventual absence—of one remarkable ginger cat, right on the heels of my best friend sitting down to write and publish her own memoir.

 

Fiona is who I aspire to be, and she lives the way I wish I could. Although I don’t know her all that well yet, I’m hoping we’ll have more than a few more books to really delve deep.

 

And Rosie, well, she is based on a real cat! She was a rescue who “worked” alongside her brother at the construction company I was with. When her brother passed away, she came home with me, and she was the most perfect real-life introduction to the feline world I could have ever imagined. Prior to Rosie, I genuinely thought I was strictly a dog person. It turns out, I’m a cat at heart.

 

Rosie was an exceptional example of a feline—regal, delicate, completely self-aware, and incredibly sweet when she wanted to be. She lived with us for a few years before choosing to move on to another home in our neighborhood.

 

While her departure left a big hole in our lives, I deeply respected her decision; she was simply living her best life, which is exactly what her character does in The Raven’s Familiar.

 

A year after she moved on, we adopted another female ginger cat named Poppy, who is much more content to stay close to home. She is my best friend and roommate.

 

Q: How would you describe the dynamic between Fiona and Rosie?

 

A: There’s a definite “buddy cop” vibe going on between those two. Deep down, Fiona knows Rosie comprehends way more than she lets on but she forgets – Fiona’s only human after all.

 

Rosie on the other hand, knows exactly what’s going on, whether she cares about everything Fiona considers important – that’s another question entirely. Rosie’s got the “sight” and her priorities are informed by what she picks up intuitively, which doesn’t always align with our human fears and feelings.

 

Q: How did you create the setting of Pineridge Hollow?

 

A: It comes from living with five decades of rain in the Pacific Northwest. At some point early on I remember telling myself that I just better get used to the rain or I’d never be happy again. I think it informed my love for the promise in a grey, overcast day, the smell of damp moss on the forest floor, and the mystery shrouded by a rain-soaked night.

 

Q: You’ve also written a novella about Rosie, The Raven’s Familiar--can you tell us more about how the two books connect?

 

A: About four revisions into The Hanged Man, I realized that there are A LOT of books out there and I wasn’t sure if the book would get any kind of exposure. It got me thinking of writing a prequel that I could use as an introduction to the world. Something short and easy to read.

 

It turns out that I really like writing “around” things. I fleshed out the idea and after finishing my fifth rewrite on THM I decided to write The Raven’s Familiar, although it was just called Rosie’s story for the longest time. Rosie just walked straight onto the page. It was such an interesting exercise given the angst that came with THM.

 

While I really struggled at first to get her voice just right it really revolutionized my writing style. I stopped explaining what was happening and just let the action drive the story. Instead of conceptualizing I was able to trust myself and the reader more.

 

When I came back for the final fixes of THM post editing, I found this new sense of freedom. Rosie continues to teach me things, how to be a better writer, and a better human.

 

Q: What are you working on now?

 

A: I’ve just submitted The Raven’s Familiar: Part Two to my editor. This is the mystery portion of the book and where Fiona and Rosie really learn to work together.

 

Although it will be released post THM, it takes place prior to it. Fiona’s ex returns on the scene, and Rosie immediately recognizes what he’s after. Fiona, though, she’s blind-sided by his charm and seeming sincerity and the little girl he’s brought with him.

 

Rosie, who’s just found her forever home, realizes in an instant that she needs to get to the truth before he destroys everything she’s worked so hard to find. Not only does she investigate him, but she does it with a group of unlikely allies she finds in her new community of Pineridge Hollow.

 

I’m also feverishly working on The Fool, which is Book 2 in the series. I’m really hoping to have it released beginning of December as a Christmas novel.

 

Q: Anything else we should know?

 

A: There is a layer to the Raven-verse that extends beyond the page. Hidden in each book is an Easter egg that can be used to unlock bonus content in a secret corner of my website – The Raven’s Vault.

 

And for my ARC readers of The Hanged Man, they have an exclusive unlock that relates to Elsie’s discovery at the end of the book. It’s a nail-biter, if I do say so myself.

 

The whole series has been inspired by the larger architecture of the Major Arcana in the tarot. Twenty-two archetypes exploring the nature, folly, and paragon of humankind around which each story will be built.

 

The card’s archetype informs everything; the mystery, the villain, the lesson both Fiona and I are wrestling with. It echoes the underlying secrets beneath Pineridge Hollow’s idyllic surface, and it’s much larger than any single murder.

 

These sub-stories run like dark rivers beneath the forests to emerge unbidden into the light. Fiona, Rosie, and her ragtag bunch of friends are the only things standing against it. 

 

--Interview with Deborah Kalb 

Q&A with Tiffany D. Jackson

  


 

 

Tiffany D. Jackson is the author of the new middle grade novel Ghost in the Night. Her other books include Blood in the Water.  

 

Q: What inspired you to write Ghost in the Night, and how did you create your character Harmony?

