Friday, January 30, 2026

Q&A with Robert Dugoni

  

Photo by Douglas Sonders

 

 

Robert Dugoni is the author of the new novel Her Cold Justice, the latest in his Keera Duggan series. His other books include the Tracy Crosswhite series. He lives in Seattle. 

 

Q: What inspired the plot of your new Keera Duggan novel, Her Cold Justice?

 

A: I read an article that asked who is the most powerful person in the criminal justice system. I was surprised by the answer and wanted to explore this further.

 

Without giving away too much of the plot, I wondered what happens if the people in the criminal justice system aren’t playing by the rules, and what happens when someone like Keera Duggan, who has never met a fight she wouldn’t take, is on the opposite side. To me that was a heavyweight fight.

 

Q: How would you describe the dynamics in the Duggan family?

 

A: Improving. LOL. It’s a dysfunctional family, scarred by alcoholism that has impacted every member of the family. But they are now adults, and they’re each working hard to be adults and to treat one another with empathy rather than anger. I’m not sure where this is going to go and how it will all end up.

 

Q: How was the novel’s title chosen, and what does it signify for you?

 

A: My publisher made the choice on the title. It’s an interesting title because the case isn’t a cold case, but a cold case certainly plays a part in the plot. Also, both Keera and Ahn Tran are cold-blooded in their pursuit of justice.

 

Q: What do you hope readers take away from the novel?

 

A: I hope they just enjoy the mystery, the characters and the plot. Every person brings something different to a book, so I never try to write to a theme, or a position. I just let readers come to their own conclusions.

 

Q: What are you working on now?

 

A: The 12th Tracy book, One Split Second, is coming out this summer. I’m excited to see how it is received, because I really enjoyed creating it.

 

Tracy goes back to help her friend, Jenny Almond in Stoneridge. But to help Jenny, she has to solve a 45-year-old cold case that was investigated by Sheriff Buzz Almond, who is one of the best characters I’ve written.

 

Q: Anything else we should know?

 

A: Keera and Tracy will hopefully be coming to television soon. Both have been optioned for television and screenwriters are working on pilot episodes.

 

--Interview with Deborah Kalb. Here's a previous Q&A with Robert Dugoni. 

Q&A with Rebecca Knuth

  

Photo by Sari Singerman

 

 

Rebecca Knuth is the author of the new memoir London Sojourn: Rewriting Life after Retirement. Her other books include Emily Dickinson Had to Have Curls. She was a professor at the University of Hawaii, and she lives in Portland, Oregon.

 

Q: What inspired you to write this memoir?

 

A: I arrived in London, an older woman who was a little lost and wanted joy and a larger life. After scaling emotional mountains there, I turned to memoir writing to understand how I’d arrived where I was in life and figure out what was next.

 

London Sojourn recounts how I came into my own as a writer and a woman. And it is a celebration of London and living a life of the mind.

 

Q: The book’s subtitle is “Rewriting Life after Retirement”--how was that subtitle chosen, and what does it signify for you?

 

A: The publisher suggested that subtitle and it has a certain ying and yang. I like the linking of writing with self-development and a stage of life that is too often identified with identity foreclosure.  

 

Q: What impact has London had on your life?

 

A: London has always had territory in my heart and mind, gained first through reading, and then through experiences that supported my imagination and development.

 

This final post-retirement sojourn taught me that I wanted to be a creative writer and tell stories, that I valued feminism and identified with women writers, that I was tired of driving myself, and that I wanted a home—in America, not England.

 

Q: How did writing this memoir affect you, and what do you hope readers take away from it?

 

A: Writing it countered my tendency to careen through life sacrificing reflection. I used life-writing to slow down, probe, and understand myself, to savor my experiences. Late life rumination is like reminiscing on steroids and is, above all, a meaning-making activity.

 

I also hope readers will cotton to the idea of immersing oneself in a place that is mentally and emotionally engaging. London does it for me and readers may well ask what place resonates with them, what environment could or did literally change their life or their understanding of it.

 

Q: What are you working on now?

 

A: In a change of pace, Lethal Matrimony: Serial Killer James P. Watson and his 22 Wives explores the life of a little known early-20th-century sociopath with a fixation on marriage. It is scheduled for publication Spring 2027.

 

As well, I’m beginning a new memoir, Four Manuscripts, Ten Years: Writing and Ageing.

 

Q: Anything else we should know?

