Wednesday, September 18, 2024

Q&A with Susan R. Greenway

 


 

 

Susan R. Greenway is the author of the new middle grade novel Elephant Touch. A former elementary school teacher and reading specialist, she lives in Washington state.

 

Q: What inspired you to write Elephant Touch, and how did you create your character Quinn?

 

A: On a visit to see elephants in Thailand several years ago, I received a phone call from my sister in California that my mother had passed. As I cried, three elephants behind me in a fenced corral came towards me. One of them put its trunk on my shoulder. I was profoundly touched.

 

That was the beginning of my love for elephants and desire to find out more about them. As I read more about Asian elephants, I was even more impressed with their magnificence. But I also found out how frequently and horribly they’ve been abused. Fortunately, there are some wonderful sanctuaries that house elephants needing a safe home.

 

Quinn came partly from my time spent in the Colorado Rockies and partly from my interest in writing a book about elephants and their endangered status. The theme of grief and the human/animal connection arose directly from my experience in Thailand.

 

In creating Quinn, I had to ask myself what was Quinn’s loss, how would she respond to it, and what would motivate her. Then I tried to make sure that each of these answers were in sync with Quinn’s external behavior and internal thoughts.

 

Q: The writer Dan Richards said of the book, “Ms. Greenway’s debut novel is equal parts sorrow, joy, and wonder.” What do you think of that description?

 

A: I love his description because it feels so true to my intentions as I wrote Elephant Touch.

 

Q: Did you know how the novel would end before you started writing it, or did you make many changes along the way?

 

A: I had no idea how it was going to end. I always do some plotting, but it’s flexible and often changes as I go along.  So yes, there were many changes in plot and characters. I began with an idea that became more defined as I went along.

 

Q: What do you hope readers take away from the story?

 

A: I hope that readers who have suffered from grief or are in the midst of it will have hope that they are loved, that light is on the horizon, and that help may come in unexpected ways.

 

I also sincerely hope that readers will become aware of the plight of elephants and the need for their protection.

 

Q: What are you working on now?

 

A: I’m writing a middle grade dog/human mystery with lots of humor and fun twists and turns.

 

Q: Anything else we should know?

 

A: I have recipes for some of the Thai foods mentioned in Elephant Touch on my website: susanrgreenway.com. Give them a try!

 

--Interview with Deborah Kalb

Q&A with Tim Harris

 


 

 

Tim Harris is the author of the new book In Pursuit of Unicorns: A Journey Through 50 Years of Biotechnology. He is a molecular biologist and biochemist with decades of experience in the biotech industry. Also a venture partner at SV Health Investors, he lives in the Boston area.

 

Q: What inspired you to write In Pursuit of Unicorns?

 

A: No one has written a book on the history of biotechnology from a technology perspective. I have been fortunate enough to have been involved directly in many of the technologies so I thought I would write one.

 

One inspiration came from receiving a book in the mail called Invisible Frontiers describing the work making insulin by using recombinant DNA methods.

 

It turned out when I received the book from a second-hand bookstore my copy had been signed by six of the most important founding scientists and management at Genentech. I saw this as a portent to get the book written as Genentech was the first real biotech company 

 

Q: How was the book’s title chosen, and what does it signify for you?

 

A: I was talking to one of my kids about the book and the fact that biotech (and tech) companies with valuations of over a billion dollars are called unicorns. I thought we should use the word unicorns in the title because the creatures are as mythical as some of the biotech companies turned out to be.

 

Over dinner we decided to try In Pursuit of Unicorns and then qualify it with what the unicorns were: biotech companies. It stuck and my editor suggested we used the Dutch tapestries for the cover.  Please don't judge the book by the cover--but the cover is awesome and I hope the book lives up to it. 

 

Q: What would you say are some of the most  common perceptions and misconceptions about biotechnology?

 

A: One of the most common misconceptions is that the people in the biotech industry are in it for the money. There are one or two biotech billionaires but they are few and far between. Most of us do it because we love the technology and we want to make drugs for less fortunate people suffering from intractable disease using the technology.

 

Many of the people who made money from biotech did their jobs for the same reason and were very successful. The book is full of examples of the technology and the people who did this. 

 

Q: The journalist Nicholas Wade said of the book, “For those who have followed from the outside the spectacular growth of the biotech industry, Tim Harris provides a vivid account from the inside--the people, the science, the finance, the patent disputes, and of course the patients are all deftly woven into a compelling narrative of this magnificent episode in medical history.” What do you think of that description?

