Kathy Kacer is the author of The Sound of Freedom, a new novel for children, and To Look a Nazi in the Eye, a new nonfiction book for young adults. Her other books include To Hope and Back and The Magician of Auschwitz. She lives in Toronto.
Q: Your new novel The Sound of Freedom is based on a true
story. How did you first learn about it, and how did you research the story?
A: I wasn’t the one who found this story. It was actually
Rick Wilks, the publisher of Annick Press, who brought the story to me.
He asked if I would be interested in developing an
historical fiction novel that revolved around a famous violinist named
Bronislaw Huberman who rescued about 100 Jewish musicians and their families
from across Europe during the Second World War. He brought these musicians to
what was then British Mandate Palestine and formed what would become the
Israeli Philharmonic Orchestra.
There is a lot that has been written about Huberman and even
a documentary about his life. So it wasn’t difficult to delve into his
background and understand how and why he undertook to rescue these Jewish
musicians.
Once I had all the historical pieces in place, I knew I
could create a fictional girl who was the daughter of one of the musicians who
was rescued. That’s really how the book came about.
Q: What did you see as the right blend of history and
fiction as you worked on the book?
A: It’s always important to me to ensure that the historical
context within which a fictional book is written is accurate. All the details
of Huberman’s quest to save Jewish musicians are true – how he recruited the
best musicians; how he managed to get them out of Europe at a time when the
borders were closing to Jews trying to escape; how he got exit visas for them;
the delays and obstacles that he faced along the way.
I really had free rein to develop my fictional girl and her
family. That part is always fun – creating a young girl that my readers will
relate to; giving her all the hopes and dreams of any young teenager; having
her stand up for the things she wants and believes in. All those things are
part of developing any fictional character.
But again, in this case, Anna needed to live in a place and
time that was real. I chose Krakow, Poland, in 1936 as a starting off point for
the story. And again, all the details about Poland at that time had to be real.
It’s always a balancing act between fact and fiction, and I
tread that line very carefully, weaving my character in and out of the events
of the approaching war.
Q: You also have another recent book, To Look a Nazi in the
Eye. How did you end up working with Jordana Lebowitz on this project?
A: To Look a Nazi in the Eye is creative non-fiction and
focuses on the story of Oscar Groening, one of the last Nazi war criminals to
stand trial in Germany in 2015. He was tried and convicted of being complicit
in the murder of 300,000 Jews in Auschwitz where he worked as a guard. I had
been following the trial of Groening, which was world-wide news, and wanted to
write about him.
But I was struggling to find a way into the story – a way
that would really connect with my readership. And then I read an article about
Jordana who, at 19, decided to travel to Germany so that she could be an
observer at this history-making trial.
I thought it was remarkable that a 19-year-old would
undertake such a journey, and I thought that Jordana’s story was the perfect
vehicle within which to write about the trail. I contacted her and asked if she
would be willing to meet with me. She agreed and we began to meet on a regular
basis so that I could unravel all the details of her experience in Germany.
Q: What do you hope readers learn about the Holocaust from
reading Jordana's experiences at a Nazi war crimes trial?
A: There are so many issues that I hope readers will think
about when reading about Jordana’s experience – what it means to bring a
94-year-old to trial after so many years; how justice can (or can’t) be served
this many years after a crime has been committed; what is an appropriate
sentence for a crime of this magnitude. Those are all issues that Jordana
grappled with while she was in Germany.
In addition to those discussion points there is also so much
that I hope my audience will be inspired by as they read about Jordana – her
passion to become a young activist; her determination to become a spokesperson
for this history for her generation; her drive and fearlessness. Those traits
of Jordana’s were all inspiring to me and I hope they will be inspiring to my
readers.
Q: What are you working on now?
A: Oh, I have so many projects in the works! The Sound of
Freedom is actually the first in four-part series of books called The Heroes
Quartet. Each book will focus on a heroic person who saved Jews during the
Holocaust.
The second book (due out in March 2019) is about Marcel
Marceau, the famous mime artist. He rescued about 150 Jewish children by
smuggling them out of France and into Switzerland. It’s another remarkable
story! The third and fourth books in the series will be about women rescuers;
I’m not sure who they will be yet!
After that, I have a long format picture book coming out
with Second Story Press which is based on a true story about Prince Philip’s
mother. She was a princess living in Greece during the Second World War and she
hid a Jewish family in her residence during that time.
Finally, I’ve written a lovely historical fiction with the
acclaimed children’s author, Eric Walters. It’s about a teenage girl who
auditions for a school musical. She tries to get her grandfather involved in
the production only to discover that he has a secret past which ties him to the
Holocaust and prevents him from being around music. That one will be published
by Penguin Random House and will be out in September, 2019.
After that, I’ve got a few more ideas for books. There are
always more stories to tell!
Q: Anything else we should know?
A: In addition to my writing I continue to speak to schools,
colleges, libraries, and community groups about my books, my writing and my
mission to keep the stories of the Holocaust alive for future generations. As a
child of Holocaust survivors, I am committed to finding and writing as many of
these stories as possible. But I also love speaking about my work!
--Interview with Deborah Kalb
No comments:
Post a Comment