 

A: Every thing I am is in London Sojourn. Please read it.

 

--Interview with Deborah Kalb 

Q&A with Laura Alary

  


 

 

 

 

Laura Alary is the author of the new children's picture book biography The Curious Life of Cecilia Payne: Discovering the Stuff of Stars. Her other books include The Astronomer Who Questioned Everything. She lives in Toronto.

 

Q: Why did you decide to write a children’s picture book biography about astronomer Cecilia Payne (1900-1979)?

 

A: I tend to write about what intrigues me and what I would have enjoyed as a child. The fact that Cecilia Payne figured out what stars are made of by decoding hidden patterns in starlight appealed to the detective in me.

 

As I read more about her, I also became fascinated by Cecilia as a person: her childhood, her interests, her family, and her path to becoming an astronomer. I liked her broad and deep curiosity, her thoroughness, and her commitment to her work, even when it was hard.

 

Despite the huge contributions she made to our understanding of the universe, Cecilia Payne was unknown to me until I was well into adulthood. So another reason I wanted to write about Cecilia was to give children a chance to learn about her much sooner than I did! I hope her story will fuel their curiosity.

 

Q: How did you research her life, and what did you learn that especially surprised you?

 

A: I began by reading Cecilia’s autobiography to get a sense of how she saw her own life and work. Then I moved on to biographies, especially What Stars Are Made Of  by Donovan Moore (Harvard University Press, 2020).

 

I also read books about the social, scientific, and cultural world in which Cecilia lived. The Glass Universe: How the Ladies of the Harvard Observatory Took the Measure of the Stars by Dava Sobel (Penguin, 2017) was invaluable in giving me a picture of what was happening at the Harvard Observatory before and during Cecilia’s time.

 

I particularly enjoyed learning about the Harvard Computers, the women who did the detailed and laborious work of classifying stars by their spectra. Without the expertise of women like Mina Fleming and Annie Jump Cannon, Cecilia could not have made her astonishing discovery about the chemical composition of the stars.

 

One thing that surprised me about Cecilia Payne were how wide-ranging her interests and talents were. She read many languages and her music teacher (Gustav Holst, no less) once encouraged her to consider a career in music.

 

I like uncovering connections between people, so another fun surprise was learning that there is a link between Cecilia Payne and Maria Mitchell, the subject of my other picture book biography, The Astronomer Who Questioned Everything (Kids Can Press, 2022).

 

One of Maria Mitchell’s students at Vassar was Antonia Maury, the niece of Henry and Anna Draper, who took the first photograph of the spectrum of a star, and whose work eventually formed the core of the collection of astronomical photographs at the Harvard Observatory.

 

Antonia Maury went on to work at the Harvard Observatory and became a friend and colleague of Cecilia Payne.

 

Q: What do you think Yas Imamura’s illustrations add to the book?

 

A: Yas has created illustrations that are beautiful and memorable in their own right, but they also add so much vitality to the story.

 

A picture book set in the past can be hard for kids to visualize; the illustrations help bring that historical setting to life. They show us ordinary details like what people wore, but also answer questions specific to the story such as, “What did those photographs of starlight actually look like?”

 

Yas also interpreted the story through the illustrations. For instance, when 8-year-old Cecilia is out exploring and finds a Bee Orchid, and her mother questions whether she really saw it, the flower becomes a symbol of Cecilia’s confidence in herself and her own powers of observation.

 

But later, when she temporarily loses that confidence, we see the petals dropping from the flower. It’s a powerful image.

 

There is so much in Cecilia Payne’s story that is invisible to the eye, like the insides of atoms and the atmospheres of stars. Through her illustrations, Yas helps readers imagine these things, so they’re not just vague concepts or words on a page.  

 

Q: What do you see as Cecilia Payne’s legacy today?

 

A: I would say her legacy is both social and scientific. She changed the way we see the universe—and women in science.

 

Throughout her career, Cecilia faced a lot of obstacles and disappointments because of her gender. In spite of this, she persisted and continued to teach courses, do research, write papers, and contribute original work in astrophysics.

 

Decades after graduating with her Ph.D. she was finally made a full professor, and soon after that became the first woman at Harvard to chair a department. She helped change perceptions of what women are capable of, especially in the sciences, and also inspired a lot of other women.