 

A: I thought it was very good of Nick to take the time to read the book and to make such remarks about it. He told me, as did others who made comments, that they enjoyed the history but also the anecdotes and footnotes. For those that know me they said they could hear me saying it!. Great feedback for a first time author.

 

Q: What are you working on now?

 

A: I have some thoughts about a second book but I want to see what people think of the first one before I start another one. It was a fun thing to do especially during the COVID pandemic when going out was difficult.

 

Q: Anything else we should know?

 

A: Just that I think it is important to give back. I have been fortunate to have been involved in biotech from the get go and I realise what a privilege that has been. For those young people who are looking for things to do, read the book and don’t be shy about getting involved in new and maybe slightly risky ventures. You will have more fun at work that way. I certainly did. 

 

--Interview with Deborah Kalb

Tuesday, September 17, 2024

Q&A with Evette Davis

 

Photo by John Cameron Photography

 

Evette Davis is the author of the new novel The Others, the first in a trilogy. She also has written the novel 48 States. The co-owner of the consulting firm Berg/Davis Public Affairs, she lives in San Francisco and in Sun Valley, Idaho.

 

Q: What inspired you to write The Others, and how did you create your character Olivia? 

 

A: Olivia is the lifelong embodiment of a question I have been trying to solve for decades: where do women derive their power, how do they learn to use it, and how do they reconcile being leaders in the face of societal expectations?

 

The book started as an idea for a play. I had an idea to create a frustrated political consultant down on her luck who starts seeing an ancient female warrior off-stage. The guide would give her funny advice on besting her adversaries, but only she could see her. Playwriting is not my jam; that is how the novel and the character were born. 

 

The Others and The Council Trilogy are also a way of dealing with my unease over the polarization of politics in this country and how moderates have been robbed of their voice. I gave them magical powers to help get things back on track!


Q: The journalist David Callaway said, “Davis combines her inside knowledge of Bay Area politics with a gripping tale of vampires and shape-shifters that leaves us never quite looking at the city the same way again.” What do you think of that description?  

 

A: I loved his description because I see San Francisco as a magical city with layers that are not readily apparent unless you know where to look. He was kind enough to indirectly point out that my 20-plus years of work in Bay Area politics—along with a healthy dose of imagination—helped me create a San Francisco whose true nature is hidden behind the fog.

 

Q: Did you know how the novel would end before you started writing it, or did you make many changes along the way? 

 

A: I did not know how it would end. What became apparent halfway through was that I had more of a story to tell than would fit in one book, which is how the trilogy was born.

 

Q: What do you hope readers take away from the story?

A: First and foremost, I hope they like the story and want to stay up all night to find out what happens next. I want to tell stories that intrigue people and grab them from the first page. Beyond that, I hope they relate to Olivia's journey to understand and love herself in the face of adversity.

 

Q: This is the first in a series--can you tell us what's coming next?  

 

A: Near-death adventures, betrayal, new romantic entanglements, and an epic sword battle on the banks of the Danube River!

 

Q: Anything else we should know? 

 

A: I have a stand-alone novel called 48 States, which is a dystopian thriller with another strong female character.

 

All three books in The Council Trilogy will be out by September 2025. Folks can visit my website to learn more at www.evettedavis.com and sign up for my newsletter to stay in touch.

 

--Interview with Deborah Kalb

Q&A with Michael Weingrad

 


 

 

Michael Weingrad is the author of the new novel in verse Eugene Nadelman: A Tale of the 1980s in Verse. He also has written the book American Hebrew Literature. He is a professor of Jewish Studies at Portland State University, and he lives in Portland, Oregon.

 

Q: What inspired you to write Eugene Nadelman, and what do you see as the book's relationship to Alexander Pushkin’s classic Eugene Onegin?

 

A: I wanted a way of revisiting America in the 1980s, its music and pop culture and the experiences of my youth. The sonnet form Pushkin invented for his classic poem works like magic: it brings the loftiest pretensions down to earth with gentle humor, while imbuing the most ordinary experiences with poignancy.

 

I actually came to read Pushkin’s Eugene Onegin late, after reading other writers who had used the form for their own novels in verse, e.g., Vikram Seth’s The Golden Gate and the Israeli writer Maya Arad’s Another Place, A Foreign City.

