A.X. Ahmad is the author of the new novel The Last Taxi Ride. He also has written the novel The Caretaker. He teaches at the Bethesda Writer's Center, and he is based in Washington, D.C., and Brooklyn.
Q:
How did you come up with the idea for The Last Taxi Ride?
A: About
five years ago, I was sitting in Curry in A Hurry, an Indian restaurant in
Manhattan. I was eating and eavesdropping on two Indian cabbies sitting behind
me.
One
cab driver kept insisting he had given a ride to a famous Indian Bollywood
actress, while the other wouldn’t believe it. They kept arguing, and never
reached a conclusion, but that moment stayed with me. I became intrigued by the
idea of a Bollywood star who is now living in New York, and taking cabs
incognito all over town.
And
I also realized that a cabbie would be a great character in a crime novel.
I
started taking cabs wherever I went in New York, and talking to the Indian
drivers.
And
soon I began to write about an Indian cabbie in NYC who gives a ride to a
has-been Bollywood actress, and then is accused of her murder. From this
beginning I spun out an entire novel, populated with characters based on the
cab drivers I had met. It’s now a book called The Last Taxi Ride.
Q:
The Last Taxi Ride is the second in a projected trilogy about Ranjit Singh.
What can you tell us about the third book?
A:
I’m currently working on the third book in the Ranjit Singh Trilogy, whose
working title is The Hundred Days.
In
it, Ranjit is running a motel in El Centro, California, on the border with
Mexico. All he wants to do is put down roots and live a quiet life, but once
again, he gets dragged into a mystery.
The
narrative arc of all three books is that of an immigrant trying to find his
place in America: he moves around, and tries different jobs. During these
years, Ranjit’s relationships change, he battles ghosts from his past, and his
young daughter becomes a teenager.
Hopefully
he finds some peace and a place to call home. And I hope readers will want to
accompany Ranjit on his journey!
Q:
In our previous interview, you discussed the "huge split between the
literary world and the genre world." Is there a way to bridge that gap?
A:
Interesting question, Deborah.
I
think that the split between the literary and the genre world exists mainly in
the minds of publishers and marketing departments. They like to think that they
have a particular product that can be sold in a particular way. So for example,
mysteries and thrillers will have blurbs talking about how fast the pacing is,
and how clever the plot is, while literary novels will focus on character and
place.
But
the truth of the matter is that there is no such thing as a pure “literary” or “genre”
reader. People like good, interesting books, period. If a friend comes up to
you and recommends a novel, chances are that you will check it out. People read
all kinds of things, according to their moods - sometimes it’s a slower paced,
literary novel, sometimes a mystery.
The
way to bridge this divide, for an author, is to not worry about it, too much,
and to realize that is an artificial divide. Authors should tell the stories
they want to tell, and to do it as best as they can. If it resonates with
readers, all sorts of people will read it!
Q:
When you're writing a novel, do you know the ending before you begin, or do you
make changes along the way?
A:
I have a beginning, and some characters, and some strands I want to explore. So
for example, in The Last Taxi Ride, I could only visualize Ranjit meeting
actress Shabana in his cab. And I knew that the book would involve the fancy
apartment building, the Dakota, where Shabana lives. I spun my entire novel out
of this beginning.
The
real pleasure for me, as a writer, is of exploring the unknown. So I have no
idea what happens, till about 150 pages in, when I step back and figure out the
plot. If I can’t surprise myself, I can’t surprise my readers!
Q:
Which authors have influenced you?
A:
The murky morality of John le Carre’s “Smiley” spy novels. The quirky Buddhist
detective of John Burdett’s “Bangkok 8” series. Vikram Chandra’s Sacred Games
- about a Sikh policeman in Mumbai - which blew me away, and opened up a whole
world for me to explore.
Q:
Anything else we should know?
A:
I had a great time making a short four-minute movie to promote The Last Taxi Ride.
In it, a distraught Bollywood fan learns of actress Shabana Shah’s murder, and
goes to Manhattan’s “Curry Hill” area to interview other Indian fans, and to
find out more. I
think your readers will enjoy it!
--Interview with Deborah Kalb. For a previous interview with A.X. Ahmad, please click here.
No comments:
Post a Comment