 

Scientifically, Cecilia Payne applied quantum mechanics to astronomy in a new way and helped demonstrate what a powerful combination physics and astronomy can be. This contributed to the development of a new field of study: astrophysics.

 

Her insight into the chemical composition of stars also led to further questions and research into why hydrogen and helium are so abundant in our universe, and those questions led to new theories about how the cosmos began. Much of what we know about what the universe is made of and how it began can be traced back to Cecilia Payne!

 

Q: What are you working on now?

 

A: I have two more books coming out in 2026. Around the Circle (Beaming Books), is a journey through the liturgical year for young children and will be published in July. It has enchanting illustrations by Claire Westwood.

 

The other book, which has not yet been announced but which will available in the fall, is a story about friendship and communication, set in Newfoundland in 1901 against the backdrop of a significant historical event.

 

I’m also revising a few more picture book biographies and one or two STEM-based stories. One of the joys of writing picture books is being free to explore so many different topics!

 

Q: Anything else we should know?

 

A: If you’d like to keep up to date on my new books, the best way is to follow me on IG (@laura.alary), check out my website (lauraalary.ca), or sign up for my newsletter, Margin Notes (form is on the website). Thanks for the opportunity to share my book!

 

--Interview with Deborah Kalb 

Jan. 30

 


 

ON THIS DAY IN HISTORY
Jan. 30, 1912: Barbara W. Tuchman born.

Thursday, January 29, 2026

Q&A with Kim Danielson

  


 

 

 

Kim Danielson is the author of the new memoir Piece by Piece: A Life Remembered through Things Lost. Also an attorney, she lives in Denver. 

 

Q: What inspired you to write Piece by Piece?

 

A: Two thieves broke into our home on January 21, 2022, and stole priceless heirlooms and keepsakes. The loss devastated me. Many of these pieces served as talismans to my past and reminded me of beloved people and memories. Losing them felt like losing my history.

 

After months of searching, waiting, and a stalled police investigation, I decided to sit down and write the stories of these precious things. I discovered that the stories, when strung together, told the story of my life.  

 

Q: What do you think the book says about possessions, and about memory?

 

A: Our possessions are often like artifacts that serve as physical reminders of important people and times in our lives. They connect us to our past. That’s why, when we lose them, it breaks our hearts, and the grief we feel is both real and reasonable.

 

But no matter how fiercely we safeguard our things, eventually they will be lost. If not by us, then by someone else.

 

But the stories behind these objects— the connections they represent—are even more valuable. Recording these stories creates a legacy that will outlast both the items and the author. It’s an heirloom that can never be stolen.

 

Q: How was the book’s title chosen, and what does it signify for you?

A: The book’s title matches the book’s structure because the story is told through the lens of stolen jewelry. Each piece is the focus of a chapter of my life (and of this book). The title also represents my process of healing after this devastating loss, but applies to any kind of loss, because healing is never instantaneous. It happens piece by piece.

 

There’s a literal significance to the title as well, because I had to pick up the pieces scattered and broken on my closet floor after the burglary. The physical act of gathering mirrored the collection of stories that eventually became this book.

 

Q: What impact did it have on you to write the book, and what do you hope readers take away from it?

 

A: Writing the book provided a much-needed balm for my hurting and untethered heart. This theft ignited both old and new grief, because many of these items were my only connections to people I had loved and lost, including my mother and a dear friend.

 

Anyone who has ever lost something of meaningful value will relate to Piece by Piece. I hope it will help readers understand why, sometimes, things are so much more than “just stuff.”

 

I also hope readers will use this book as a practical template for telling their own life stories and that it might help ease the difficulty of letting go for anyone downsizing or passing along heirlooms.  

 

Q: What are you working on now?

 

A: I’m really excited about offering a new workshop modeled after Piece by Piece. I’ll be presenting a method for others to learn to tell the stories of their lives by telling the stories of their precious things.

 

I’m also loving writing on Substack these days. Every week I pick a single object and reflect on the meaning it might offer us, so fans of Piece by Piece will be able to continue the journey with me over there.

 

Q: Anything else we should know?

 

A: I practiced law on both ends of the spectrum, first as a public defender and then as a corporate attorney.

 

In 2019, I founded a nonprofit organization to support teachers impacted by cancer.

 

I’ve witnessed countless transformations stemming from loss, and it’s an important theme in my life and writing.

 

I live in Denver with my husband and three sons. 

