Selby Fleming McPhee, photo by Bill Geiger |
Q: What made you decide to write a book about your parents?
A: When I was born, in 1943, my parents, Peggy and Jack, had
already been married for 20 years and had raised one child -- my brother
Tommy. I had heard stories of their romance and impulsive secret elopement
in the summer of 1923, followed by the chaos that ensued when their families
discovered that they were married.
The whole story had a romantic, 1920s feel to it, and I only
had the sketchiest of details. So when I discovered a box of letters, I confess
I chose to ignore the admonition on top of the box -- to destroy the letters "unopened"
-- and asked my father if he would allow me to read them.
The letters not only gave me a day-by-day picture of the
elopement drama, they outlined the hopes and dreams of my young parents, kept
apart for the first year of their marriage, as they came to know each other in
a daily epistolary conversation. The letters gave me scenes from Jazz Age
Chicago, their first home together, in 1925, and from the small towns along the
Ohio and Mississippi Rivers, where my father worked in the late 1920s as
a young engineer on dams and bridges that were a part of the last burst of
American industry before the Depression brought the world to a halt..
So the letters came first. What I read in them made me want to write their story.
Q: How difficult was it to view your parents objectively as you wrote about their lives?
So the letters came first. What I read in them made me want to write their story.
Q: How difficult was it to view your parents objectively as you wrote about their lives?
A: It was very difficult! The mother I grew up with
was a troubled, unhappy woman, and I went into the project inclined to see my
father as heroic and my mother in emphatically unheroic terms.
What happened, though, is that through reading and
reflecting on the letters, I found the sweet, hopeful, flirtatious young woman
my father fell in love with, and I also saw challenges that he, lovable as he
was, presented to her.
So the letters, and the book, were a gift to me. I
ended up feeling tremendous empathy for both of them, and admiration for their
courage in the face of economic hardship and some bad luck. I hope readers
will, too.
There were times, though, when I relived some real anger at
my mother, and at some of the people who judged my parents so harshly, and it
took me a few drafts of the book to put all that in perspective and tell their story
more dispassionately.
Q: What did your family members think of the book?
Q: What did your family members think of the book?
A: My brother died before the book was finished, but he was
enthusiastic about the project, and wanted me to write it. My daughters
and my brother's children have found their grandparents' lives interesting and
full of drama. I think they have gained some perspective about us -- my
brother and me -- and the environment in which we were raised.
And we are all interested in the family patterns that reveal
themselves in an examination of that generation. There have been
provocative discussions of the ways we all carry my parents, Peggy and Jack, in
our own lives.
Q: Why did you decide on Love Crazy as the
book's title?
A: Jack and Peggy were besotted, bamboozled, crazy in
love. There was an intensity to their attachment that never really
changed, though time and circumstances altered their lives.
At the same time, each of them had a fragility that made
them sometimes unreliable as partners and as parents. My father could not,
for the life of him, hold on to money -- it just ate its way out of his
pocket. And my mother suffered from some emotional imbalance that I don't
think was ever quite diagnosed, but it made her fearful and tyrannical, needy
and sometimes cruel all at once. That meant that there was a constant
undercurrent of chaos in our family life.
But in the end, it was all held together by this ferocious
love they had for each other and for us. So "Love Crazy" seemed
like a pretty good description of the couple whose story I tell.
Q: What are you working on now?
Q: What reaction have you received from readers to the book?
A: It pleases me that my readers have been swept up in the
drama of my parents' turbulent relationship. They also seem to appreciate the
history of the times that set the letters in the context of the era (I loved
doing the research! And for such interesting times - those pieces of history,
the twenties, the Depression, World War II - that did so much to shape our
world).
And readers often mention old family letters of their own they
are now curious to read. Men seem to particularly like the war letters - makes
them think of their fathers' war experiences. Once in awhile, people are
uncomfortable with the personal revelations.
Q: Are there any particular memoir writers who have inspired
you?
A: My favorite memoir is Jeannette Walls' The Glass Castle.
Q: What are you working on now?
A: I am thinking of a book about my age cohort at Vassar
College --- the Class of 1965 -- and the beginnings of the second women's
movement. Betty Friedan published her book The Feminine Mystique when we were sophomores, and though the effects of the book, and
the movement, were not immediate, I think it began to turn our world on its axis
even then, for a lot of us. I, for example, went into college, thinking of
nothing more than a kind of 1950s life as a wife and mother, and I came out
wanting more than that -- to define myself through work.
Anyway, I'm doing some reading right now, and I hope to get
the help of friends, who might be willing to tell their stories, now that we're
all turning 70 and can look back on our lives.
Q: Anything else we should know?
A: I feel that I learned so much -- of history, family,
myself -- from reading family letters and I would like to encourage people who
have mouldering boxes of family letters and papers in their attic to look at
them. There are surely stories to be discovered there.
--Interview with Deborah Kalb. Selby Fleming McPhee will be participating in the Bethesda Literary Festival, which runs from April 11-13, 2014. For a full schedule of events, please click here. An earlier version of this Q&A appeared on July 20, 2013.
No comments:
Post a Comment