 

I loved what they had done with the form and, after reading the great model (in James Falen’s wonderful English translation), I decided to try it myself. But could I rhyme bar mitzvah? Yes, and I was off and running!

 

Although Eugene Nadelman is a fraction of the length of Pushkin’s epic, and set in 1980s Philadelphia, I do pay homage to the source in a number of ways beyond the form and the name of the protagonist.

 

As in Pushkin’s poem, my book has a duel and a character dies. (Well, a character in a game of Dungeons & Dragons, to be precise.) My poem is also about youth and love and regret and memory. And there is an interlude about childhood snow days (no school!) that is a direct nod to Pushkin’s wintertime reverie.

 

Q: The literary critic Adam Kirsch said of the book, “Eugene Nadelman is the book that Lord Byron would have written if he had been an American Jewish teenager in the 1980s. What do you think of that assessment?

 

A: I’m overjoyed to receive such high praise from one of our best literary critics, and whose own poetry I admire. (Kirsch’s 2022 collection of poems The Discarded Life is also a Proustian look back at youth and pop culture.)

 

In addition, not only do I adore the wicked brilliance of Byron’s Don Juan, but one of my favorite 20th-century long poems is Auden’s “Letter to Lord Byron.”


Q: How did you create your character Eugene?

 

A: There are aspects of myself in Eugene, something I acknowledge early on in the book:

 

May I present: Eugene, who’s fourteen
Years old, our acne-speckled (poor teen!)
Protagonist. Our tale’s debut
Takes place in 1982
When I, for one, if not exactly
A double of our leading guy
Was, like him, bookish, awkward, shy.
To state the point more matter-of-factly,
A judgment harsh but not unheard
Is that our hero is a nerd.

 

At the same time, Eugene isn’t me. For instance, he comes from an intact family, whereas my father died when I was little. His parents are more well-off than mine were.

 

The book draws on a lot of real-life experiences and details. Eugene’s crush Abigail happens to have the same color eyes as my high school girlfriend (we’re still friends after all these years), and the Reform Jewish summer camp he attends in the Poconos is a thinly disguised version of the one I attended for five summers.

 

But it’s all transformed in the telling, and I enjoyed seeing Eugene and Abigail take on their own distinct personalities as the book took shape.

 

Q: What do you hope readers take away from the book?

 

A: Eugene Nadelman is meant to be entertaining and fun, and also to inspire some wistful and, I hope, meaningful looking back to a different time than the one we live in now. On the one hand, confess in the poem to the critical dimension of this nostalgia:

 

I hope the poem will remind us
Of things we’d otherwise forget,
The simpler times we’ve left behind us,
Our life before the internet.
Today our use of social media
Has led to cultural acedia,
Attention spans reduced to scraps,
Romance replaced by dating apps.

 

But I follow this with a different invitation—not to complain about change (“I don’t intend the lesson drawn / To be a mere ‘get off my lawn.’”) but to savor and appreciate your own memories—you the reader’s, not mine, e.g.,

 

Your teenage mishaps, strange caprices,
The secret things you daydreamed of,
The first time that you fell in love
And how your heart was smashed to pieces,
The fears you faced, the lines you crossed,
The friends you made, the ones you lost.

 

Q: What are you working on now?

 

A: I have to attend to my day job—I’m a professor of Jewish literature—and I’m currently working on two books, one on Jews and fantasy literature, the other (without a Jewish connection) about divorce in American film.

 

These are scholarly studies with footnotes but, I hope, engaging to read for anyone curious about those topics. I don’t like academic jargon and inscrutability.

 

I’ll return to poetry when I have a new experiment I want to try.

 

Q: Anything else we should know?

 

A: While Eugene Nadelman obviously has a Gen X sweet spot, I’ve had great responses from Millennial and Zoomer readers too. We all know what young love feels like, no matter the accompanying soundtrack.

 

--Interview with Deborah Kalb

Q&A with Ann D. Koffsky

 


 

 

Ann D. Koffsky is the author of the new children's picture book Ping-Pong Shabbat: The True Story of Champion Estee Ackerman. Her many other books include the Kayla and Kugel series.

 

Q: Why did you decide to write Ping-Pong Shabbat, and how did you learn about young ping-pong champion Estee Ackerman?

 

A: Estee lives in the same neighborhood as I do, and we often go to the same synagogue. I heard about her amazing story in the community—we were all so proud of her!

 

Q: What do you think Abigail Rajunov’s illustrations add to the book?

