Meg Wolitzer, photo by Nina Subin |
Meg Wolitzer's new book, the young adult novel Belzhar, will be published September 30. Her other books include the novels The Interestings, The Uncoupling, and The Ten-Year Nap. She lives in New York.
Q: Why did you decide to write a young adult novel this time
around, and is the creative process at all different for you when you’re
writing for different age groups?
A: I have often put teenagers in my novels, so they were certainly on my mind over the years. Plus, my second son was an adolescent and reading some YA novels, and I guess it was in the air.
A: I have often put teenagers in my novels, so they were certainly on my mind over the years. Plus, my second son was an adolescent and reading some YA novels, and I guess it was in the air.
I don't think the creative process is all that different.
You still have to sit down and patiently figure it all out, and think
obsessively about the book and its characters and what you're trying to say.
Q: Sylvia Plath features in your new novel, and also played
a role in your first novel, Sleepwalking. What draws you to writing about
her?
A: She was a writer I read and loved around the time I was coming of age. She was so talented and so troubled, and was also able to
describe her pain so clearly; it really penetrated.
And of course she was a tragic figure––all that promise
gone, all that life––which resonates if you're at an age when you're just
trying to figure out the world, and ideas of mortality, self-awareness, and so
forth.
Q: How was the title “Belzhar” chosen?
A: I wanted to do a little wordplay on the title The Bell Jar, and this came to me. I pronounce it Bel-jhar, but some people say Bel-zar. I will answer to either.
A: I wanted to do a little wordplay on the title The Bell Jar, and this came to me. I pronounce it Bel-jhar, but some people say Bel-zar. I will answer to either.
Q: How did you come up with the characters for your novel The
Interestings, and did you always plan for the book to encompass several decades
of their lives?
A: I wanted to write a book about what becomes of early
talent over time. The concept came first, and the characters, who represented
different possibilities involving talent, came second, except for my central
protagonist Jules, who was already formed in my mind from the start.
I was very influenced by the director Michael Apted's
documentary film series, the Up movies
(7 Up, 28 Up, etc., and I loved the way time passed in those films. I knew
that I wanted time to pass in The Interestings, and that we would get to see
what became of all the promise those young characters possessed.
Q: The Interestings grounds the characters in recent
American history, including Watergate, the AIDS crisis, and the economic
troubles of recent years. Do you think these characters are products of their
specific time period, or are they more timeless?
A: Their time period affects the choices they make,
certainly, but I think people are products of their time only to a certain extent. You
could also say, of course, that eras are created and shaped by the people in
them.
It's a bit of both, in the book. I was pleased when
readers in their early twenties told me they related to the young characters
who are in their twenties during the 1980s.
Q: You are able to create characters with whom the reader
feels a connection. Do you have favorites among your creations, and what, in
your opinion, makes a character sympathetic?
A: I kind of fell in love with Ethan Figman, one of my main
characters, a brilliant, homely animator. He is the only character who is
really able to inhabit his imagination and creativity fully.
There's a lot of emphasis out there in the world on whether
characters in a book are "likable" or not. I tend not to think
that way, but I really do try and give them as much wholeness as I can, and
then, because they're human and fallible and mortal, I often feel sympathetic
toward them.
Q: Your mother, Hilma Wolitzer, is also a novelist. How would you say your writing
compares with hers?
A: Well, this book is certainly longer than hers tend to be,
and I think my novels often include more points of view. But we do have
some overlaps in how we see the world, including a particular blend of humor
and sadness.
Q: Anything else we should know?
A: A lot of online Scrabble gets played around here between
chapters.
--Interview with Deborah Kalb. Meg Wolitzer will be participating in the Hyman S. and Freda Bernstein Jewish Literary Festival, which runs from October 19-29, 2014, at the Washington DCJCC. For a previous version of this interview, please click here.
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