B.B. Oak is the pen name of writers Ben and Beth Oak. Their most recent mystery novel is Thoreau in Phantom Bog, featuring Henry David Thoreau as a detective. They also have written Thoreau at Devil's Perch and Thoreau on Wolf Hill. They live in Connecticut.
Q: How did you come up with the idea of Henry David Thoreau
as a detective, and how much of his real-life words and thoughts show up in the
novels?
Beth: We came up with the idea on a visit to Walden Pond. We
started talking about how people in Thoreau's day claimed the pond was
bottomless until Henry put an end to the legend by measuring its depth.
Then one of us commented that Thoreau would have made a
great detective because of his determination to get to the truth of a matter.
Ben: Also, like Sherlock Holmes, he had great powers of observation
and deduction. It was Thoreau who said, "It's not what you look at that
matters, it's what you see." He devoted himself to investigating the world
around him.
But what would make Thoreau leave the peace of Walden Pond
to solve a murder? His sense of justice, of course. Henry would have felt
compelled to prove the innocence of someone he believed had been unjustly
accused of a crime. Hence, the plot of the first Thoreau mystery, Thoreau at
Devil's Perch, was hatched.
Beth: But it took us a while to develop a way to tell the
story. We like the immediacy of first person yet thought it would have been
presumptuous to try to write in Thoreau's style. So we created a doctor and an
artist to be Henry's friends and narrate the stories.
We do our best to stay true to Thoreau's philosophy and
voice in his dialogue. Sometimes we paraphrase what he wrote, sometimes we quote
verbatim. We feel what he had to say is as relevant today as it was during his
era.
Ben: Maybe more so.
Q: Why did you choose to focus on the Underground Railroad
in this novel, and was there anything that particularly surprised you as you
researched the book?
Ben: We wanted to portray an exciting side of Thoreau's character
that's little known. His activities as an Underground Railroad conductor were
kept secret by necessity and so there was little evidence left behind.
But our research turned up witnesses of that time who tell
of Thoreau's tireless efforts to help runaways reach slave-free Canada. By
aiding and abetting these fugitives, he consistently broke the law of the land.
That did not bother him in the least. Henry felt his only obligation was to do
what he himself thought was right.
Beth: What surprised us was how the institution of slavery
was tolerated by so many people in New England. Some believed in keeping the
Union together at all costs, even if it meant accepting that a human being
could be the lawful property of another.
Ben: Also, the economy of the North depended on cotton from
the plantations and the plantations depended on slave labor. The mills that
turned the cotton into fabric employed thousands of workers. There were
anti-abolitionist riots even in Boston, the Cradle of Liberty.
Q: Did you know when you wrote the first Thoreau mystery
that it would be a series?
Ben: The first book just grew out of our mutual fascination
with Thoreau, which goes back to college days. And once we put him in the role
of Master Detective, he fit the bill so perfectly we kept inventing mysteries
for him to solve and ended up writing a trilogy.
Beth: We limited the time period to about three years, while
Henry was living at Walden Pond and then with Lidian Emerson. We write about
him as a young, vital man in his 20s. He had such energy and lust for life
then. That's the Thoreau we envision in our books.
Q: How do the two of you collaborate on your books?
Beth: Plotting together is one of our great pleasures. Then Ben
writes the male narrator's point of view and I write the female narrator's. The
difficulty comes when we trespass into each other's territory during the rewrites.
Ben: And as much as we try to follow the story outline we've
done together, when we go our separate ways to write we each have our own
vision. Characters can sometimes go off track in our imaginations and surprise
us both.
Beth: Actually, I usually do follow the outline. Ben is more
seat of the pants.
Q: What are you working on now?
Beth: We're fascinated by the American writers and artists
who came together in France in the 1920s and think that time and place is rich
material for mysteries. Plenty of loves, jealousies and motives for murder.
Q: Anything else we should know?
Ben: Here's the reason we write mysteries. As unfair as life
seems at times, we truly believe in karma, that you reap what you sow. All
actions have consequences but sometimes they're not obvious or immediate. In a
mystery they are. There is always a resolution because the murderer is always unmasked
and brought to justice.
Beth: So when you close the book there's a sense of
completion, which is very satisfying.
--Interview with Deborah Kalb
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