 

A: So much! Energy. Warmth. And I love how she created an illustration that shows the ping-pong table joined with the Shabbat table. It really shows Estee’s heart in that one image.

 

Q: The Kirkus Review called the book a “noteworthy tale of a young Jewish athlete taking a personal stand.” What do you think of that description?

 

A: I love it! There are so many Jewish athlete books about historical Jewish athletes, like Sandy Koufax and Hank Greenberg. I’m excited to bring this story of a contemporary athlete to kids too.

 

Q: Has Estee read the book, and what does she think about it?

 

A: Yes! I interviewed her extensively to write the book, and shared it with her the minute I had an arc [advance reader copy]. She’s excited about it too!

 

Q: What are you working on now?

 

A: I’m working on the next book in my Kayla and Kugel series with Apples and Honey Press, and a new book about Mel Brooks with Intergalatic Afikoman.

 

Q: Anything else we should know?

 

A: Thanks for asking. I guess if folks want to follow me on Instagram over here https://www.instagram.com/annkoffsky/. And they can also sign up to receive my free Jewish coloring pages on my substack here. https://coloringjewish.substack.com/.

 

Thank you so much for sharing my book with your readers!

 

--Interview with Deborah Kalb. Here's a previous Q&A with Ann D. Koffsky.

Monday, September 16, 2024

Q&A with Jesse Q. Sutanto

 

Photo by Michael Hart

 

 

Jesse Q. Sutanto is the author of the new novel You Will Never Be Me. Her other novels include I'm Not Done with You Yet. She lives in Jakarta, Indonesia.

 

Q: What inspired you to write You Will Never Be Me?

 

A: As a mom, social media's algorithm is always pushing momfluencers to my feed. I find them so fascinating, especially the ones who look flawless all the time and make everything from scratch, like, "You want a grilled cheese sandwich? Let me make the bread AND cheese from scratch."

 

I just knew that one day, I would like to write a book with momfluencers as the characters!

 

Q: How did you create your characters Meredith and Aspen, and how would you describe the dynamic between them?  

 

A: I don't usually think about my characters before writing the book. As soon as the first line is typed out onto the page, the characters come to life. I get to know their voices and personalities and that was how it happened with Aspen and Meredith.

 

I would describe them as best friends with a status quo, and when that status quo is disturbed, it doesn't go well for them. 

 

Q: What do you think the novel says about social media influencers?

 

A: I hope it shows how fake things can be online, while at the same time also shedding a somewhat sympathetic light on ambitious women. 

 

Q: How was the book's title chosen, and what does it signify for you?

 

A: There have been many times where I've looked at social media and come away feeling sad because I'm not as productive or successful or pretty or whatever as people are on it. Part of me goes, "When will my life look like that?"

 

That's where the title comes from. An acceptance that I will never be like someone else. 

 

Q: What are you working on now?

 

A: Nothing right now! I finished a new book a month ago and I need to edit it, but I'm still winding down after a chaotic summer, so I'm taking it easy. 

 

--Interview with Deborah Kalb. Here's a previous Q&A with Jesse Q. Sutanto.

Q&A with Ciera Burch

 

Photo by Julia Xia

 

 

Ciera Burch is the author of the new middle grade novel Camp Twisted Pine. Her other books include the middle grade novel Finch House. She lives in Washington, D.C.

 

Q: What inspired you to write Camp Twisted Pine, and how did you create your character Naomi?

 

A: A few things inspired me! The most prominent was probably my desire to go to a sleep away summer camp as a kid that was never fulfilled. At least, not how I wanted it to be.

 

My mom wasn’t a fan of sending me away for weeks at a time with strangers, but my school had a week-long field trip for the entire 6th grade class to a place called Mt. Misery up in the Pine Barrens and the memory of that, my one and only camping experience, really had a lasting effect!

 

I like to say that all my characters come to me, like little people that pop into my brain out of nowhere, and the same is true of Naomi.

 

As someone who enjoys nature but not bugs or being hot, and who was a fairly indoor kid, I wanted to create a character, hopefully relatable to many, who loves the idea of nature but not the reality and, well, throw her into the reality.

 

Luckily, Naomi formed herself pretty easily in my mind with how responsible she was, a rule follower to the max, and somewhat isolated because of it.


Q: The novel takes place in the New Jersey Pinelands—can you say more about why you chose to set it there, and how important is setting to you in your novels?