 

A: During a brunch with some Scholastic folks, I mentioned how my favorite pastime is to go on ghost tours in different cities, but mentioned that I always seemed to be the only black girl on the ghost tour. My editor overheard that and said, “Now there’s a book.” So the story was born from a casual conversation.

 

When thinking of potential main characters, I wanted a girl who was whip smart and determined yet vulnerable in her grief. Harmony was a natural fit.   

 

Q: Why did you choose Savannah, Georgia, as the setting for the novel?

 

A: I love cities that can turn into their own characters.

 

Q: The Publishers Weekly review of the novel says, “[E]vocative detail surrounding the blues, voodoo, and historically Black locales add texture to this cerebral offering.” What do you think of that description?

 

A: Don’t you love it when a reviewer nails exactly what you were trying to accomplish? It’s such a satisfying feeling, music to an author’s ears.  

 

Q: How would you describe the dynamic among your characters Harmony, Robby, and Myah?

 

A: They’re my favorite little trio. All hilarious in their own ways but also extremely supportive of each other, despite their differences. Example, Robby doesn’t believe in ghosts but happy to tag along and find out the truth while injecting his own knowledge.  

 

Q: What are you working on now?

 

A: Right now, I’m working on an outline for a few upcoming projects. (I have an outline, I literally can’t work without one.)

 

--Interview with Deborah Kalb. Here's a previous Q&A with Tiffany D. Jackson. 

Aug. 31

 


 

ON THIS DAY IN HISTORY
Aug. 31, 1916: Daniel Schorr born.

Friday, August 28, 2026

Q&A with Samuel Marquis

  


 

 

Samuel Marquis is the author of the new book Empire and Frontier: Colonel Peter Schuyler and the Valiant Iroquois in King William's War: 1689-1701. His other books include Captain Kidd. He lives in Louisville, Colorado. 

 

Q: What inspired you to write Empire and Frontier?

 

A: The foundation for the research in Empire and Frontier came from writing a biography of my ninth-great-grandfather, the legendary New York privateer Captain William Kidd, entitled Captain Kidd: A True Story of Treasure and Betrayal (2025).

 

When I wrote Captain Kidd, I had so much fascinating material about King William’s War, the First French and Indian War fought over control of North America in the 1690s between the English and French, that I had to move north from New York City where Kidd lived and sailed to the Albany Indian frontier.

 

Both Empire and Frontier and Captain Kidd attempt to bring to life colonial New York, King William’s War, and Leisler’s Rebellion from 1689 to 1701, but from far different vantage points.

 

While Empire and Frontier explores the First French and Indian War and the Covenant Chain alliance between the English and the Haudenosaunee (Five Nations of the Iroquois), Captain Kidd recreates Kidd’s life in New York with his wife, Sarah, his privateering voyages fighting the French and hunting down pirates, and his political struggles with the British Crown in London.

 

The two books can, thus, be considered companion volumes since they both feature King William’s War and many of the same historical figures; yet, they have a significantly different narrative emphasis as well as distinctive primary characters as England and France battle for possession of North America during the global conflict.

 

Q: The author Scott Ellsworth said of the book, “Out of this polyglot and often brutal frontier came the beginnings of a new kind of politics, for a brand-new kind of nation.” What do you think of that description?

 

A: First, I want to extend a special thanks to Scott, author of the outstanding Midnight on the Potomac, for taking the time to read and give me an endorsement for Empire and Frontier given how frantically busy historian-authors are these days.

 

With that said, Scott has hit the nail on the head. While King William’s War was a violent time on northeastern Indian frontier, the conflict was an epic, exciting, and paradigm-shifting event in American history.

 

Both my book and the first French and Indian War are reminiscent of James Fenimore Cooper’s The Last of the Mohicans in terms of page-turning romance and excitement. But King William’s War was politically important as well.

 

By the early 1700s, New York Province and the Iroquois frontier, or Iroquoia, were no longer defined by Mohawk, Lenape, or Mahican history, Dutch versus English, Calvinist as opposed to Anglican, or wealthy versus poor (Note: “Mahican” not “Mohican” is the correct spelling).

 

While each of these ethnic, religious, and socioeconomic strands remained important, pluralism, trading partnerships, collaboration, and cross-cultural coalitions were the new order of the day and created a brand new kind of nation.

 

By this time, social, political, and economic connections and alliances were forged in New York and the Indian frontier that cut across ethnicity, race, religion, and political affiliation, and in the process, formed a distinctive “American” character.

 

The collision of cultures, religions, and classes did not result in a “melting pot.” Rather, the major characters of my book—Colonel Peter Schuyler, the Indigenous war captain Lawrence the Mohawk, and the Mohawk-Dutch interpreter Hilletie van Olinda—and their contemporaries blazed a new trail.

 

Through their tireless efforts, they served as the building blocks for not merely the New York we know today but a new, wondrous, multiethnic, and democratic United States of America—the first nation in world history founded expressly on the principle of freedom and the first to lead a successful mass rebellion against colonialism.

 

Q: How did you research the book, and what did you learn that especially surprised you?