 

--Interview with Deborah Kalb 

Q&A with Peter McChesney

  


 

 

Peter McChesney is the author of the new novel Quinto's Challenge.  

 

Q: What inspired you to write Quinto’s Challenge?

 

A: A combination of curiosity and unexpected life experience.

 

On the curiosity side, Ive always been fascinated by questions like: What exactly is consciousness, and could it ever be artificially created? Are fears of AI ending the world overblown, or entirely valid? What do advances in genetics mean for our future?

 

Is a Theory of Everything possible, and if so, what powers might it unlock? Will our political institutions evolve toward greater unity or collapse into fragmentation? Is death truly the end of our conscious selves, or could the basic afterlife ideas of religion actually be made possible through science?

 

That last question ties into unexpected life experience, and is perhaps the most powerful driver of Quintos Challenge, which explores the scientific pursuit of resurrection.

 

In my teens growing up in Australia, I converted to Mormonism and felt fortunate to be part of a deeply positive, close-knit community. Though I never expected to move on from Church participation and belief, life eventually led me there.

 

While some who experience a major shift in worldview and leave a religion like Mormonism carry bitterness, I never did. It can all depend on the particular experiences weve had. While conversations about why I stepped away werent always easy with practicing members, I continue to hold the Church and its members in high regard.

 

That said, moving from believing in an actual afterlife, where resurrection through Christ is real, where wed be reunited with family and friends in heavenly kingdoms, leaves something of an existential hole, at least for a while.

 

But one idea stayed with me: in Mormonism, theres no real divide between miracles and science. Everything can be explained scientifically, even if so much of it is currently beyond our grasp. That perspective stayed with me, and became the seed from which the core idea of the book was born.

 

Q: How did you create the future United States in which the novel takes place?

 

A: My educational background in political science, especially U.S. politics and history, informed how I created the future United States depicted in the novel. I focused on extrapolating three major threads in a way that, to me, feels grounded and plausible.

 

The first is technological. To quote from a political speech in the book, set in the 2060s: “Weve reached 100% energy sustainability and built a net-zero emissions economy. Atmospheric cleansing technologies helped us avert the climate crisis. Economically viable fusion power has been achieved and is now in early implementation. Once-extinct animals again walk the Earth … and weve developed advanced means of communication with animals in general.

 

“We edit the genomes of our unborn to eliminate disease before it begins. We are the generation that began curing cancer. Weve developed techniques to revive the brain-dead and extend human life beyond any age previously experienced. And this medical revolution continues to accelerate—curing diseases that, just decades ago, were fatal.” (Quinto’s Challenge, Chapter 2, page 25)

 

That sets the stage for life in the 2060s, but most of the book takes place in the 2090s, where life has advanced even further.

 

Quantum computing has long since gone mainstream. Therapeutic cloning, where lost body parts are regrown from ones own DNA, is the norm. The equivalent of todays smartphones are now augmented-reality contact lenses that wirelessly pair with the users mind, making tablets, laptops, and desktops redundant.

 

And Artificial General Intelligence has a successor: Manufactured Sentience, the dawn of truly conscious, thinking, and feeling androids.

 

This is life in the United States, and around the world. But it isnt all sunshine and digitally augmented rainbows. The rapidly advancing technological landscape has caused significant societal disruption, with many arguing that the digital modern world is fundamentally at odds with human nature and that its side effects are showing up in various social ills.

 

This leads into the second extrapolated thread: the political, both domestic and geopolitical. For better or worse, and at the risk of oversimplifying, the U.S. has almost always been a two-party system.

 

Even during Washingtons two terms, before formal political parties formed, there were essentially two ideological camps: those who supported Washingtons administration, and those who opposed it.

 

This quickly evolved into the Federalists and the Democratic-Republicans respectively, known as the First Party System. Later came the Democrats versus the Whigs, then variations of the Republicans versus the Democrats, and finally the present-day Sixth or Seventh Party System, depending on who you speak to.

 

The point is that, despite radically different times, America has consistently operated with two dominant parties despite the existence of other political parties and factions.

 

In my novel, the two-party system continues, but its the Democratic-Republicans (named after the original party and formed as a merger of todays Democrats and Republicans) versus the American Freedom Party. Again, the nation is polarized, but this time one of the main issues dividing voters is whether or not to introduce Manufactured Sentience into society.