 

A: I answered this a little above, but my own personal experience in the Pinelands was a wonderful time, plus it’s a fairly large area of protected land that’s important to New Jersey, where I’m from, and I wanted to highlight its beauty and uniqueness in some way, especially since, in legend, it’s home to the Jersey Devil, a little known but very interesting cryptid—at least to me!

 

I’d say setting is incredibly important to me because it’s the backdrop for everything and can affect how certain characters perceive or react to things.

 

For example, the Pine Barrens is fully out of Naomi’s comfort zone and it shows in most of her actions and thoughts and choices.

 

I also just love describing places, it’s one of my favorite things to do in writing, in the hopes of nailing down a certain image or emotion in my readers.

 

Q: What do you hope readers take away from the story?

 

A: I hope they take away the importance of friendship and having people you can trust and confide in, and what a difference that can make in one’s life.

 

I also hope they take away the idea that nature is beautiful and sacred and should be upheld and protected for both our planet and ourselves…whether we’re indoor people or outdoorsy ones.

 

Q: Do you have any other favorite novels set at summer camp?

 

A: I really enjoy the graphic novel Lumberjanes, and Monster Camp by Sarah Henning, which is a fun take on a camp! Also, more recently, The Honeys by Ryan La Sala, which is YA.

 

Q: What are you working on now?

 

A: I’m currently working on my next MG, about a girl who starts going invisible once she discovers some things about herself, and my next YA, about two friends turned rivals turned teammates who are grappling with their feelings for each other.

 

Q: Anything else we should know?

 

A: The Pine Barrens is a beautiful, fun place to visit, particularly if you enjoy hiking or kayaking! It also covers about 22 percent percent of land in New Jersey, which is a lot for a small state!

 

--Interview with Deborah Kalb. Here's a previous Q&A with Ciera Burch.

Sept. 16

 


 

ON THIS DAY IN HISTORY
Sept. 16, 1898: H.A. Rey born.

Sunday, September 15, 2024

Q&A with Carlyn Greenwald

 

Photo by Molly Pan

 

 

Carlyn Greenwald is the author of the new novel Director's Cut. It's a follow-up to her novel Sizzle Reel. She is the lead content development coordinator for Cake Creative/Electric Postcard Entertainment.

 

Q: What inspired you to write Director’s Cut, and how did you create your character Val?

 

A: Director’s Cut the story came when two moments collided in my brain. I attended USC as an undergrad and it was this known thing that celebrities sometimes guest taught at the film school.

 

One day as a student I went onto the course registration and noticed that the celebrity guest professor at the time was paired up with a well-established member of the film school faculty (and someone who studied films rather than made them) and thought that must be such an interesting combination of personalities.

 

Then, after writing Sizzle Reel, when developing the character of Val, I thought that would be the kind of scenario that she’d get herself into. Thus, Director’s Cut was born.

 

In terms of where Val came from, in Sizzle Reel, I was mostly playing with the idea of seeing Val through the lens of someone who admired/crushed on her and Director’s Cut was my space to get in her head and find out what made her tick and what her actual flaws were.

 

I watch a ton of celebrity interviews, read memoirs, and generally am very interested in how fame messes with people’s brains, from everything from an inability to do basic tasks after not having to do them for so long (and what kind of personality fights back against that and still does their own budgeting and grocery shopping) and then the darker stuff — how it affects your self-esteem, your sense of safety and privacy, all that.

 

So with Val, I didn’t want her to be this larger-than-life figure anymore, I wanted to write a flawed person who’s been affected by her place in life — but still be someone who was witty, fun, and generally lovable enough to follow through her own love story.


Q: The writer Susie Dumond said of the book, “Despite being a massive star, actor-turned-director Val is grounded and relatably messy, and her journey to finding love with Maeve -- and with her authentic self -- makes this story sing.” What do you think of that description?

 

A: I absolutely love it! As I was saying in my previous answer, I really wanted Val to feel like a real person who was affected by the larger than life she fell into/created for herself.

 

And with her relationship with Maeve, I really wanted to create a dynamic that was both fun to read and felt realistic when you put two flawed people into each other’s lives.

 

It’s always such a delight to develop the banter, the incorrect assumptions characters make that fade into going “oh, that person isn’t so bad” to “wow I really like this person!” into love. I adored writing the first kiss, the first time they had sex — and then the catharsis of what happens to them after the climax of the book.