 

A: In all my American history books, I do a deep dive into the contemporaneous primary sources, which in this case formed the backbone of Empire and Frontier.

 

I always try to be as even-handed, meticulous, and truthful as possible, while writing in a fast-paced narrative but scholarly fashion that appeals to both general readers and academic historians.

 

The most important libraries, archives, and organizations upon which I relied in the acquisition of the extensive primary source materials were the National Archives of the United Kingdom, the New York State archives, the New York Historical Society, the Schenectady County Historical Society, and the Gilder Lehrman Institute of American History.

 

The biggest surprise for me was the huge distances the English, French, and the allied Indigenous tribes traveled on foot, on snowshoes, on horseback, and by canoe to not only fight battles but to hold diplomatic council meetings during King William’s War.

 

They would travel roundtrip distances of between 200 and 450 miles without using wagons or other horse- or ox-drawn conveyances. In the middle of winter, the English and French and their Indigenous allies didn’t think twice about tromping more than 400 miles on snowshoes through waist-deep snow to fight in blinding blizzards.

 

To say that the Euro-American and Native American men and women of the late-17th-century northeastern frontier were tough is a major understatement.

 

Q: What do you hope readers take away from the book?

 

A: I want readers to know that Empire and Frontier is the quintessential American tale of people of different cultural and ethnic backgrounds working together as one—just like WWII that was won by Yankee soldiers from New York, Colorado, California, and Virginia and the Navaho code talkers of the U.S. Marine Corps hailing from Arizona.

 

With King William’s War and the Grand Settlement of 1701, Colonel Peter Schuyler, Lawrence the Mohawk, Hilletie van Olinda, and the other characters of my book truly did bring about a new kind of politics for a brand-new kind of nation. In the process, they forged a distinctive “American” character.

 

We are a nation of multicultural immigrants coming together as one democratic entity, and while Native Americans are our proud “First Nation” Americans, no group’s identity is more important than any another in America and the sum of what we are together is much greater than any individual group.

 

Q: What are you working on now?

 

A: My newest book, Franklin’s Sea Warriors: The Founding Father and his Patriot-Pirate Navy That Won the American Revolution, will be published in May 2027.

 

The book is the true story of Benjamin Franklin and his formidable squadron of Continental Navy seamen and American privateers who fought in the European theater of operations attacking British shipping and coastal cities. In the process, they played a decisive but largely unknown role in winning the American Revolution.

 

Our rebellion against Mother England was not merely a colonial uprising, but a global conflagration with many key battles waged in European waters.

 

Through masterful diplomacy and daring exploits, Franklin and his Patriot-Pirate Navy helped ensure that imperial France became an ally, took the fight to the goliath British Empire, turned the British people against their government, and won the epic struggle.

 

In the process, they changed human history for the better by unleashing a new spirit of political freedom, one that led to the French Revolution, abolitionist societies, and widespread slave revolts.

 

Franklin’s Sea Warriors reminds us that the seaboard of Western Europe was a theater of operations during the Revolution that was every bit as critical to ultimate victory as Bunker Hill, Trenton, Saratoga, and Yorktown.

 

This major historical work finally puts these Continental Navy seamen and privateers on equal footing with Washington’s Continental Army and America’s State militias, where they properly belong.

 

Q: Anything else we should know?

 

A: Book readers might be interested to know that in addition to being a direct descendant of the legendary Captain Kidd, I am second cousin of Indian rights activist, historian, and reputable author Dr. Thomas B. Marquis (1869–1935).

 

It is through this family connection that I have been interested in Native American history since I was a young boy playing with toy cowboys and Indians.

 

Dr. Marquis was a physician on the Tongue River-Cheyenne Indian reservation following his military service in WWI and a key chronicler of the Battle of Little Bighorn from the Lakota and Cheyenne point of view.

 

What makes him particularly fascinating is that he was fluent in Indian sign language and conducted the most important interviews with the male and female Cheyenne combatants who took part in the defeat of Custer.

 

Because of my family connection to Thomas B. Marquis and from growing up in Colorado, I have always been interested in Native American history and the Indian Wars and have now written three books built around Native American protagonists (Cheyenne and Iroquois).

 

The Northern Cheyenne loved the Indian rights activist Dr. Marquis like a brother and he loved them back, and the Iroquois had a similar relationship with Colonel Peter Schuyler, who served as both liaison and protector of the Five Nations.

 

Because of his dedicated public service, the Iroquois bestowed upon Schuyler the honorable moniker “Brother Quider,” the council title for the government of Albany based on a Mohawk pronunciation of Schuyler’s given name, “Peter.”

 

Like Thomas B. Marquis and Peter Schuyler, I greatly admire Indigenous peoples, especially the Cheyennes, the finest horse people of the Great Plains along with the Comanche, and the Haudenosaunee, the most militarily powerful and diplomatically successful Native American confederation throughout the 17th and 18th centuries.

 

--Interview with Deborah Kalb. Here's a previous Q&A with Samuel Marquis.