Meg Wolitzer, photo by Nina Subin |
Meg Wolitzer is the author of nine novels, including The Ten-Year Nap, The Uncoupling, and, just released, The Interestings.
Q: How did you come up with the characters for The
Interestings, and did you always plan for the book to encompass several decades
of their lives?
A: I wanted to write a book about what becomes of early
talent over time. The concept came first, and the characters, who represented
different possibilities involving talent, came second, except for my central protagonist
Jules, who was already formed in my mind from the start. I was very influenced
by the director Michael Apted's documentary film series, the Up movies (7 Up, 28 Up, etc., and I loved the way time passed in those films.
I knew that I wanted time to pass in The Interestings, and that we
would get to see what became of all the promise those young characters
possessed.
Q: The Interestings grounds the characters in recent
American history, including Watergate, the AIDS crisis, and the economic
troubles of recent years. Do you think these characters are products of their
specific time period, or are they more timeless?
A: Their time period affects the choices they make,
certainly, but I think people are products of their time only to a certain
extent. You could also say, of course, that eras are created and shaped
by the people in them. It's a bit of both, in the book. I was
pleased when readers in their early twenties told me they related to the young
characters who are in their twenties during the 1980s.
Q: You are able to create characters with whom the reader
feels a connection. Do you have favorites among your creations, and what, in
your opinion, makes a character sympathetic?
A: I kind of fell in love with Ethan Figman, one of my main
characters, a brilliant, homely animator. He is the only character who is
really able to inhabit his imagination and creativity fully. There's a
lot of emphasis out there in the world on whether characters in a book are "likable"
or not. I tend not to think that way, but I really do try and give them
as much wholeness as I can, and then, because they're human and fallible and
mortal, I often feel sympathetic toward them.
Q: Your mother, Hilma Wolitzer, is also a novelist. How
would you say your writing compares with hers?
A: Well, this book is certainly longer than hers tend to be,
and I think my novels often include more points of view. But we do have
some overlaps in how we see the world, including a particular blend of humor
and sadness.
Q: What are you working on now?
A: I'm at the very early stages of a new book, but so early
that nothing is visible yet to the human eye, so I think I'd better keep it to
myself.
Q: Anything else we should know?
A: A lot of online Scrabble gets played around here between
chapters.
--Interview with Deborah Kalb
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