 

Geopolitically, the novel imagines a world where China has become the sole global superpower. While some debate today whether China will truly surpass the U.S. in economic or military power, others argue that it will. That trajectory is extrapolated in the novel to show China dominating the latter 21st century.

 

Still, the United States remains a great power, one of three global giants, along with China and the United States of Europe (another informed extrapolation). But Americas hegemony was lost in the mid-21st century to an ascendant China led by a dynamic new figure.

 

The third thread is economic. In the future United States of the novel, a new social class has emerged: the supported class.” This group receives a form of universal basic income, the first time a class of people has had all basic needs met, and more, even if they choose not to work.

 

As automation continues to displace human jobs and advanced AI systems can rapidly construct housing without human help (drastically increasing housing supply), the formation of a supported class becomes not only feasible but inevitable.

 

A senator who introduced the legislation that created this class ends up becoming president during the novels main narrative. The Democratic-Republicans support the existence of the supported class, while the American Freedom Party argues that its excesses rob people of dignity and kill incentive.

 

While this may sound like a lot, I went to great lengths to weave these elements into the story naturally, in ways that serve the narrative.

 

Q: Did you know how the novel would end before you started writing it, or did you make many changes along the way?

 

A: The broad strokes were always there, but the ending definitely evolved as the writing progressed and certain ideas crystallized and found their proper hierarchy of importance. Perhaps the biggest change was that the original ending doesnt appear in this novel at all.

 

I eventually realized that my early drafts were simply too large for a single book by a debut author. Fortunately, there was a natural and satisfying point midway through the original manuscript to end the first book. The rest now forms the draft for book two.

 

One element that was added late in the writing process was the epilogue, designed to introduce a bit more tension after the resolution of book one and to generate interest in the next installment.

 

Q: What do you hope readers take away from the story?

 

A: I hope readers come away with a mix of wonder, reflection, and awareness, though what they take from the story may vary depending on age and perspective.

 

A few core themes I hope will resonate include:

 

The power of collective scientific pursuit. When humanity unites behind science, done properly and free from political interference, remarkable breakthroughs are possible. In the world of Quintos Challenge, that includes nothing less than the conquest of death itself.

 

A spark of hope. For those who dont believe in traditional religious afterlife doctrines, the story offers a scientific pathway to consider the possibility that death might not be the end.

 

Greater appreciation for neurodiversity. Many of the revolutionary insights and inventions throughout history have come from people who were wired to see the world differently. I hope readers come away with a deeper respect for those whose minds work in unique ways.

 

The dual nature of power. Any new discovery, no matter how noble its origins, can be used for harm as well as good. This demands that our most powerful tools be safeguarded by the wise, and especially the restrained.

 

A more discerning view of politics. Just because a politician echoes our beliefs or appeals to our instincts doesnt mean they deserve our trust. I hope readers reflect on the difference between someone who seeks power for their own ends and someone who can be trusted with it for the public good.

 

Q: This is the first in a series--can you tell us what’s next?

 

A: This first entry in the Dawn of Immortality series introduces questions that future books will explore in greater depth, especially the implications of a world where science can bring back the dead.

 

If resurrection becomes possible, then who decides who gets to come back? What form of consent would be needed to resurrect someone? Our current laws and economics are built on the assumption that life is finite, and then youre gone. What happens to that structure when people can return? What rights should the resurrected possess?

 

And then theres the more emotional side of things. Many often imagine a blissful afterlife where we reunite with loved ones in harmony. But if our resurrected selves still carry the same human nature, would those reunions remain idealized? Or would familiar dynamics of conflict, jealousy, even the saying familiarity breeds contempt,” gradually re-emerge and complicate what was once seen as a perfect ending?

 

In addition, the surveillance technology that is a component of resurrection will play a larger role. Its intelligence implications could reshape geopolitics and personal freedoms alike, as the scope of events broadens beyond the resurrection theme alone.

 

Ive outlined the full plot of the series, and several future entries are already in the works, at least in note form. Each one builds on the philosophical and political questions introduced in Quintos Challenge, while continuing the personal journeys of key characters.

 

Q: Anything else we should know? 

 

A: I poured a lot of heart and thought into this novel, and I hope it gives readers something meaningful to reflect on, about science, belief, memory, and what it means to be human.

 

--Interview with Deborah Kalb 

Jan. 29

 


 

ON THIS DAY IN HISTORY
Jan. 29, 1860: Anton Chekhov born.