Ian Frazier |
Ian Frazier, who has been a staff writer for The New Yorker for many years, is the author most recently of the novel The Cursing Mommy's Book of Days. His numerous other books include On the Rez, Travels in Siberia, Great Plains, and Family. He is married to the novelist Jacqueline "Jay" Carey.
Q: How did you come up with the character of the Cursing
Mommy, who first appeared in some of your New Yorker columns, and do you know
actual women who remind you of her?
A: The Cursing Mommy started as a joke in our family. Our
daughter had some very well-brought-up friends when we lived in Montana, and
they were in the back seat when Jay, my wife, was driving them somewhere. In
traffic another driver cut Jay off, and she expressed herself forcefully, and
one of the little girls whispered to my daughter, "Cora, your Mommy
cursed!" When I was growing up there was a mom in our neighborhood who
cursed eloquently-- her name was Mrs. Erskine-- and to this day my brother can
do a beautiful imitation of her, though she is long departed. Jay wants me to
make clear that the Cursing Mommy is based more on me than on anyone else. I'm
the person in our family who tends to fly off the handle.
Q: Was it difficult to write in a female voice, and did you
ever consider writing from the perspective of a "Cursing Daddy"?
A: I found writing in the CM's voice very easy. That's why I
decided to write a whole book based on her. I never considered doing a Cursing
Daddy. A dad who curses is less funny, somehow. The dads in my book tend to
weep helplessly.
Q: Your books span a wide variety of subjects and themes,
from fiction to humorous essays to well-reported non-fiction. Is there a genre
you prefer?
A: I prefer any book that yields good results. That changes
with circumstances. I love to write humorous fiction when I feel it's working
well. I have to say that humor can be a lot of fun to write-- but in any piece
of writing, the person who's supposed to be getting the most out of it and
having the fun is the reader, not the writer.
Q: You have written for The New Yorker since 1974. How has
the magazine changed over the years, and how has your own writing been
influenced by the years you've spent there?
A: The New Yorker does not have the pages it had when I started out so its writers have less space. Brevity and conciseness are more important now. There's less emphasis on the writer as a self, I think. I feel less inclined to emote than I did when I was in my twenties and thirties. The New Yorker has been a wonderful teacher for me. There are always good writers appearing in it-- new and old. I am always seeing work in the magazine that I can learn from.
Q: What are you working on now?
A: These days I'm working on New Yorker articles and on a
book about the closing of the Stella D'oro bakery in the Bronx. The book is
based on a New Yorker article that appeared last year.
Q: Anything else we should know?
A: My daughter, Cora, is now grown up, and she has become a
writer, and one of the new New Yorker contributors that I'm learning from. I
think her humor piece in the magazine just last week is one of the best it has
published in recent memory. I'm very proud of her.
--Interview with Deborah Kalb
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