Chris Bohjalian is the author of the new novel Close Your Eyes, Hold Hands. He has written many bestselling novels, including The Light in the Ruins, The Sandcastle Girls, and The Night Strangers. He lives in Vermont.
Q:
How did you come up with the idea for Close Your Eyes, Hold Hands?
A:
When my 20-year-old daughter, Grace, finished reading the first draft of the
novel, she said, “Dad, please take this as a compliment, because I mean it that
way: Your sweet spot as a novelist is seriously messed up young women.”
I
know she’s right. . .which brings me back to the novel’s origins.
Over
the years, I’ve written about teens in trouble as a Burlington Free Press columnist. I’m a big fan of Spectrum Youth& Family Services in Burlington, Vermont, and the remarkable work they
do.
And
so I’ve met a lot of their kids. I’ve heard the teens’ stories and seen their
faces. I’ve met the kids who are going to be okay, and the kids who are already
so far down the rabbit hole that there’s no coming back.
One
day when I was having lunch with Annie Ramniceanu, a therapist and counselor
there, she started telling me how some of the kids – the teens who are falling
through the system – would build igloos against the Vermont cold out of trash
bags filled with wet leaves, and I knew instantly the novel I wanted to write.
The
very idea of a teen girl living alone in one of those igloos broke my heart.
That image haunted me – and spurred me on.
Q:
Emily Dickinson is an important part of the novel, and a role model for the
book's heroine, a teenager named Emily Shepard. Why did you decide to focus on
Dickinson and her poems?
A:
I love her work. I went to college in Amherst, where she lived and wrote, and
so I’ve always felt a totemic connection to her. And when I knew where the
novel was headed, I could see why my poor Emily Shepard – the self-proclaimed
Belle of Reddington – might come to depend on her.
Q:
How was the book's title chosen?
A:
As Emily Dickinson wrote, “Tell all the Truth but tell it slant.”
That
is definitely how my Emily Shepard writes and thinks. There is a slant to her
story – and an edge to her prose.
And
the words that comprise the title? They sound, she reminds us, like something
we might read on a drugstore greeting card. Maybe the accompanying image is a
couple holding hands as they jump off a dock into a placid lake one beautiful
August afternoon. But, of course, their origin is far darker. Far sadder.
And
that is the truth of my poor Emily’s life.
As
for titles: They are usually really difficult for me. I agonize. I struggle.
But
in this case? Not at all. I knew the title for this novel early on.
Q:
What is the importance of the character Cameron in the novel?
A:
I would not place too much metaphoric baggage on Cameron. He is precisely what
he seems: A nine-year-old boy who is falling through the system.
What
matters to me, I think, is the way that Emily cares for him – the way she
protects him with a ferocity that she didn’t know she had.
The
reality is that I never know where my novels are going. I depend upon my
characters to take me by the hand and lead me through the dark of the story.
Q:
What are you working on now?
A:
I am writing a novel about sex trafficking and a double homicide at bachelor
party in Westchester County, New York – and the collateral damage on the best
man, his wife, and their nine-year-old daughter.
--Interview with Deborah Kalb. For a previous Q&A with Chris Bohjalian, please click here.
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