Claire Saxby is the author of the new children's picture book Dingo. Her many other books include Big Red Kangaroo and Emu. She lives in Melbourne, Australia.
Q: Why did you decide to focus on dingoes in your new
children's picture book?
A: I've written a number of books about iconic Australian
animals - all plant-eaters. I wanted to write about a predator, to understand
their ways and to portray them in their world.
Dingoes don't always get the best press, particularly where
their world and ours overlap. If we understand them, perhaps we can coexist
more peaceably.
Q: How did you research the book, and did you learn anything
that particularly surprised you?
A: I read everything I could find about dingoes, both online
and in books. I tend to try to search out research papers and books as they
have the level of detail I need. Most of that detail doesn't end up in the book
but it sits on my shoulder as I write, so that I can almost “inhabit” my
character.
The discovery that surprised me was that the head of a dingo
is the widest part of their body so if their head can fit through a space, then
their body will too.
Q: What do you think Tannya Harricks' illustrations add to
the book?
A: Tannya's art is so beautiful. There's an atmosphere to
her oil paintings that evokes the mountains where this dingo family live. My
words are very specific and introduce one dingo family. Her art brings to life
the whole world my dingo ranges through.
I love the colours and the light of the mountains and Tannya
has captured it so wonderfully. Her art adds information about family and about
landscape.
Q: What do you hope kids take away from the book?
A: Curiosity. I want them to enjoy the story, to discover
the world within the pages, but mostly I want to spark their curiosity about
our wonderful world. I don't want to provide all the answers, I want to
stimulate more questions.
Q: What are you working on now?
A: I'm working on a few things, all at different stages. I
pressed “send” on two manuscripts [recently], one for this same series. The
other manuscript is full of rhythm and repetition, competition and cooperation
and just a little silliness.
--Interview with Deborah Kalb
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