Atinuke is the author of Double Trouble for Anna Hibiscus!, a winner of the 2016 Children's Africana Book Awards. Her other books include Anna Hibiscus and Love from Anna Hibiscus!. She grew up in Nigeria and England, and now lives in Wales.
Q: How did you come up with the idea for your character Anna
Hibiscus, and for the latest book in the series, Double Trouble for Anna
Hibiscus?
A: For ages I’d been wanting to write about a little girl
growing up - as I did - in a busy African city. The name and character came
finally when I was stuck in bed, ill and bored - Anna Hibiscus’s name and
personality came in a flash - and I had the time while stuck in bed to write
the first four stories about her.
My sisters and I were called Double Trouble, when there was
two of us, and then Triple Trouble, when there was three. I wanted to write
about the birth of Double Trouble and the trouble it would cause for Anna, the
trouble and upheaval all babies - being babies - cause their older
siblings!
I love writing about Double Trouble, the mischief they get
into, and it was fun to think about the trouble that babies - so unwittingly -
could cause.
Q: Did you know when you wrote the first book about her that
it would be a series?
A: Most of the Anna stories are inspired by my childhood in
Nigeria - things that I did, things I wanted to do (but wasn’t brave enough),
things that I wished would happen - they all happen to Anna Hibiscus.
I knew when I wrote the first Anna stories that I had lots
more about this that I wanted to write - but I did not know then that I’d be
lucky enough to be asked to write so many of them!
There are eight Anna Hibiscus books now - the first four are
available in the U.S. through bookshops or booksellers...and all
eight can all be ordered through the U.K. Amazon site - amazon.co.uk.
Q: What do you see as the relationship between the oral
storytelling tradition and your own storytelling and writing?
A: I have been telling traditional oral African stories for
18 years now and undoubtedly they influence my work as an author - and that’s a
great thing!
Some of the stories I tell are more than 5,000 years old,
created by unknown geniuses and honed and perfected by generations of excellent
storytellers. They teach me a lot about life - and I like to think that they
make me a better writer too!
Also, maybe because I am a storyteller, as I write I say the
words aloud in my head. This also brings a storytelling style to my books
especially its rhythm and repetition.
Q: As someone who grew up in Nigeria and England, what do
you see as some of the most common perceptions and misperceptions that people
in one country have about the other?
A: I wanted to write about a girl growing up in a busy
African city because many children I met in England (and elsewhere in the West)
thought that life in Nigeria was one of wild animals, mud huts and poverty.
Even now children gasp when I talk about drinking Coca-Cola and playing
computer games in Nigeria.
On the other hand in Nigeria many people imagine that
everyone in England (and elsewhere in the West) is rich, that it’s easy over
here to become a millionaire! It can be hard to get people to believe that
there is poverty over here too.
Q: What are you working on now?
A: Right now I’m working on some new picture books - with
new characters and a fabulous new illustrator. The first of those will be out
next year in the U.K. and the U.S. - and I am so excited about it - it’s a
story I’ve been mulling over for years now and it’s wonderful seeing it come to
life in such gorgeous pictures.
I’m also working on my first non-fiction project - I won’t
say too much about that, as it’s still a long time away from publication - but
working on it is satisfying and fulfilling - I love it!
Q: Anything else we should know?
A: I don’t have a study or even a desk where I work. I write
wherever I happen to be - in bed when it’s raining, in a hammock when it’s
bright, in my favourite armchair, at the kitchen table, in hotel rooms and
trains and airplanes. Ideas come to me in floods when I am travelling.
Then it’s a question of discipline - the discipline to spend
the hours and days and weeks and months and years that it takes to turn those
ideas into stories, and those stories into books. When I get stuck then it’s
time to stop working and wander the woods and beaches near my home.
I can’t really separate writing and living - both of them
feed and enrich the other. And I can’t imagine a more wonderful job - making up
stories and telling them - it’s playing really!
--Interview with Deborah Kalb
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