Nicholas Stargardt is the author of the new book The German War: A Nation Under Arms, 1939-1945. His other work includes Witnesses of War and The German Idea of Militarism. He is Professor of Modern European History at Magdalen College, Oxford, and he lives in Oxford, England.
Q: Why did you decide to
write this book, and how does your analysis differ from that of some other
historians?
A: There hasn’t been a
history of German society in the Second World War. There are whole libraries on
military strategy, the Nazi leadership and the Holocaust, but we simply have
not known what the German people thought they were fighting for. And this was a
war the regime could not have fought without mobilizing everyone.
So, this book does something
quite different from what historians have explored till now. I wanted to know
what people experienced but also how completely the war overturned and
transformed their lives and perspectives.
Individual voices have a
special place here, because one of the key questions which interested me was
how far Germans grappled with their own consciences during the war, especially
as they realised what kind of war their side was fighting.
The individual voices give us
a vivid and multi-dimensional chronicle of events. But they also tell us how
couples courted from afar through letters, or dealt with family separations and
death. They help us to gauge the inner, emotional and moral changes wrought by
the war.
Q: How did you choose the
people whose stories you follow throughout the book?
A: I wanted to get beyond the
normal cast of well-known literary figures who wrote diaries. There are
carpenters and farmers' sons, school teachers, a florist and a female
photojournalist, young men fresh out of high school.
Wartime separation meant that
many people wrote letters and diaries who would not have normally left a
written record of their thoughts and feelings.
I was particularly interested
in collections of letters – especially between lovers, close friends, or
children and their parents – where both sides of the correspondence survive.
That way we can see how their relationships changed during the war – often in
ways they did not expect.
This kind of history-writing
depends on what I would call "critical empathy" – a willingness to explore and
do justice to the inner lives of people in the past, without forgetting that
they were not at all like us.
Q: You ask, "To what
extent...did [Germans] discuss the fact that they were fighting for a regime
that was committing genocide?" How do you answer that question?
A: We knew that when the
deportation and murder of the Jews was at its height in 1941 and 1942, people
talked about it in private, and that a lot of information circulated in Germany
about trains or sites of mass shootings which attracted many witnesses.
Information about the death camps trickled out much more slowly, but stories
about them started to circulate too.
In any case, the murder of
Jews in the Soviet territories was carried out visibly by firing squads or
gassing vans and so there was enough information for many people to realise
that all the Jews were being murdered. But they had little cause to dwell on
it.
What surprised and puzzled me
was that a year later people started talking openly in public about the murder
of the Jews right across Germany. This was in the summer and autumn of 1943,
and the events which prompted these conversations was the saturation bombing of
German cities and the mass evacuation of their inhabitants.
People started to see the
bombing as Allied retaliation (sometimes even as divine punishment) for the
murder of the Jews. This was a complicated kind of response, which combined a
sense of collective guilt with feelings of intense vulnerability under the
impact of the bombing.
It was this that made me
realise that when Germans started referring to the murder of the Jews like
this, their real focus was on their own plight.
That in turn made me think
that we could only understand what they meant if we knew what they hoped for
and what they feared. It was at this point that I realised I had to write this
book, because there was nothing else which could answer these questions.
Q: You write, "Even in
1945, there were two quite different conversations about guilt in
Germany." What were those, and how did they evolve over the succeeding
decades?
A: Yes, as the Allies reached
the German frontiers in 1944 and 1945, there were many reports that ordinary
citizens expected – and accepted – that they would be punished for what they
had done to the Jews.
This continued into the early
months of occupation, but then these rather frank acknowledgements of German
culpability were drowned out by a chorus of voices calling the International
War Crimes Tribunal at Nuremberg "victors' justice" and stressing
instead the sufferings inflicted on Germans – by British and American bombing,
mass rape of women by Soviet troops or the death of civilians expelled from the
former German provinces in the east.
In the first decade after the
war, this cult of Germans as victims of the war, even as victims of the Nazis,
was much stronger, and it only began to be eclipsed in the late 1950s and early
1960s as subsequent war crimes trials were held.
But even in the last decade
or so, German discussion of the suffering of their civilian population in the
war tends to recreate some of this victim narrative, whereas since the 1990s it
has become equally common to see Germans as a nation of perpetrators.
What I’ve tried to do is to
get past these rigid categories by going back to how people experienced their
roles at the time and showing how Germans could become perpetrators by
imagining themselves to be victims.
Q: Is there anything else we
should know?
A: What I learned [that most
surprised me] is that it was not necessary to be a Nazi to fight for Germany,
but that it was also impossible to remain uncontaminated by doing so. The war
was rarely popular at home but it was always seen as a legitimate patriotic
duty to defend the homeland.
Much as in the First World
War, Germans nourished their sense of patriotic commitment from religious faith
or by ransacking the texts of their great 18th and 19th century poets. But of
course these deep cultural values could not escape being tainted by the brutal
and increasingly genocidal way in which the war was itself being fought.
The other thing that really
surprised me was how long people went on hoping for a better outcome than
defeat. Even after they realised that the war would last a long time or that a
complete German victory was no longer likely, they kept imagining scenarios
which made going on worthwhile.
This is a very basic change
to how historians have understood the war and changes our understanding of how
much people were willing to mobilise themselves and to transform themselves in
order to keep the war effort going.
I have been amazed by the
response so far [to the book in Germany, where it is on the bestseller list].
Of course as an author you never know how a book will be received and with a
work like this which takes 10 years, you really can't predict what people will
be interested in by the time you're done.
What's so striking is that
people have been equally positive about this way of writing and the bigger
arguments. It seems as if the passing of the generations who lived through this
period makes it easier for younger Germans to imagine themselves in more than
one role in this past. That may partly explain this response.
--Interview with Deborah Kalb
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