 

To me, I love seeing couples in romance who don’t break up, but a part of me also loves seeing them go through a huge trial together where all hope seems lost — but then they work on themselves and come back together even stronger than ever.

 

Q: Did your experiences in the film world help you write this novel? Did you need to do any additional research?

 

A: I went to film school at USC and while there I worked a handful of development internships that turned into a few short-lived assistant stints. That along with growing up here and being immersed in celebrity and Hollywood culture made me feel pretty good about getting the film industry aspects right.

 

I always go into any research into a field I don’t totally live in from a psychological standpoint — how would this job affect a character’s brain? In my ideal world, I find out just enough to sell their expertise and the psychological effects of said job. So, like, I said, a lot of celebrity memoir reading, a lot of interview watching and reading, that sort of thing.

 

For the academia, I’ll admit that as much as I tried to look up how syllabi are made and academic structures are set up, I’m sure there were some liberties taken for the book that aren’t accurate. But I did my best, for what it’s worth.

 

There was also a fair amount of research into how one teaches film theory and some more fun research, like re-familiarizing myself with all the movie musicals mentioned.

 

Q: What do you hope readers take away from the story?

 

A: Ultimately, I hope that readers can see Val, her personal journey, and her romance with Maeve and think that you don’t have to be a perfect person — in fact, you can be as flawed as anyone — and still be able to better yourself, find inner peace, and a relationship where you’re loved wholly.

 

Q: What are you working on now?

 

A: I’m actually in a bit of a genre pivot right now! I’m working on the second book in my contract with Sourcebooks Fire, a YA mystery/horror book. It’s sapphic, though, so I suppose there will always be that connective thread between it, my 2025 book Murder Land, and my sapphic romances.

 

Q: Anything else we should know?

 

A: Just that if you love messy characters, you’ll love my books! Thank you so much for interviewing me!

 

--Interview with Deborah Kalb. Here's a previous Q&A with Carlyn Greenwald.

Q&A with Ken Fireman

 


 

Ken Fireman is the author of the novel The Unmooring. A longtime journalist, he lives in Bethesda, Maryland.

 

Q: What inspired you to write The Unmooring, and how did you create your character Michael?

 

A: I wanted to write a political novel, and set it in a hinge era, one that changed America and the world. That was certainly true of the ‘60s. It was also an era of great drama – there were times when momentous events piled on top of each other so rapidly, it was hard to fully grasp them.

 

Additionally, I have a personal connection to the era: I lived through it, took part in some of its important events, was shaped by all of them. So I thought it had the elements of a good story, and an important one.

 

In Michael McMaster, I wanted to fashion a character who fit the temper of the times. Someone who rebelled against his parents and their milieu, who struck out on his own. Who was idealistic, hopeful about changing a world he hadn’t made and didn’t particularly like – but finds his optimism challenged by the discord of American life, and the discord in his own life.

 

Q: How was the book's title chosen, and what does it signify for you?

 

A: I chose it because it has a double meaning, and both are central to the novel’s story. The first was that during the ‘60s our country became unmoored, cut loose from fixed certainties and institutions, set adrift and buffeted by random forces. The second was that the McMaster family, the four characters at the heart of the novel, all become unmoored in their personal lives.

 

Q: Did you know how the story would end before you started writing it, or did you make many changes along the way?

 

A: I had a clear idea of the general shape of the story arc, and how it would end, at the start of the writing process. But characters take on a life of their own, and charge off in a direction that you didn’t anticipate. They don’t always behave themselves! And that did happen in a way that affected one aspect of the story’s ending.

 

Q: What do you hope readers take away from the book?

 

A: I hope two things come across, and both are hopeful things.

 

The first is that while we often see our current moment, with all its traumas and uncertainties, as unique, and uniquely ominous, it’s not. The ‘60s was a period much like today, with upheavals and dangers and violence – a lot of violence – and we got through it, we survived as a society, and maybe even arrived at a better place. We should keep that in mind today as we navigate all our anxieties.

 

The second is that ordinary people can accomplish extraordinary things. The battle for civil rights, for example, had its famous leaders and heroes – Martin Luther King, John Lewis – but what really made the difference was the willingness of so many people who weren’t famous to show up, get involved, take risks, put themselves on the line. And that can happen again – in fact, it is happening again.

 

Q: What are you working on now?

 

A: I’m working on another novel, also a political novel but set in the present. The central character is someone who believes in the idea of public service, of acquiring expertise and putting it to use for the public good, but becomes caught in the crossfires of rancor and vitriol and bad faith that so often dominate our political discourse, and has to find a way to survive and function.

 

I hope it’ll make for a good story, and I hope it’ll make people think about where we want to go as a country.

 

Q: Anything else we should know?

 

A: I’ve started a Substack newsletter called Liticisms, which looks at the connection between books and contemporary concerns. 

 

The latest post talks about five books that serve as antidotes to the toxins of rage and polarization; another looks at how Trump uses rhetoric to justify the autocratic mentality. You can find them, and my other posts, here: https://liticisms.substack.com/

 

And thanks so much for interviewing me!

 

--Interview with Deborah Kalb

Sept. 15

 


 

ON THIS DAY IN HISTORY
Sept. 15, 1890: Agatha Christie born.

Saturday, September 14, 2024

Q&A with Richard Jones

 


 

 

 

Richard Jones is the author and illustrator of the children's picture book Where Have You Been, Little Cat?. His many other books include Perdu. He is based in the UK.

 

Q: What inspired you to create Where Have You Been, Little Cat?

 

A: I’d had the story of an inquisitive feline floating around ever since we adopted our own cat, Moppet, in 2016.

 

Having had a dog companion for many years who rarely left my side, I’ve never quite got used to opening the door and letting Moppet go wandering off on adventures of her own.

 

Most of the time, she seems happy enough to lie in the sun, but she sometimes disappears through the hedge at the bottom of our garden and is often gone for an hour or two. Where to or with whom, I have no idea. The next thing we hear from her is a gentle tap at the front door as she waits to be let in.

 

Every time she comes home we go through the same performance; she rolls around on the carpet and I always ask, “Where have you been, little cat? What did you do? What did you see? Were you kind?” Questions that adults ask children every day. It took me a year or two of this routine before I realised there might be the bones of a story here!

 

Q: Did you work on the text first or the illustrations first--or both simultaneously?

 

A: The text and the artwork came along at the same time for this one. I usually aim to get the story in a good shape before I start scribbling and then make any adjustments to story as the pictures develop. However, with this one the words and pictures grew together.

 

Q: The Bulletin of the Center for Children's Books called the book a “feline-focused look at the treasures of both new experiences and familiar places.” What do you think of that description?

 

A: I think it’s a lovely way of describing the book, thanks for sharing it! It seems to me that the writing around the subject of children’s books both in the US and in the UK is of such a high standard at the moment. It’s really inspiring to see how seriously reviewers take children’s books and with what care they talk about them. 

 

Q: What do you hope children (and adults!) take away from the story?

 

A: Above all, I hope people see that being generous and kind need not get in the way of a cracking adventure!

 

Q: What are you working on now?

 

A: I’ve just finished working on another story with the same wonderful team that created Where Have You Been, Little Cat? It’s about a child who meets a little bird and feeds it some breakfast.

 

The next day, the little bird comes back with two pink-tailed mice, and the next day they are joined by four squirrels and then eight kind-eyed wolves and then 16 elephants until eventually, one day, there are 247 animals for breakfast! It will be published around the world in the spring.

 

Q: Anything else we should know?

 

A: I also have a story publishing soon with Walker Books in the UK and Candlewick Press in the US. It’s about a little boy and a storm and how being brave can have unexpected and brilliant consequences! 

 

--Interview with Deborah Kalb

Q&A with Diana Janney

 


 

 

Diana Janney is the author of the new novel A Man of Understanding. Her other novels include The Choice.

 

Q: What inspired you to write A Man of Understanding, and how did you create your characters Blue and Horatio?

 

A: One inspiration came from my many visits to the mountains in the north of Mallorca, where the novel is principally set.

 

The area’s natural beauty, combined with its focus on the arts seemed the perfect setting for a novel that explores the importance of the arts as a means of expression, especially in times of loss and grief, which the narrator Blue is experiencing, his parents having been killed in a car accident before the story begins.

 

Blue’s grandfather, poet-philosopher Horatio Hennessy, whom, mysteriously, Blue has never met, is to be his guardian, so Blue is sent to Mallorca to live with Horatio in his Finca.

 

Another inspiration for writing A Man of Understanding was my background in philosophy. I was an undergraduate and postgraduate in Philosophy at University College, London, and the subject continues to fascinate me.

 

I weave philosophy into all my novels, making it come alive in an accessible way that is interesting to readers, whether or not they have previous knowledge of the subject.

 

Horatio is fascinated by what great philosophers such as Aristotle, Kant, Hume, Descartes think about subjects such as aesthetics, virtue, courage, friendship, love, the soul.

 

Horatio chooses as a role model for Blue the Ancient Greek philosopher Aristotle, who was orphaned at a similar age to Blue, and was then taught about poetry and rhetoric by his uncle.

 

Poetry was another inspiration for the novel. My first poems were published at a young age in the school magazine, and I have continued to write poetry ever since. My poems have proved very popular in my novels, even to those who don’t usually read poetry.

 

In a novel, the reader already understands a great deal about the characters’ life experiences and emotions that are behind their poetry, which gives perspective to their poems.

 

I created Horatio as a character who would fit well with the environment in which the story is set.

 

In a sense, he reflects this part of Mallorca, he personifies the elements that have drawn so many celebrated names in the arts to have lived in the north of the island – Robert Graves, Chopin, George Sand, to name a few.

 

Horatio is particularly learned in the arts. They matter to him. He wants to show his grandson why they matter. He tries to help Blue to overcome his grief through embracing the arts, especially poetry, and philosophy. Horatio seems to be as strong and resilient as the mountains around him …but is he?

 

I created Blue as an only child, sensitive, reflective, who is bewildered at first by his enigmatic grandfather.

 

Initially, the two of them seem very different, not just in age. Blue is introverted, quiet, inexperienced, untravelled, whereas Horatio is a talented published poet, an extrovert, knowledgeable, charismatic, widely travelled.

 

How will these two seemingly diverse characters get on? What will bring them together? Do they have more in common than they realise? And what will they learn from the relationship about themselves, about each other, about other characters in the novel, about life? When secrets are uncovered, how will they react?

 

Blue has left behind the only home in England he has ever known to start a new life with Horatio, filled with unexpected happenings that he could never have anticipated, and there are interesting consequences for them both.


Q: Can you say more about the dynamic between grandfather and grandson?

 

A: The creation and understanding of poetry is a powerful dynamic that changes the lives of Blue and Horatio. Both learn from the experience in different ways.

 

It’s a very moving part of the story when they create their first poem together and discover through doing so that they can express their emotions and address questions that they were unable to address through conversation.

 

Similarly with philosophy, both characters learn from this powerful shared interest. There are moments when Blue’s questions lead Horatio to reflect in ways he hasn’t reflected before, and at times the initial master/pupil relationship is reversed.

 

It is the beginning of a dynamic journey of discovery for them both.

 

Q: How was the novel’s title chosen, and what does it signify for you?

 

A: I considered hundreds of titles before deciding on A Man of Understanding. It is a multi-layered story and so there are many aspects from which to draw. However, none of the titles seemed quite right.

 

Eventually, I opened the Bible and read what I saw on the page. It was Proverbs 10:23, “…a man of understanding hath wisdom.”

 

This seemed the perfect description of Horatio in every sense of the word “understanding.” He is intelligent and understands many subjects. He is understanding in that he is empathetic to the needs of others. He “gets” people. And he is a wise character (much of the time). The question is, will Blue become a man of understanding too?

 

Q: What do you hope readers take away from the story?

 

A: A good question, and one that I ask myself regularly while I’m writing a novel. For me, it’s important to make readers reflect on ideas that they may not have considered before, or at least to offer a different perspective. I aim to create interesting characters who stay in the memory long after the story is over.

 

I hope that readers will feel that when they close the book, they are leaving behind real characters whom they will miss, as I do. I hope that readers will take from the story reflections for their minds, love for their hearts, and a desire to tell others how much they have enjoyed A Man of Understanding!

 

Q: What are you working on now?

 

A: I’ve finished the first draft of my next novel, due out in 2025. I believe strongly in the importance of reading and rereading my work, rewriting any parts with which I’m not entirely happy, until I’m confident that the story is exactly as I want it to be.

 

There are some similar themes in my new novel to those in A Man of Understanding: the importance of the arts (the main character is a musician) and philosophy, and again the story is interwoven with poetry. However, the story and characters are very different from those in A Man of Understanding.

 

Q: Anything else we should know?

 

A: I am very proud that A Man of Understanding was the Runner-Up in the People’s Book Prize, Fiction category, of which Frederick Forsyth C.B.E. is the patron emeritus and the late Dame Beryl Bainbridge was the founding patron.

 

--Interview with Deborah Kalb